Egon Werdin

出生 : 1954-11-17, Dinkelsbühl, Bavaria, Germany

参加作品

Die Müttermafia-Patin
Director of Photography
Der Kotzbrocken
Camera Operator
Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively.
The Burrow
Cinematography
KAFKA'S THE BURROW tells the story of a man's "metamorphosis" (as Kafka would put it) in a rapidly changing and increasingly isolated world. A man (Axel Prahl), who has seemingly achieved everything, ensconces himself in his burrow, a fortress-like apartment complex. But no matter how hard he tries to keep the outside world at a distance, he gets more and more entangled in his own web of fear and paranoia: those outside know he is there, they want him, they want his wealth, and they are inevitably going to get him ...
Die Pastorin
Director of Photography
Summertime Blues
Director of Photography
The life of 15 year old Alex is turned upside down, when his parents are divorced and find new partners right away. After a fight at school, the mother takes him over to England, where Alex chaotic life continues.
Flitterwochen im Treppenhaus
Camera Operator
The Child I Never Was
Director of Photography
A serial killer dispassionately discusses the nuts and bolts of his grisly avocation, as well as the youthful traumas which helped to mold him into a psychopath, in this disturbing independent drama from Germany, based on the true story of of Germany's most famous child murderer Juergen Bartsch who, between the ages of 15 and 19, abused, tortured and killed four schoolboys in the Ruhr region of Germany from 1962 to 1966.
An American Werewolf in Paris
Director of Photography
An American man unwittingly gets involved with werewolves who have developed a serum allowing them to transform at will.
Mute Witness
Director of Photography
Billy is mute, but it hasn't kept her from becoming a successful makeup artist. While in Russia, working on a film directed by her sister's boyfriend, Andy, Billy finds herself trapped in the studio one night and is horrified to see a snuff film being made. Billy escapes and, with the help of her sister, Kate, alerts authorities about what she saw. Unfortunately, in doing so, she makes an enemy of the Russian mafia, who funded the snuff film.
Werner - Beinhart!
Director of Photography
Comic artist Brösel trades a magic pen that helps him come up with funny stories for the promise to fulfill one of Rumpelstiltskin's wishes. The resulting animated films show episodes of the life of Werner, a plumber apprentice and motorbike enthusiast and his friends. They are interspersed with the live-action portions.
Otto – The Alien from East Frisia
Director of Photography
Otto is the only one who is able to save his Frisian fatherland; but he needs the help of his brother, who is abroad. But his brother does not want to fulfill what he has sworn as a child. So it takes Otto a while to convince him while time is running low for his plans to save East-Frisia.
Verfolgte Wege
Cinematography
Post-war Germany in 1946 while people are struggling to make ends meet, the film follows Hermann, a war veteran who finds employment at a train station. As he falls in love with an agricultural worker and starts comitting thefts, his fragile psyche seems to fall more and more out of balance.
Making Contact
Director of Photography
A nine year old boy named Joey, who after the tragic death of his father, begins to experience psychic powers such as allowing him to move inanimate objects with his mind, set things on fire, and even communicate with his dead father. However, not everything is good for Joey as his newly gained powers accidentally awake an evil supernatural force that is contained inside the body of an old ventriloquist's dummy that Joey found in an abandoned house. The supernatural Dummy shows similar powers to Joey's, and soon he puts the lives of everyone near Joey in danger as the evil Dummy has dark plans for Joey's special powers.
The Noah's Ark Principle
Director of Photography
The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.
Franzmann
Cinematography
Germany, 1937. Paul v. Kammer has lived with his grandfather in Germany for ten years. He has just finished school and faces a difficult decision: his mother, who is French, urges him to leave Germany and start university in France; his grandfather, on the other hand, demands that he enter into the family business, which would also mean conscription for Paul. Only one day left to make his decision. Paul meets his friend Max. A decisive day. Two friends and a girl in the summer of 1937.