Nelson Yu Lik-wai

出生 : 1966-08-12, British Hong Kong

略歴

Yu Lik-wai (simplified Chinese: 余力为; traditional Chinese: 余力爲; pinyin: Yú Lìwéi; Jyutping: Yu4 Lik6 Wai4; born 12 August 1966), sometimes credited as Nelson Yu, is a Hong Kong cinematographer, film director, and occasional film producer. Born in Hong Kong, Yu Lik-wai was educated at Belgium's INSAS (Institut National Superieur des Arts de Spectacle) where he graduated with a degree in cinematography in 1994. Yu has become a mainstay in both the cinemas of China (where he is perhaps best known for his collaborations with director Jia Zhangke) and Hong Kong. Yu has served as director of photography for nearly all of Chinese director Jia Zhangke's films, and along with Jia, the two men founded their own independent film production company, Xstream Pictures.

参加作品

Heaven and Hell
Director of Photography
The movie tells the story of a restaurant owner (played by Duan Yihong) who's chased after the murderer of his son for seven years. On the way, he met a young man (played by Shi Pengyuan) with a complicated background. Amidst suspicion and temptation, the relationship between the two began moving in an unexpected direction.
Swimming Out Till the Sea Turns Blue
Director of Photography
Filmmaker Jia Zhangke chronicles his local literature festival in Shanxi, China which includes a multi-generational roster of the country's most esteemed writers.
this body is so impermanent…
Cinematography
A film featuring singer Ganavya, calligrapher Wang Dongling, and dancer Michael Schumacher who during COVID lockdown, created an hour-long meditation on the visionary, radiant Vimalakirti Sutra, a Buddhist text from the first century CE. A businessman, having chosen a path of illness towards spiritual awakening, teaches the visitors at his deathbed with depth and penetration: how to face life with no illusions. The artists, across three continents and three artforms, interpret the text individually and collaboratively, sharing a story of acute pain, deep healing, and radical transformation.
The Best is Yet to Come
Director of Photography
In 2003, Han Dong, a teenager who dropped out of high school, arrives at Beijing with a dream of becoming a journalist.
The Bucket
Director of Photography
What gifts would your parents prepare when your Chinese New Year visit comes to an end? A film about the taste of home shot on iPhone XS.
Revive
Director of Photography
Revive is one of five short films within the Jia Zhangke-produced omnibus film Where Has Time Gone? with contributions from each of the BRICS countries (Brazil, Russia, India, China, and South Africa). In Jia’s segment, a Chinese couple in the ancient town of Pingyao attempts to breathe new life into their old love as they ponder having a second child. Pingyao, home to the film festival Jia has co-founded, is a highly picturesque UNESCO World Heritage Site, and Jia humorously plays with a very recent dilemma – the second child policy dates from only 2013 – in a setting itself forcibly revived from history.
The Hedonists
Director of Photography
Jia Zhangke brings to this edition of the Beautiful series The Hedonists, an engaging drama about several unemployed Shanxi coalminers looking for work.
山河ノスタルジア
Director of Photography
1999年、中国山西省のフェンヤン。小学校の女性教師タオと、炭鉱で働く青年のリャンズー、そして若き実業家のジンシェンは、仲の良い幼なじみ。2人の男性からともに想いを寄せられていたタオは、やがてジンシェンからのプロポーズを受け入れて彼と結婚し、男児を生む。2014年。ジンシェンと離婚し、ひとり暮らしをしていたタオのもとへ、息子のダオラーがやって来て、2人は数年ぶりに親子水入らずの時を過ごす。
Smog Journeys
Director of Photography
Jia Zhangke's short film for Greenpeace East Asia depicts the effects of air pollution in northeast China, a region frequently blanketed in dangerous levels of air pollution. 'Smog Journeys' traces two families from two different backgrounds; one a mining family in Hebei province, and the other a trendy middle class family in Beijing. Both face a similar fate. Air pollution is one of China's most pressing environmental and health issues. Greenpeace calls for a shift from coal to clean renewable energy, as well as short term measures that better safeguard people's health.
Jia Zhangke, A Guy from Fenyang
Self
Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.
A Touch of Sin
Director of Photography
Four independent stories set in modern China about random acts of violence.
Forgetting to Know You
Director of Photography
Young Chinese parents Chen Xuesong and Cai Weihang find their marriage eroding as they deal with financial troubles, jealousy and constant bickering. When Weihang finds a photo of Xuesong and her ex-boyfriend, things spiral out of control.
桃さんのしあわせ
Director of Photography
The relationship between a middle-aged man and the elderly woman, who has been the family's helper for sixty years.
Love and Bruises
Director of Photography
