Lim Giong

This is a story of reminiscence, remembering my long-deceased Grandpa. To remember is to transcend, therefore it’s a story of time and space, overlapped and intertwined. It’s also a quest of love and work, a spiritual and emotional journey; and through which values are re-examined and life reaffirmed.

A documentary took more than 30 years to pursue a migrating bird, black-faced spoonbill.

Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.

Lim took Huang touring around the downtown streets and rural trails, tracing the path of HUNG TUNG, Lim's favorite artist.

Lim took Huang touring around the downtown streets and rural trails, tracing the path of HUNG TUNG, Lim's favorite artist.

After years toiling in bit-parts, an actress finally gets her break with a leading role in a spy thriller. The part is challenging, not least because it calls for explicit sex scenes, and the director is often hard on her. But both the industry and the press think the results are sensationally good.

Stoic truck driver Jinpa picks up a silver dagger wearing hitchhiker in the desolate Kekexili plateau. The stranger suddenly reveals he’s going to kill the man who murdered his father.

In Taipei, a rehearsal for Kafka’s Metamorphosis is in full swing as the show’s opening night approaches. Lin’s girlfriend, Julie, is visiting him from Paris. After the rehearsal, he picks her up at the airport and they spend the night together. In the morning, Lin is nowhere to be found and leaves Julie waiting at his apartment

This omnibus film consists of three films made by three directors from three countries. With “Journey” as the theme, each of these films tells about a journey. “The Sea” is a film by Degena Yun (China), telling about mother and child’s trip to the sea from Beijing. “Hekishu,” a film by Daishi Matsunaga (Japan), tells about the journey of a Japanese businessman involved in infrastructure development in Yangon. The film depicts the entrepreneur’s emotional feelings in the face of Yangon residents who lost their homes due to the construction of the new infrastructure. The last is a film titled “Variable No. 3” by Edwin (Indonesia), which tells the story of a couple’s journey to Tokyo. There they meet a mysterious man. The man who works as a tour guide and rents out the inn, gives a strange advice to the husband and wife.

Luo Hongwu returns to Kaili, the hometown from which he fled many years ago. He begins the search for the woman he loved and whom he has never been able to forget.

Set in China's underworld, this tale of love and betrayal follows a dancer who fired a gun to protect her mobster boyfriend during a fight. On release from prison 5 years later, she sets out to find him.

“What were you doing last year, when I took this photo from a train passing by your house?”

As the actress arrived, everything about the movie, about the life of director and actress, and about the affection between professor and his student, were revealed and punctured one after another. In the hazy fuzzy afternoon, there is nothing left on the dining table outside the cabin but four-cornered souls; the bandit in the director's movie was also beset in the bank as a trapped beast.

Hsu Zi-qi, who raises parrots in her apartment, keeps getting wrong phone calls for someone named Johnny. Lee, the autistic son of Zi-qi’s landlady, reads old newspapers every day and wanders around. Handyman Feng, who works odd jobs around the apartment, feels disheartened and frustrated when his beloved car breaks down. The lives of these three lonely souls cross over when one of Zi-qi’s parrots escapes one day. Johnny is missing, but he’s hardly the only one lost in the urban jungle of Taipei.

For the sake of her mother, who lives far away, withdrawn Lynn searches for a way to be accepted into the local police academy. At the same time, the 16-year-old gets caught up in a criminal mess involving stolen cell phones.

Two journeys take place in two different periods. One is a train journey across two continents. The other follows an old family photograph back to life during wartime. The rhythmic swaying of the train reveals a forgotten memory.

Revive is one of five short films within the Jia Zhangke-produced omnibus film Where Has Time Gone? with contributions from each of the BRICS countries (Brazil, Russia, India, China, and South Africa). In Jia’s segment, a Chinese couple in the ancient town of Pingyao attempts to breathe new life into their old love as they ponder having a second child. Pingyao, home to the film festival Jia has co-founded, is a highly picturesque UNESCO World Heritage Site, and Jia humorously plays with a very recent dilemma – the second child policy dates from only 2013 – in a setting itself forcibly revived from history.

A rebellious teen is reunited with her father, a small time Taipei gangster, causing him to question his life of crime.

