Tomlinson Holman

名監督たちはいずれも、映画の音響が作品に与える影響は重要だと語り、自作や過去の名作を例に挙げて解説。音響デザイナーのマーチは“音が与える印象は、映像よりずっと強い”と語る。音楽、せりふなどの人の声、効果音などを組み合わせて音響は作られるが、どう組み合わせるかでまったく変わる。特にSFやファンタジーといったジャンルでは、現実に存在しない音を作るための工夫が必要となるが、すでにある音を応用することも。

In the fall of 2009, Lindsay Ellis, a 26-year old graduate student, went through the painful process of having an abortion. “The A-Word” follows Ellis as she opens up to her family and organizations from both sides of the debate, in search of healing. This is not a film about the protests and debates wrapped up in religious views and political agenda, but rather a personal journey about one woman’s struggle to shed the stigma attached to the A-word in hopes of starting a dialogue.

Semi-urban detective duo Ross and Wilson have been charged with taking down local drug kingpin, Blasi. After busting a low-level pusher, they convince his girlfriend, Sheila, to start working for them as an undercover operative in exchange for avoiding prison. But as Ross finds himself becoming romantically interested in his new, perpetually spaced out informant, Blasi continues to strengthen his crime empire, setting his sights on even loftier, and deadlier, ambitions.