Philippe Collin

In these interviews, conducted in 2008, actor Alexandra Stewart and filmmakers Philippe Collin and Volker Schlöndorff discuss the making of The Fire Within.

Paul, a former insurer, is struggling to make ends meet. He agrees to meet Sarrebry, a loan shark introduced to him by his friend Daubelle. Paul mortally knocks out the disgusting crook and steals a large sum of money from him.

Paul, a former insurer, is struggling to make ends meet. He agrees to meet Sarrebry, a loan shark introduced to him by his friend Daubelle. Paul mortally knocks out the disgusting crook and steals a large sum of money from him.

Documentary about the Parisian locations for the film by Louis Malle.

A brief, fictionalized time period in the life of Professor Kant. The story is set in Kant's hometown, Konigsberg; it chronicles his last few years prior to his death in 1804 at the age of 80.

A brief, fictionalized time period in the life of Professor Kant. The story is set in Kant's hometown, Konigsberg; it chronicles his last few years prior to his death in 1804 at the age of 80.

With his body now devoid of substance and able to fly, N. wanders looking for a way to return to life and reintegrate into the world.

Cine Follies is a film anthology focusing chiefly on French comedies and musicals of the 1930s interspersed with newsreel footage. Among the stars featured are Fernadel, Josephine Baker, Jean Gabin, and Maurice Chevalier.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.

자신의 행운을 믿는 피에르는 최근 부유한 친척이 사망했다는 소식을 듣는다. 막대한 유산을 받을 것이라 기대한 피에르는 친구들과 호화로운 파티를 벌이며 미래를 기대한다. 그러나 몇 주의 시간이 흐른 후 피에르가 갑자기 모습을 감추자 친구들은 피에르에게 무슨 일이 생긴 건 아닌지 걱정하기 시작한다. 에릭 로메르의 장편 데뷔작으로 1959년에 완성했지만 개봉을 못 해 1962년에야 공개될 수 있었다.

When Jill becomes a movie star, she soon discovers that her private life is destroyed by persistent fans that won't leave her alone. Her mother's ex-lover, Fabio, tries to protect her.

엄마와 함께 파리에 온 10대 소녀 쟈지. 엄마는 애인을 만나러 떠나고, 쟈지는 이틀간 드랙퀸 삼촌과 지내게 된다. 지하철을 타보고 싶은 쟈지는 몰래 삼촌의 집을 빠져 나온다. 그러나 때마침 지하철은 파업중! 용감하게 혼자 파리 시내를 활보하던 맹랑한 꼬마 쟈지는 이상한 어른들을 만나 깜찍한 소동을 일으키는데… 레이몽 크노의 동명 소설을 원작으로 하는 코미디 영화로 깜찍한 거짓말로 주변 어른들을 당황하게 만드는 장난꾸러기 소녀의 매력이 깊은 인상을 남긴다.