Mario Ferrari

Story of Moses. Originally a TV Miniseries recut for theaters

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.

Aeneas leads escapees from the Trojan war to new land in Italy, and must deal with new threats to his people.

A warrior returning home to his country must battle giant bats, three-headed dogs and a vicious dragon to save his wife, and his people, from the machinations of an evil ruler.

A scientist kills his rival with a perfect alibi and tries to get away with it.

The life and loves of great composer Giuseppe Verdi are played against a background of the great operas of the 19th Century. A tender love story of his successful and turbulent life, with more than 20 excerpts from his acclaimed operas.

Rome, 1527. Massimo Colonna is in love with Angela, a member of the Orsinis, the Colonnas'arch enemies. As she is officially engaged to Tancredi Serra, the latter, a faithless individual, has Massimo accused of the murder of Prince Orsini whereas he himself has woven it. Massimo is rejected by an outraged Angela and banned from Rome.Meanwhile the Eternal City has to face a brutal attack by armed invaders from Spain. The Spaniards are about to storm Rome when Massimo and his troops appear. The invading forces are defeated and Massimo is acclaimed by the crowd. After clearing his name, he can marry Angela.

A young couple, Renato and Maria, struggle to provide for their young daughter Pia.

Adaptation of a play written by Sabatino Lopez.

A crack team of Italian naval divers plan to attach high explosives to the hulls of Royal navy warships anchored in Gibraltar harbour.

Northern Italian Stefano marries sweetheart Maria by proxy while working abroad in Canada. However, she is mistakenly accused of her sister's crime of abandoning her own child and, when Stefano finds out, he decides to call off their marriage.

The Queen of Sheba falls in love with the King of Israel. The King of Israel, however, is in love with someone else.

A young widow flees from her small town and moves to the seaside, where she falls for a fisherman.

Venice FilmFestival 1952

Gina is the daughter of a provincial newsstand dealer and spends her time reading pulp magazines and dreaming of a glamorous vocation on the big city. She enters a beauty contest in a nearby city, without her father's permission, and, en route, meets Franco, a salesman.

Women Without Names (Italian:Donne senza nome) is 1950 Italian drama film directed by Géza von Radványi and starring Simone Simon, Vivi Gioi and Françoise Rosay.[1] It is set in a displaced persons camp after the Second World War. It was made at Cinecittà in Rome.

Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.

Sicily, 17th Century. When his fiancée is kidnapped, a young man sets out to find her.

Luisa's dreams of love comes true in a hotel in the mountains.

This melodrama was directed by an émigré Russian from a story by Corrado Alvaro and Emanuele Caracciolo. The latter was murdered by the Nazis in the Fosse Ardeatine massacre, before the film’s post-war release. Featuring Miranda and Girotti prior to neo-realist stardom.

The Italian troops at Giarabub defend themselves against the British.

The film takes place at the end of the 19th century. The Cardinal Guglielmo Massaia has spent 20 years in Ethiopia to convert people to the Catholic Church. He comes back to Italy and he tries to get the help of the government of Piedmont. The Count Cavour, although he appreciates the Cardinal's deeds in Africa, cannot grant his Cabinet's support to the Cardinal's plans. The missionary man, trusting the Divine Providence, goes back to Africa by himself. The Cardinal, who is known among the people as Abuna Messias, becomes a friend of king Menelik. The support of the king is fundamental to spread his word and accomplish his mission. The Head of the Coptic Church, Abuna Attanasio, does whatever he can to prevent Massaia from reaching his goals and to get him exiled from Ethiopia. Menelik refuses to help Abuna Attanasio, who decides to address the Emperor, thus igniting a war between the Emperor and his subject Menelik. In order to end the war, the Cardinal decides to leave Africa.

"Black Crossing" - In an Oriental port a group of people embarks a trader designated for Europe. One of them, a shady individual, entrusts the captain with a box of valuables to be kept until the end of the journey.

ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.

Successful WWI pilot Luciano Serra has problems adjusting to an ordinary life in peace, so he leaves his family and becomes a pilot in America. In the 30s, his son in Italy wants also to become a pilot, and Luciano accepts an offer of a double dealing agent for a flight from Rio to Rome, but his plane crashes in the Atlantic. For the world Luciano Serra is missing, but he has entered the Italian army under a new name to fight in Ethiopia. The train in which his unit travels is attacked by Ethiopian soldiers, his son flying a reconasaince mission is shot down and wounded by the same attacking enemies. Will Luciano be able to fly the plane back, to get close air support for the outnumbered Italian troups?

In order to encourage the young maestro Vernieri not to break down after the first failures, the director of the theater "La Scala" in Milan tells two significant episodes concerning the theater.

Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.

Umberto Solaro loses the love of his life Speranza, a noble but poor girl who has been forced to marry a rich Austrian army officer. Heartbroken Umberto becomes a riding instructor but during a competition his horse dies and he decides to give up equitation and become an aviator.

Lorenzino de 'Medici manipulates Alessandro ruler of Florence to save his beloved Bianca.

Based on fact, Passaporto Rosso (Red Passport) details the plight of a group of poor Italian immigrants who are hired as railroad workers in turn-of-the-century South America. In addition to facing poverty, deprivation, and prejudice, the immigrants are also bedeviled by a raging fever epidemic. Finally achieving a measure of prosperity, the Italians are forced to confront tragedy once more when their grown children march off to WWI. Though Isa Miranda is top-billed, she has very little to do in comparison with male lead Filippo Scelso. Passaporto Rosso was released in the U.S. as Destiny Unknown.

The story is the harried attempt of a Sicilian partisan, as part of the risorgimento, to reach Garibaldi's headquarters in Northern Italy, and to petition the revered revolutionary to rescue part of his besieged land. Along the way, the peasant hero encounters many colorful Italians, differing in class and age, and holding political opinions of every type. There is a key train scene, and the film ends on the battlefield, Italian unification a success, despite brutal losses.

Gaby is expelled from school after a married teacher commits suicide after telling her he can't live without her. Though she has done nothing, she is punished for his act.

It seems that Zarre (Guido Celano), the man chosen to be the jockey for the Lupa contrada, and fiance' to Fiora (Leda Gloria), becomes enamored of a cafe' chanteuse. Bachicche, the jockey of a rival neighborhood, wants to get even with Zarre for a past offense and enlists the help of the chanteuse, Liliana (Laura Nucci).

A bankrupt aristocrat tries to keep up appearances while his situation worsens. To top it off the life savings given to him by a beggar to invest has been mistakenly claimed by the aristocrat's altruist society for their annual Feast of the Poor.

A wealthy widow becomes infatuated with an adventurer posing as a poet and, forgetting her responsibilities as a mother and her no longer young age, falls prey to a love frenzy in her family that puts her at odds with her daughter, who has just left boarding school, and her own brother, who is all about scientific research. The girl, who has learned of the alleged poet's less-than-honest intentions, tries every means to drive him away and restore her mother's sentimental balance. For this she pretends to be in love with him who, attracted by her youth and rich dowry, proposes that she elope.