Giulio Donato

Today, Rosa celebrates the anniversary of her engagement with Roberto. While she waits for him for dinner, she spends the afternoon in the pool with her younger brother Angelo. They begin to comment on a news story happened a few days earlier: the body of a boy found in a field a few kilometres from the city. Roberto arrives before they expected: the glances between the three become enigmatic and restless.

Called to Rome to stop an imminent terrorist bombing, a soldier desperately seeks news of his imprisoned brother — a rebel with knowledge that could thwart the attack. Navigating the capital's darkened streets, he races to a series of ominous encounters to keep the Vatican from being blown to bits.

Called to Rome to stop an imminent terrorist bombing, a soldier desperately seeks news of his imprisoned brother — a rebel with knowledge that could thwart the attack. Navigating the capital's darkened streets, he races to a series of ominous encounters to keep the Vatican from being blown to bits.

Andreas and Alessandro are two friends who have known each other since their childhood. Now that they have grown up, they study at University in different cities but they always spend the summer together in the place where they were born: a seaside resort that regularly fills up with tourists every year.

Sportin’ Life is the sixth incarnation of the international art project Self, curated by Saint Laurent’s creative director, Anthony Vaccarello. This project is an artistic commentary on society while emphasizing the complexity of various individuals through the eyes of artists who evoke the Saint Laurent attitude of confidence, individuality and self-expression. The documentary is an exploration into the sources and personal history of creativity, the essential life of an artist. Raw and sharp, it has the feeling of a moment in time that is still happening. Abel Ferrara’s intimate and lush look at his own life, his world refracted through his art – music, filmmaking, his collaborators and inspirations such as Ferrara’s early works and his creative partnerships with Willem Dafoe, Joe Delia, Paul Hipp and the musicians who inspired this work.

Clint is a dead man who lives alone in a frozen tundra. However, this isolation cannot bring either evasion or peace. One night, he begins a journey where he must confront his dreams, memories, and visions, crossing the darkness into the light.

Clint is a dead man who lives alone in a frozen tundra. However, this isolation cannot bring either evasion or peace. One night, he begins a journey where he must confront his dreams, memories, and visions, crossing the darkness into the light.

Tommaso is an American expat film director living in Rome with his young wife and their daughter. Disoriented by his past misgivings and subsequent unexpected blows to his self-esteem, Tommaso wades through this late chapter of his life with an increasingly impaired grasp on reality as he prepares for his next film.

Tommaso is an American expat film director living in Rome with his young wife and their daughter. Disoriented by his past misgivings and subsequent unexpected blows to his self-esteem, Tommaso wades through this late chapter of his life with an increasingly impaired grasp on reality as he prepares for his next film.

Fabio struggles with a cumbersome father and a capricious and spoiled little sister who consider him a good for nothing, a “vegetable” in fact. The unfortunate recent graduate looks for a job reacts to the contempt of his family and demanding employers, when an unexpected event remixes roles…

Fabio struggles with a cumbersome father and a capricious and spoiled little sister who consider him a good for nothing, a “vegetable” in fact. The unfortunate recent graduate looks for a job reacts to the contempt of his family and demanding employers, when an unexpected event remixes roles…

Antonio, a representative of medical supplies with no success, finds a brilliant way to present himself to the customers and improve his sales: the special tiramisù (an Italian dessert) made by his beautiful wife Aurora.

Checco is 39 and lived his entire life with his parents. He loves his job where he does nothing the whole day, until something happens that will change his behavior and his life forever...

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.