Caio Domingues

After taking the wrong bus, the repressed Pedro gets lost in the city and has his cell phone stolen. The course of his day changes when he meets another guy. Into the night, he experiences new sensations and discovers more about himself.

To protect herself from a revolt by the workers on her family's farm, a reclusive designer locks herself in her armored car. The clock is ticking and the tension rises. Separated by an impenetrable layer of glass, two universes are about to collide.

After 10 months of a self imposed lockdown, Francisco wants to have sex.

Во время выборов мэра население бразильского городка делится на "красных" и "синих" - представителей двух основных политических фигур. Засушливость региона говорит о том, что вода - дороже золота, и именно ей пытаются манипулировать кандидаты, чтобы получить заветные голоса. В это время Шику Кайша, выходец из деревни, где всегда были проблемы с водой, присоединяется к кампании своего товарища Жоэла, который представляет себя как альтернативу привычным кандидатам. Однако позднее Шику понимает, что выйти из политической игры не так-то просто.

The construction of a community goes far beyond its erected walls and masonry bricks: it lies in the everyday invention of the commonplace, of life shared in its struggles and victories. Stemming from this premise, this debut feature film (by the directors of Na Missão com Kadu) documents the daily life of the urban occupation Eliana Silva, in the city of Belo Horizonte, on the eve of the 2018 elections. Seen from the inside, the hard-won territory becomes a protagonist as much as its residents, as they talk about political activism, companionship, love. Along with the records and personal testimonies is the (re)invention of subjectivity through art, going up against the totalizing narratives that reduce their existence to a newspaper news story.

In the end, one is dead and the others are alone, although the truth is that they were already alone long before his death. Now all of this is gone and there is no point in looking back.

In Brazil of yore, ex-humans feed on a fleeting drug.

“I was really young when I was first raped. I thought of telling this story someday, the story behind this picture. I lacked the courage. If the film could speak for me, then, I could.”

Педро, 70-летний гомосексуальный медбрат, заботится о Даниэле, своей нездоровой трансгендерной подруге. Для того, чтобы определить ее в больницу, он решает помочь раненому заключенному сбежать.

In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.

Bernardo owns a furniture industry. In his sixties, he lives alone. After his father's death, he has to count to ten everynight to fall asleep. Time goes by, and it seems like he just can't fall asleep.

Bernardo owns a furniture industry. In his sixties, he lives alone. After his father's death, he has to count to ten everynight to fall asleep. Time goes by, and it seems like he just can't fall asleep.

Молодые, талантливые и черные! Группа молодых темнокожих ребят – поэты, рэперы, музыканты – в основном из первого и второго поколения иммигрантов из Карибского региона, устраивает перформансы в метро Торонто, пропагандируя новые формы образования через развлекательные формы.

Молодые, талантливые и черные! Группа молодых темнокожих ребят – поэты, рэперы, музыканты – в основном из первого и второго поколения иммигрантов из Карибского региона, устраивает перформансы в метро Торонто, пропагандируя новые формы образования через развлекательные формы.