Pascal Sangla

Simultaneously, a retired couple overwhelmed by debt tries to win a dance contest, as the minister of economy is suspected of tax evasion, and a teenage girl encounters a sexual maniac, while a young lawyer attempts to climb the social ladder. When the shoe drops, the winner won’t necessarily be the one we expected.

Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her mind… Or not. The child welfare services and adoption service spring into action… The former have to take care of the baby and support it during this limbo-like time, this period of uncertainty, while the latter must find a woman to become his adoptive mother. She is called Alice, and she has spent the last ten years fighting to have a child.

Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.

Céline, Thomas and Maxence always go by three. Just like the republican motto. They want to get married, to get a house, work, good children and eat oysters every day. Rebellious and ill adapted to the furious economical and administrative reality, they ride their burning quad bikes and travel across an afflicted France, looking for new landmarks, deserts strewn with bipeds and moments of ephemeral bliss.

Muriel Bayen, a divorced beautician and mother of two, loves to tell stories. She is a huge fan of this singer Vincent Lacroix, in fact she is a dedicated fan. One day Vincent knock on her door and ask for her help.