Hua, a young woman from Beijing, is a recent arrival in Paris. Exiled in an unknown city, she wanders between her tiny apartment and the university, drifting between former lovers and recent French acquaintances. She meets Matthieu, a young worker who falls madly in love with her. Possessed by an insatiable desire for her body, he treats Hua like a dog. An intense affair begins, marked by Matthieu’s passionate embraces and harsh verbal abuse. When Hua determines to leave her lover, she discovers the strength of her addiction, and the vital role he has come to play in her life as a woman.
I Wish I Knew
Director of Photography
Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.
Dream Home
Director of Photography
A woman will go to whatever lengths necessary to obtain her dream home with a view of the sea. This includes driving down the property value and decreasing the occupancy rate by killing her potential neighbors ...
Dream Home
Brother Wah
A woman will go to whatever lengths necessary to obtain her dream home with a view of the sea. This includes driving down the property value and decreasing the occupancy rate by killing her potential neighbors ...
荡寇
Director
Yuda, a Chinese immigrant, and his adopted son Kirin, who he saved being eaten by a tiger in the jungle, stand at the head of a massive pirated goods operation that brings in both money and influence. But their empire is crumbling, as corrupt politicians and rival gangs seek to end their power in the city. Yuda is soon got arrested and his dedicated son tries his best to save not just the family business, but his father's reputation.
四川のうた
Director of Photography
大地震が起きる前の中国四川省・成都、巨大国営工場「420工場」が新興住宅地として再開発するため閉鎖された。かつて420工場で働いていた労働者たちが語る家族や初恋の人、一緒に働いた仲間との思い出……。閉鎖されていく工場の様子と彼らのインタビューを映し出しながら、現在に至る中国の変遷を浮き彫りにしていく。
Getting Home
Director of Photography
A black comedy about a farmer who tries to bring home the body of his friend, who died far from their town.
The Postmodern Life of My Aunt
Director of Photography
Ye Rutang (Siqin Gaowa), a single-living woman in her late fifties, struggles to maintain a dignified life amid the dangers of Shanghai.
Dong
Director of Photography
Jia Zhangke travels with painter Liu Xiaodong from China to Thailand as they as they meet everyday workers in the throes of social turmoil. Liu Xiaodong is well-known for his monumental canvases, particularly those inspired by China's Three Gorges Dam project. Jia Zhangke visits Liu on the banks of Fengjie, a city about to be swallowed up by the Yangtze River. The area is in the process of being "de-constructed" by armies of shirtless male workers who form the subject of Liu's paintings. Liu and Jia next travel to Bangkok, where Liu paints Thai sex workers languishing in brothels. The two sets of paintings are united in their subjects' shared sense of malaise in the face of the dehumanizing labor afforded them.
長江哀歌
Director of Photography
サンミン(ハン・サンミン)は、16年前に別れた妻(マー・リーチェン)と娘を捜しに山西省から長江流域の都市、奉節にやって来る。昔の住所を頼りに妻の実家を訪ねたものの、そこはすでにダム建設のため水の底に沈んでいた。役所に問い合わせてもらちがあかず、結局、彼は安宿に腰を落ち着けて2人の行方を捜すことにする。
Jeonju Digital Project 2004
Writer
Three digital short films: 'Influenza' by Bong Joon-ho, 'Kyo-shin' by Sogo Ishii, 'Dance Me to the End of Love' by Yu Lik-wai
Jeonju Digital Project 2004
Director of Photography
Three digital short films: 'Influenza' by Bong Joon-ho, 'Kyo-shin' by Sogo Ishii, 'Dance Me to the End of Love' by Yu Lik-wai
Jeonju Digital Project 2004
Director
Three digital short films: 'Influenza' by Bong Joon-ho, 'Kyo-shin' by Sogo Ishii, 'Dance Me to the End of Love' by Yu Lik-wai
The World
Associate Producer
A young dancer, her security-guard boyfriend and others work at World Park, a bizarre cross-pollination of Las Vegas and Epcot Center where visitors can interact with famous international monuments without ever leaving the Beijing suburbs.
The World
Director of Photography
A young dancer, her security-guard boyfriend and others work at World Park, a bizarre cross-pollination of Las Vegas and Epcot Center where visitors can interact with famous international monuments without ever leaving the Beijing suburbs.
Dance Me to the End of Love
Director of Photography
Plastic city suffers from the big chill. The extreme weather conditions prohibits and human existence on the ground surface. An hostel is under this deserted landscape. A doorkeeper of the hostel Kirin is an orphan and nobody knows exactly where he is from. People named him Kirin simply because he earns his life by collecting emptied Kirin beer cans. One day he meets a woman nomad Lanian.
Dance Me to the End of Love
Writer
