Pope Paul VI

A journey through Greece and Europe’s past and recent history: from the Second World War to the current crisis. It is a historical documentary, a look into many stories. «If Democracy can be destroyed in Greece, it can be destroyed throughout Europe» Paul Craig Roberts

The documentary offers testimonies and documents never disclosed about the plot against its protagonist, who had the stigmata of Jesus Christ in his hands, feet and side for 50 consecutive years.

1969년 아폴로 11호가 인류 최초의 달 착륙에 성공 이후 1 년 뒤, 아폴로 13호가 발사된다. 새턴 5호 로켓에 실린 아폴로 13호는 어마어마한 화염을 일으키며 하늘로 솟아오르지만, 모의 비행 때부터 불길한 조짐을 보였던 아폴로 13호는 우주에 나간 후 산소통과 연료 탱크가 유실되고 자동유도 장치마저 꺼지는 절대절명의 위기를 맞는다. 휴스턴 기지에 수천 명의 전문가가 모여 승무원의 무사귀환을 논의하는 가운데 졸지에 우주 미아가 된 아폴로 13호의 세 우주 비행사는 극도의 두려움을 느끼며 어둠과 추위에 이겨나가려 하는데...

Manuel and Clemente, couple in the shower and in various scheming, try to do business with miraculous apparitions. Near the Sevillian town of El Palmar de Troya, in 1968, people begin to say that the Virgin appears and the two friends take advantage of the situation. Soon a network of economic interests and credulity is created that makes it easier for Manuel and Clemente to achieve their goal: a monumental basilica, a religious order of nuns, priests and bishops of their own, and even a pope, Gregory XVII. Satire on the curious origin of the Palmarian Catholic Church and its unique founders.

Caustic satire on bureaucracy of the Vatican authority and a simple Italian who wants to achieve the audience with the Pope.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.