Chu Pak-Hong

Believing that writing Cantopop is her God-given talent, Law Wing-sze decides to make it her lifelong career. But as hard as Sze tries to polish her lyrics writing skills and expand her social circle, nothing seems to go her way. What if there’s a will, but there’s no way? The first major motion picture about Cantopop lyrics writing. Norris Wong’s long-awaited follow-up to her acclaimed debut My Prince Edward is an unsentimental autobiographical dramedy that reminds us no dream is guaranteed to come true. Ironically, the film’s star, up-and-coming actress Chung Suet-ying, is actually a real- life Cantopop lyricist.

Throughout his life, CHEUNG Tak-hung is obsessed with creating his own cloud. After an untimely cardiac attack, CHEUNG wakes up and finds himself onboard a flight of the Afterlife Airline, and learns that the destination depends on the testimonies of the witnesses, who will determine whether CHEUNG has led a meaningful life. Will CHEUNG be able to find someone who approves of his life as a cloudmaker and send him to the realm of eternal bliss? With cloud as an allusion to dream/life, the thought-provoking short features a strong cast including CHU Pak-hong, Kaki SHAM and Candice YU On-on, against a fantastic set design reminiscent of Michel GONDRY’s dreamscapes.

During the COVID-19 pandemic, an owner of a cleaning company meets a young mother and her daughter. Would their encounter save each other during the recession of Hong Kong's economy?

This anthology film features a triplet of horror stories starring up-and-coming actors and popular local Youtubers. When a film crew is haunted by paranormal activities, the director decides to cast her to play a ghost; When a taxi driver takes his girlfriend to a party room to get it on, a horny ghost adds spice to the proceedings; When a wandering ghost refuses to leave a soon-to-be-gentrified mall, the tenants concoct a plan to send her off.

Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.

Story follows Guy and Heidi five years into their relationship and faced with a serious dilemma: Whether or not it is time to marry and form a family. They're equally in love, and their relationship is going strong. But while Heidi is ready to settle down and believes that marriage is proof of one’s everlasting love, Guy holds the belief that marrying Heidi will result in him being tied down to a woman that he will one day grow distant from. Heidi consults her girlfriends for advice, and Guy consults the guys. What follows is an outright battle of the sexes, as Heidi plots devious ways of getting pregnant—with marriage as an end goal—as quickly as possible, and Guy schemes up a handful of contraceptive counter-strategies.

Serving countless newlyweds in Hong Kong’s go-to one-stop-shop of cheap wedding supplies doesn’t exempt Fong from social pressure to marry. Since nodding to Edward’s proposal, she has been pushed beyond limits by unaffordable housing, archaic customs, and intrusive in-laws. What befuddles her further is the reappearance of Shuwei, a mainlander she’s supposed to be divorced from out of a sham marriage that solved her coming-of-age hardship. Zeroing in on nuts and bolts of modern marriage, My Prince Edward pokes around fixated correlations of freedom with relationship status and geographic residence. Like a breath of fresh air out of the breathless space it navigates, the whimsical gem contributes a rare humane take on the worldly metropolis's divisions with humor and wisdom.

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A pair of slackers are forced to put aside their childish ways when a zombie outbreak makes its way to their small town.