Caio Domingues

After taking the wrong bus, the repressed Pedro gets lost in the city and has his cell phone stolen. The course of his day changes when he meets another guy. Into the night, he experiences new sensations and discovers more about himself.

To protect herself from a revolt by the workers on her family's farm, a reclusive designer locks herself in her armored car. The clock is ticking and the tension rises. Separated by an impenetrable layer of glass, two universes are about to collide.

After 10 months of a self imposed lockdown, Francisco wants to have sex.

Curral is a political drama set in the rural Brazilian city of Gravatá. During the mayoral elections, the population is divided between the Blue and Red parties, two political oligarchies fighting each other for power. A recent severe drought means water is the main bargaining chip when it comes to securing a majority of people's votes. Chico Caixa is a former city employee. He lost his job trying to take water supplies to a poor neighborhood which had been abandoned for political reasons. Caixa is invited by a childhood partner, Joel, to work on his councilor campaign. Joel presents himself as a new alternative to the older candidates, who have been in power for decades. But as the campaign progresses, Chico Caixa soon realizes that breaking apart from the established political game is not always as easy as it may seem

The construction of a community goes far beyond its erected walls and masonry bricks: it lies in the everyday invention of the commonplace, of life shared in its struggles and victories. Stemming from this premise, this debut feature film (by the directors of Na Missão com Kadu) documents the daily life of the urban occupation Eliana Silva, in the city of Belo Horizonte, on the eve of the 2018 elections. Seen from the inside, the hard-won territory becomes a protagonist as much as its residents, as they talk about political activism, companionship, love. Along with the records and personal testimonies is the (re)invention of subjectivity through art, going up against the totalizing narratives that reduce their existence to a newspaper news story.

In the end, one is dead and the others are alone, although the truth is that they were already alone long before his death. Now all of this is gone and there is no point in looking back.

In Brazil of yore, ex-humans feed on a fleeting drug.

“I was really young when I was first raped. I thought of telling this story someday, the story behind this picture. I lacked the courage. If the film could speak for me, then, I could.”

Pedro, a 70-year-old gay nurse, is taking care of Daniela, his ailing transgender friend. In order to find her a vacant hospital bed, he decides to help an arrested and wounded criminal to escape.

In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.

Bernardo owns a furniture industry. In his sixties, he lives alone. After his father's death, he has to count to ten everynight to fall asleep. Time goes by, and it seems like he just can't fall asleep.

Bernardo owns a furniture industry. In his sixties, he lives alone. After his father's death, he has to count to ten everynight to fall asleep. Time goes by, and it seems like he just can't fall asleep.

Young, gifted and black! In an act of self-empowerment, a group of young Black people, mainly first and second generation immigrants from the Caribbean, have occupied the public space of the Toronto underground to perform their agitprop concept of edutainment – poets, rappers, singers and musicians.

Young, gifted and black! In an act of self-empowerment, a group of young Black people, mainly first and second generation immigrants from the Caribbean, have occupied the public space of the Toronto underground to perform their agitprop concept of edutainment – poets, rappers, singers and musicians.