Pope Paul VI

A journey through Greece and Europe’s past and recent history: from the Second World War to the current crisis. It is a historical documentary, a look into many stories. «If Democracy can be destroyed in Greece, it can be destroyed throughout Europe» Paul Craig Roberts

The documentary offers testimonies and documents never disclosed about the plot against its protagonist, who had the stigmata of Jesus Christ in his hands, feet and side for 50 consecutive years.

アポロ1号の失敗から3年後の1969年、アームストロング船長が初めて月面着陸に成功。その同じ年、予備チームだったジム（トム・ハンクス）、フレッド（ビル・パクストン）、ケン（ゲイリー・シニーズ）の3人は、アポロ13の乗組員に選ばれる。だが、打ち上げ直前に大きな問題が起こる。検査の結果、ケンが風疹に感染した疑いがあることが分かり、急遽、予備チームのジャック（ケヴィン・ベーコン）と交代することになったのだ。1970年4月、無事アポロ13は打ち上げに成功するが、月到着前に突然船内で爆発事故が発生。ヒューストン管制センターでは、アポロ13を地球に戻そうと、職員たちが不眠不休で必死の救出作戦に乗り出す。NASAの協力により船内シーンを実際の無重力空間で撮影するなど、リアルな宇宙描写が満載。奇跡的に生還を果たしたアポロ13の真実の物語を描いた感動ドラマ。

Manuel and Clemente, couple in the shower and in various scheming, try to do business with miraculous apparitions. Near the Sevillian town of El Palmar de Troya, in 1968, people begin to say that the Virgin appears and the two friends take advantage of the situation. Soon a network of economic interests and credulity is created that makes it easier for Manuel and Clemente to achieve their goal: a monumental basilica, a religious order of nuns, priests and bishops of their own, and even a pope, Gregory XVII. Satire on the curious origin of the Palmarian Catholic Church and its unique founders.

Caustic satire on bureaucracy of the Vatican authority and a simple Italian who wants to achieve the audience with the Pope.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.