Director of Photography
“生き別れた眼球”を捜している麻耶は、カメラを手に魔都TOKYOを当てもなく歩いていた。そんな麻耶のドキュメンタリー映画を作ろうと彼女の姿を記録する脳神経外科医の佐多と、麻耶の眼球を狙う黒ずくめの眼球コレクターだった。
Director of Photography
“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.
Gaffer
修道院で育った、天涯孤独で純粋無垢な女性・フランチェス子。社会に出たばかりの彼女は、どうして男と女は恋に落ちるのか、なぜセックスするのかを深く考え悩んでは、もんもんとする毎日を送っていた。そんな折、彼女の性器に人面瘡ができてしまう。しかも、その人面瘡は事あるごとにフランチェス子を「おまえはダメな女だ！」と口汚くののしる意地の悪い性格。情け容赦ない言葉の数々に打ちのめされながらも、人面瘡に古賀さんという呼び名を付けて一緒に暮らしていくが…。
Director of Photography
An old couple, their only son, the son's wife, a young man and his lover live peacefully in a village. Then, a terrifying earthquake strikes that causes a nearby nuclear station to explode. The residents must evacuate, but the family lives on a farm, with only half of the area designated as an evacuation area.
Director of Photography
A quiet killer is looking for a room. The real state agent, shy and expressionless, guides him through Tokyo, towards the ruins the decadent economy has left behind, in hopes of finding The Room.
