ようこそ映画音響の世界へ (2019)
音楽、せりふ、効果音といった映画の“音響(サウンド)”を掘り下げてクローズアップしたドキュメンタリー。G・ルーカス、S・スピルバーグなど、大物映画人も多数登場。
ジャンル : ドキュメンタリー
上映時間 : 1時間 34分
演出 : Midge Costin
シノプシス
名監督たちはいずれも、映画の音響が作品に与える影響は重要だと語り、自作や過去の名作を例に挙げて解説。音響デザイナーのマーチは“音が与える印象は、映像よりずっと強い”と語る。音楽、せりふなどの人の声、効果音などを組み合わせて音響は作られるが、どう組み合わせるかでまったく変わる。特にSFやファンタジーといったジャンルでは、現実に存在しない音を作るための工夫が必要となるが、すでにある音を応用することも。
This is a short film about Alice Guy-Blaché, the first female director of fiction in cinema history. Alice Guy was Léon Gaumont's secretary at the beginning of the last century and she was the first woman to ever direct actors in front of the camera. In 1895, the Lumière brothers introduced to the world the "Cinématographe", the first camera. Léon Gaumont decided to sell this revolutionary new device. Fascinated, Alice asked her boss for permission to use the camera to make her own films. Mr. Gaumont agreed only under the condition that she “would be able to keep up with her mail.” This short film is a poetic reverie that Alice Guy might have had in her time if only society at the time hadn't presented her with so many challenges.
An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.
A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.
A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.
映画創世記に、誰よりも映画を愛し、その可能性を追求した映画の父-ジョルジュ・メリエスの成功と挫折の人生を、彼が生きた時代背景と共に追ったドキュメンタリー。 偶然見つかった幻のカラーフィルムから始まった『月世界旅行』のリストア作業全工程と、トム・ハンクス、ミシェル・ゴンドリー、ジャンピエール・ジュネ等へのインタビューを通して、今もなお多くの映画人を魅了しているメリエスの映画魔術に迫る。
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
In this filmed version of cult film director John Waters' popular one-man show, the Pink Flamingos and A Dirty Shame director takes the stage to discuss everything from his early influences, fondest career memories, and notorious struggles against the MPAA rating system. Part endearing memoir and part hilarious lecture, This Filthy World touches on everything from the insanity of contemporary pop culture to the director's unforgettable early collaborations with inimitable Pink Flamingos star Divine.
名監督たちはいずれも、映画の音響が作品に与える影響は重要だと語り、自作や過去の名作を例に挙げて解説。音響デザイナーのマーチは“音が与える印象は、映像よりずっと強い”と語る。音楽、せりふなどの人の声、効果音などを組み合わせて音響は作られるが、どう組み合わせるかでまったく変わる。特にSFやファンタジーといったジャンルでは、現実に存在しない音を作るための工夫が必要となるが、すでにある音を応用することも。
Deep Throat, a pornographic film directed by Gerard Damiano, a film-loving hairdresser, and starring Linda Lovelace, a shy girl manipulated by a controlling husband, was released in 1972 and divided audiences, who began to talk openly about sex, desire and female pleasure; but also about violence and abuse; and about pornography, until then an almost clandestine industry, as a revolutionary cultural phenomenon.
A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.
日本映画黄金期を代表する伝説的俳優、三船敏郎(1920-97)の生涯と作品について解説する。
A collection of restored prints from the Lumière Brothers.
The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
France, 1974. The erotic film Emmanuelle, directed by Just Jaeckin, breaks all records for cinema attendance: the story of the creation of a sensual epic that marked a turning point in the struggle for sexual emancipation.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.
The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.
Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.
A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.
A poetic journey into the visual world of the legendary filmmaker and actor Orson Welles (1915-85) that reveals a new portrait of a unique genius, both of his life and of his monumental work: through his own eyes, drawn by his own hand, painted with his own brush.