Anu is a tomboy. Although she was married off at a young age – as was customary in Taiwan in the 1970s – and had two children, she quickly divorced her violent husband and brought up her daughters alone. Since then her only relationships have been with women who, like her, earn a living as professional mourners at funerals. One of her daughters is filmmaker Hui-chen Huang. It’s considered taboo in Chinese culture to question a mother’s unconditional love, and yet this is exactly the topic of Huang’s intimate portrait. Mother and daughter set off on a journey together into the past during which Anu is confronted with questions that have tormented her daughter for years. In a series of long shots the two women discuss such topics as trust, abuse and cognisance, and yet most of these discussions end in painful silence. Shifting focus in order to plumb the depths of the depicted room, the director attempts to understand her mother by also talking to her mother’s siblings and ex-lovers.

Two illegal Burmese migrants fleeing their country’s civil war find love with each other while struggling to survive in the bustling cities of Thailand.

In the subtropical province of Guizhou, Chen Sheng embarks on a journey to find his nephew.

Midi Z visits his oncle who works as a jade miner.

The black kite, generally referred to as “the eagle” in Taiwan, used to be very widespread and so common that it is the main character in a well-known Taiwanese children’s game. However, it has now become so rare that very few people ever get to see it. SHEN Zhen-zhong, better known as “Mr. Kite” who vowed to safeguard this endangered bird, is determined that he spent the best 20 years of his life traveling throughout Taiwan to find out why the black kite is disappearing. From 1992 to 2015, the film documentary maker LIANG Chieh-te followed Mr. Kite’s journey. Through his camera lenses, the story of how, one person can cross the species barrier and totally devote himself to a cause with no regrets because of love.

On his trip to the village, Wong meets a Tibetan girl, De Lan. He later finds that De Lan is married to Rigchin. One day, a young Tibetan man arrives with a woman, and De Lan starts crying. How many lovers does De Lan have? When Rigchin hints Wong that he doesn't mind he joining them, Wong is lost...

A female assassin during the Tang Dynasty begins to question her loyalties when she falls in love with one of her targets.

Jia Zhangke's short film for Greenpeace East Asia depicts the effects of air pollution in northeast China, a region frequently blanketed in dangerous levels of air pollution. 'Smog Journeys' traces two families from two different backgrounds; one a mining family in Hebei province, and the other a trendy middle class family in Beijing. Both face a similar fate. Air pollution is one of China's most pressing environmental and health issues. Greenpeace calls for a shift from coal to clean renewable energy, as well as short term measures that better safeguard people's health.

Four independent stories set in modern China about random acts of violence.

With a large number of factories in the area, the hosiery industry forms the backbone and economic mainstay of a small rural town. One in two of the population makes their living from the production of socks. “Brother Black Dog” is of one of them and has been toiling day and night. However, one day in spring, his overseas orders suddenly disappear. He gets stuck in a midlife crisis.

Young Chinese parents Chen Xuesong and Cai Weihang find their marriage eroding as they deal with financial troubles, jealousy and constant bickering. When Weihang finds a photo of Xuesong and her ex-boyfriend, things spiral out of control.

One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).

High in the mountains of Taiwan, is the remote village of Smangus. Inhabited by a unique group of indigenous people called the Tayal, Smangus is the only place in Taiwan that now practices common ownership of land and property. This is a place where nature and man have found balance. Now, witness every part of the lives of these people, through pain and joy, and experience the unique bonds formed with the ancient trees around them, in a film that documents A Year In The Clouds - a year amongst the sacred forests of this tribe.

Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.

Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.

ソーサは交通事故専門の弁護士“カランチョ”。病院や警察から現場に向かいクライアント探しに走り回る日々だが、彼の法律事務所は被害者へ斡旋した保険金・示談金をピンハネしている悪徳組織だ。そんなある日、事故現場で若き女性医師ルハンと出会う。懸命に人命救助に励んでいる彼女に会い、今の状況を変えたいと思うようになるソーサだが、彼を辞めさせたくない事務所はルハンに圧力をかけ始めるのだった。

In a small northern Chinese city in 1997, Judge Tian privately struggles with the loss of his daughter, killed by a stolen car in a hit-and-run accident. On the bench he encounters Qiuwu, a mechanic accused of stealing two cars. Perhaps influenced by his emotional state, the outwardly impassive judge imposes an almost-obsolete criminal law on Qiuwu that sentences him to death for his crime. Desperate to mitigate his sentence, Qiuwu agrees to donate his kidney to a rich businessman dying of a terminal illness, hoping at the very least that his impoverished family may profit from his demise.

