Stéphanie Granel

In a deserted quarry where “the stone is without a world,” a naked man and a woman in black await the apocalypse.

The plot is set in a post apocalyptic Junkyard where people take refuge from authority and are able to practice their fantasies and fetishes without being stopped by the police. These people are led by Emanou who is a sort of Messiah, who promises music rather than salvation.

A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.

Agnes leaves school and moves into a council house in Bagnolet with her friend Florence. She take a job as an office clerk, and becomes a staff representative after a colleague is dismissed for resisting the advances of her lecherous superior...