Claudio Spinelli

In the '80s, a teenage nerd notices sinister parallels between the story of his favorite comic book and the real life horrors befalling the small town where he lives. He and a few friends seek to investigate.

The film follows the story of two couples in crisis who are about to break up but who, due to the Lockdown, imposed to stop the spread of the coronavirus, will instead be forced into a forced coexistence. The protagonists, through smartkworking, household chores and sports activities, will find themselves living under the same roof, giving life to a comedy full of laughter but also of reflections.

A few weeks before the Fall of the Berlin Wall, Pago, Rice and Bibi leave the calm city of Cesena looking for adventure: a ten-days-long holiday in Eastern Europe, in those places where the Soviet regime is still alive.

In the Campania countryside, Pasquale Cardinale, an elder ranger, spends his days between alcohol and video poker. To settle the debts he organizes a scam of 200 white pure goldfinches, replacing them with common ones, but it will not end as expected.

A businessman gets stuck in his office elevator before an important client meeting. Soon this claustrophobic annoyance will turn into a nightmare, for outside that metal cage a deadly virus has begun to spread, turning people into raging zombies...

A Camorra boss fakes his own death in order to start a new life elsewhere with his family, but a nurse happens to see him alive and well after the funeral. A hitman is promptly sent to get rid of her, only to find out that she's his first and unforgotten love. He decides to protect her, becoming himself a target.

Two very different men have something in common: the work. When their companies are bought by a bigger one, who will take the only place of boss of the new company?

Marco is married to a gorgeous woman, has a child and a great job. Everything seems perfect, at least until his wife of 25 years announces that she has another man and wants a separation. Marco is forced to leave home.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

In a post-apocalyptic future, the Italian peninsula is going through a dark moment due to a terrible energy crisis.

The “meaning of life” told by Eros Puglielli in his peculiar directing style: weird characters, odd mishaps, fates that meet, skim and loose each other. A student in love with her philosophy lecturer, a disabled man seeking for his legs recovery, a young pop star desperate for a spiritual leader to meet. And above everybody stands an overhanging odd luminous man, maybe true, maybe not.