Yang-yang is a French-Chinese mix. She has never seen her French father. She does not speak a single French word. Her mum has re-married but she has been very lonely. She started working at the entertainment industry. The fact that she is a mix is a good selling point. The film depicts how Yang-yang dealt with her life, her relationships with men, with her mother and friends.

大地震が起きる前の中国四川省・成都、巨大国営工場「420工場」が新興住宅地として再開発するため閉鎖された。かつて420工場で働いていた労働者たちが語る家族や初恋の人、一緒に働いた仲間との思い出……。閉鎖されていく工場の様子と彼らのインタビューを映し出しながら、現在に至る中国の変遷を浮き彫りにしていく。

Throughout ten years of a key era in Chinese and Hong Kong history, a girl becomes fixated on a fellow commuter who she observes regularly. While the two never speak to one another, the girl captures her appearance and life changes during the years through various means such as photos and drawings.

A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jin is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and level-headed of the couple.

Leading Chinese Sixth Generation filmmaker Jia Zhangke returns home to Fenyang in Shanxi province after winning the Golden Lion Award at the Venice Film Festival for Still Life (2006). The experiences of his childhood, the people he grew up with, and the changing landscape of his home town gave Jia the inspiration to make his first films. The documentary forms a poignant inquiry into the past of the director's life and Chinese society at the same time.

Do Over follows five characters over twenty four hours on the last day of the year. As the interrelated stories proceed, the connections between the lives of the five characters begin to reveal themselves and their stories unravel. By depicting five different characters at emotional crossroads, Do Over examines the struggle of overcoming our greatest fears; the unknown of what lies ahead in the future, the fading value of our existence in the present, and most of all, irreversible mistakes made in the past that may catch up to us.

サンミン（ハン・サンミン）は、16年前に別れた妻（マー・リーチェン）と娘を捜しに山西省から長江流域の都市、奉節にやって来る。昔の住所を頼りに妻の実家を訪ねたものの、そこはすでにダム建設のため水の底に沈んでいた。役所に問い合わせてもらちがあかず、結局、彼は安宿に腰を落ち着けて2人の行方を捜すことにする。

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

A young dancer, her security-guard boyfriend and others work at World Park, a bizarre cross-pollination of Las Vegas and Epcot Center where visitors can interact with famous international monuments without ever leaving the Beijing suburbs.

The film follows Robinson, a very succesfull real estate broker, who lives in a modern hotel in Taipei. But all the success also hides a lonely man, whose relations are becoming distant, including friends and lovers; Robinson's dream is the Crusoe, an island on the Caribbean, which he wants to try purchase.

The beautiful Vicky drifts through her empty life in the neon-lit Taipei, maintaining a pointless relationship with her loser DJ boyfriend, Hao-Hao, and an unsatisfying career as a nightclub hostess. As her romance becomes increasingly strained, she decides to take up with Jack, a caring but criminally connected businessman. But this new relationship can't change Vicky's aimless nature, and her future remains as doubtful as ever.

1945-1947, Taiwan. A teenage couple were deeply in love despite objections from the girl’s family. Their tragic story is played out in travelling troupes, tea-houses and western-style cafes, with the backdrop of Japanese occupation and the 28 February Incident.

In this portrait of small-time hoods rendered in rhythm-of-life anecdotal detail, Gao is the leader of a circle of layabouts including his sidekick, Flathead, and their girlfriends, Pretzel and Ling. He is also the originator of petty crime schemes, which promise to get the gang nowhere fast.

In this portrait of small-time hoods rendered in rhythm-of-life anecdotal detail, Gao is the leader of a circle of layabouts including his sidekick, Flathead, and their girlfriends, Pretzel and Ling. He is also the originator of petty crime schemes, which promise to get the gang nowhere fast.

An actress preparing to play in a historical epic is terrorized by someone faxing her pages from her stolen diary; has colorful flashbacks of her affair with a now-deceased man; and imagines black-and-white film-within-a-film scenes of the movie she is about to appear in.

In the first half of this century, young Li Tienlu joins a travelling puppet theatre and subsequently makes a career as one of Taiwan's leading puppeteers.

A group of young Taipei residents is drawn into the city’s underworld through the growing obsession of one, the boyish Ah-feng, for the sexy Cantonese mistress of a gang boss.

A-Guo and A-Dou are two teenagers living in an industrial town in Taiwan, who fight, loaf, and cause trouble all day and hang out with Jie, a young gangster. When Jie's gangland patron is gunned down, the trio set out to revenge the killing. As a result, the two teens are forced into hiding.