Herself
Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)
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Hae-ri has trouble being accepted at her new school until she befriends the handsome Chang-ha. However she soon drops out to pursue her dream of becoming a dancer. Chang-ha tries to convince her that she needs to return and finish highschool.
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Cheol-su, a carefree wanderer, and Yeong-hie, a thoughtful young woman, fall in love and have a child together as they discover the meaning of life and love.
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Having been a college student for the past seven years, there are not many people who take Kim Su-hwan seriously. That, combined with personal issues of his sexual prowess, drives his girlfriend into the arms of a man who is more confident and unafraid of life.
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Yu-ri falls in with a group of wild teenagers and is soon imitating their behavior. She takes to skipping school and in a short time, her parents are unable to control her. One night, her parents are forced to turn Yu-ri over to the police. They receive instructions from a specialist in juvenile delinquincy on how to deal with their daughter.
