Philippe Collin

In these interviews, conducted in 2008, actor Alexandra Stewart and filmmakers Philippe Collin and Volker Schlöndorff discuss the making of The Fire Within.

Paul, a former insurer, is struggling to make ends meet. He agrees to meet Sarrebry, a loan shark introduced to him by his friend Daubelle. Paul mortally knocks out the disgusting crook and steals a large sum of money from him.

Paul, a former insurer, is struggling to make ends meet. He agrees to meet Sarrebry, a loan shark introduced to him by his friend Daubelle. Paul mortally knocks out the disgusting crook and steals a large sum of money from him.

Documentary about the Parisian locations for the film by Louis Malle.

A brief, fictionalized time period in the life of Professor Kant. The story is set in Kant's hometown, Konigsberg; it chronicles his last few years prior to his death in 1804 at the age of 80.

A brief, fictionalized time period in the life of Professor Kant. The story is set in Kant's hometown, Konigsberg; it chronicles his last few years prior to his death in 1804 at the age of 80.

With his body now devoid of substance and able to fly, N. wanders looking for a way to return to life and reintegrate into the world.

Cine Follies is a film anthology focusing chiefly on French comedies and musicals of the 1930s interspersed with newsreel footage. Among the stars featured are Fernadel, Josephine Baker, Jean Gabin, and Maurice Chevalier.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.

An American in Paris lives by sponging off his working friends, and throws a party using borrowed money when his rich American aunt dies, believing firmly in his horoscope.

When Jill becomes a movie star, she soon discovers that her private life is destroyed by persistent fans that won't leave her alone. Her mother's ex-lover, Fabio, tries to protect her.

A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle. He and the viewer get more than they bargained for, however, in this anarchic comedy that rides roughshod over the City of Light. Based on a popular novel by Raymond Queneau that had been considered unadaptable, the audacious Zazie dans le Métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.