Shigeaki Mori

Chiho has prohibited her husband, Takahashi, from smoking while she is trying to become pregnant. Takahashi hasn’t told his wife he was laid off, and has a paid sexual encounter with a high-school student, attracted by the pungent odor of her cigarettes, Peace Regulars. That evening, Chiho became outraged by the foul odor of the Peace Regulars saying it reminded her of an elderly relative having shoved the same brand of cigarettes into her genitals in the distant past. In fact that memory was not Chihos, but that of her twin sister, Kaho.

Despite the fact that Kyoko's a girl herself, approaching women on the streets and asking them to pose nude for her proves to be quite a chore. At first she accosts every pretty girl that walks by, until Miho catches her eye. Feeling that she has that certain something special, Kyoko insists that Miho pose for her. Her own life floating rudderless after the separation of her parents, Miho accepts, half entertaining the idea to get back at her father, who has gone on to form a new family and who hasn't been in touch with her in years. The two girls walk around town, Kyoko snapping pictures and listening to Miho's stories. Gradually the two young women begin to sense a mutual attraction. When the time comes to get down to the nitty gritty of the nude shots, the girls' defences come down along with their clothes.

만지고 싶어, 안아줘, 사랑해… 눈 내리는 밤의 편의점, 술을 사러 온 프리랜서 르포 라이터 하야카와 레이. 그녀는 오늘도 머리 속에서 들려오는 목소리들에게 둘러싸여 있다. 언젠가 들은 누군가의 말, 잡지의 문장들, 말할 수 없었던 내면의 느낌들이 수많은 목소리가 되어 그녀를 괴롭히고 있는 것. 목소리들과 함께 와인을 찾던 그녀에게 한 남자의 모습이 들어온다. 그에게 반응하는 그녀와 목소리들, ‘먹고 싶다, 저거 먹고 싶다...’

This documentary-style film recreates the infamous Asama Sanso Incident of 1972 wherein an extreme faction of the Students Allied Red Army holed themselves up in a mountainous cabin in the dead of winter. By the time the police finally caught up with them, it was discovered that they had murderously turned upon themselves in a bizarre extension of their radical philosophy. This event virtually marked the end of the Student Revolution.

Kenichi is a half-Japanese, half-Chinese man of the underworld. You can sell him anything except children's organs. His domain is in Kabukicho, a gangland controlled by various Shanghai gangs intent on taking control. His former partner-in-crime, Fu-Chun, is rumored to have returned to Kabukicho, having fled years earlier after killing the number two of gangland boss, Yuan. Yuan wants to get even and attempts to do so by using Kenichi.

Based on the long running manga by Sadao Shouji.

Shibata and Tategami are Japanese journalists hiding out in the Lost City Night Club to elude the triads. Shibata falls in love with the club's hottest singer, Cora, but is hampered by his disguise - as a woman. She in turn loves Tachikami, who is gay, and desires Shibata.

"Atlanta Boogie" centers around a mock track meet between the "normal" and "good" citizens of Yokohama and those they want to expel from the neighborhood: the illegal foreign workers, the deadbeats, the juvenile delinquents, and elderly.

아쿠타가와 류노스케의 동명 단편소설을 원안으로 삼고 있다. 원작은 가족들의 생계를 위해 유곽에서 매춘을 하는 송금화가 매독에 걸리지만 예수라고 착각한 닮은 꼴의 외국인을 손님으로 맞이하면서 병이 나았다고 믿게된다는 이야기를 다루고 있다. 영화에서는 아쿠타가와 류노스케를 모델로 한 소설가 오카가와 류이치로가 신문사 시찰단원으로 중국에 가게 되면서 유곽의 금화를 만나서 사랑을 나누는 이야기를 중심으로 그려내고 있다.

The members of the Ameya family are all scammers. After their election scheme goes bust in their hometown, they move from Shikoku to Tokyo and resume their fraudulent activities. Everything carries on smoothly until the eldest and the fourth sons' modus operandi go awry, the mother's lover runs off with another woman, and disasters strike one after another. This film is a collaboration between Yoichi Sai and Goro Kishitani following "All Under the Moon." The family business of the Ameya family is defrauding people. The matriarch, who keeps getting married and divorced, has five children with different fathers. The Ameya family chases after fortune and leaves a trail of trouble on their path.

Zazie, one time rock star on the move, has retired at a young age to Shibaura, the semiderelict "waterfront" area of Tokyo. Now he spends his time recording his own life on video. But he can't shake his "fans": members of his former band want a reunion concert, his ex-girlfriend Megumi won't let go, office girls and snack-bar waitresses continue to idolize him. Most disturbing, the taciturn and vaguely threatening Sunada watches him day and night. But Zazie yields to no one, commits to nothing. On the one side, mounting expectation and burgeoning fantasy; on the other, indecision, introspection and silence. Something's gotta give…

In a small town, high school students in their final year try to balance their studies while also playing together in a rock band.

All the protagonists move about in a Tokyo Bar that has an entire wall taken up with a black-and-white reproduction of a photo of Monument Valley. The action starts as Billy the Kid, in full living color, walks out of the photo and gets a job as a waiter. Along with him on the working staff are a samurai straight out of the history books, a G.I. from World War II, and several other anachronistic characters. The plot (as such) revolves around keeping away the brutal mobsters and thugs who dominate the city streets outside of the bar, making the tavern safe for its easily recognized facsimiles of well-known characters.

Action film about a bank robbery.

Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.

Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.