Plastic city suffers from the big chill. The extreme weather conditions prohibits and human existence on the ground surface. An hostel is under this deserted landscape. A doorkeeper of the hostel Kirin is an orphan and nobody knows exactly where he is from. People named him Kirin simply because he earns his life by collecting emptied Kirin beer cans. One day he meets a woman nomad Lanian.
Dance Me to the End of Love
Director
Plastic city suffers from the big chill. The extreme weather conditions prohibits and human existence on the ground surface. An hostel is under this deserted landscape. A doorkeeper of the hostel Kirin is an orphan and nobody knows exactly where he is from. People named him Kirin simply because he earns his life by collecting emptied Kirin beer cans. One day he meets a woman nomad Lanian.
All Tomorrow's Parties
Writer
In a future century, after the apocalypse, Gui Dao dynasty controls continental Asia. Zhuai and his younger brother Mian are captured and sent to "Prosperity Camp" for reeducation. They soon discover that the camp's aim is to brainwash people with propaganda. Five years later, there's a change in government and they are free again. Zhuai falls in love for the beautiful Xuelan and together they take her to an old industrial city, now deserted. They get themselves a place to live in an abandoned apartment and try to rediscover the little pleasures of life.
All Tomorrow's Parties
Director
In a future century, after the apocalypse, Gui Dao dynasty controls continental Asia. Zhuai and his younger brother Mian are captured and sent to "Prosperity Camp" for reeducation. They soon discover that the camp's aim is to brainwash people with propaganda. Five years later, there's a change in government and they are free again. Zhuai falls in love for the beautiful Xuelan and together they take her to an old industrial city, now deserted. They get themselves a place to live in an abandoned apartment and try to rediscover the little pleasures of life.
青の稲妻
Associate Producer
Three disaffected youths live in Datong in 2001, part of the new "Birth Control" generation. Fed on a steady diet of popular culture, both Western and Chinese, the characters of Unknown Pleasures represent a new breed in the People's Republic of China, one detached from reality through the screen of media and the internet.
青の稲妻
Director of Photography
Three disaffected youths live in Datong in 2001, part of the new "Birth Control" generation. Fed on a steady diet of popular culture, both Western and Chinese, the characters of Unknown Pleasures represent a new breed in the People's Republic of China, one detached from reality through the screen of media and the internet.
Platform
Associate Producer
China's rapid changes from the late-1970s to the early 1990s, as seen through the lives of four performers in a theater troupe.
Platform
Director of Photography
China's rapid changes from the late-1970s to the early 1990s, as seen through the lives of four performers in a theater troupe.
In Public
Director of Photography
A fragmentary landscape for a little train station in a suburban area and a bus stop in a mining town. A lonely soldier in his heavy coat, a tired old man, a bubbly young lady, a punk, a woman waiting in the street... From all those different people in these unfamiliar places, we can feel the exhaustion of every life.
Love Will Tear Us Apart
Writer
The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.
Love Will Tear Us Apart
Director
The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.
Ordinary Heroes
Director of Photography
Ordinary Heroes is a narration about the life stories of an advocate, a prostitute, a social worker, and a priest during the social movements from 1970s to 1980s in Hong Kong. The film is based upon true stories.
Pickpocket
Director of Photography
A small town pickpocket whose friends have moved on to higher trades finds himself bitter and unable to adapt.
Neon Goddesses
Director of Photography
Three provincial girls departed for Beijing. Yu Quin works as a hostess in a night-club, leaving her two-year-old daughter in someone else's care. Hu Jin is a bit part player and runway model. Zun Ji worked as a dancer in a discotheque, but returned to her hometown after she became a drug addict.
Neon Goddesses
Scenario Writer
Three provincial girls departed for Beijing. Yu Quin works as a hostess in a night-club, leaving her two-year-old daughter in someone else's care. Hu Jin is a bit part player and runway model. Zun Ji worked as a dancer in a discotheque, but returned to her hometown after she became a drug addict.
Neon Goddesses
Director
Three provincial girls departed for Beijing. Yu Quin works as a hostess in a night-club, leaving her two-year-old daughter in someone else's care. Hu Jin is a bit part player and runway model. Zun Ji worked as a dancer in a discotheque, but returned to her hometown after she became a drug addict.