Katharina Wöppermann

The story of Empress Elisabeth of Austria told from the point of view of her lady-in-waiting, Irma Sztáray. Far from the kitschy “Sissi” cliché, she portrays a woman who, for years without her husband, surrounded only by women, ventured on journeys throughout Europe, mastered six languages, practiced high-performance sports and did not fit at all into the tight corset of the Viennese court.

Hanna Leitner, wants to escape the bourgeois corset and her husband Anton, who sexually harasses her. She goes into therapy with Otto Gross and follows him to Monte Verità, where she discovers the fascination of photography.

幸せになる香りを放つという新種の植物がもたらす不安を描き、主演のエミリー・ビーチャムが第72回カンヌ国際映画祭で主演女優賞を受賞した異色のスリラー。幸せになる香りを放つ新種の植物「リトル・ジョー」を開発した研究者でシングルマザーのアリスは、ワーカホリックで息子のジョーときちんと向き合えていないことに罪悪感を抱きながら、日々の研究にいそしんでいた。息子のジョーへの贈り物として、彼女にとってもう1人の息子であるリトル・ジョーを自宅に持ち帰る。しかし、リトル・ジョーの香りを嗅いだジョーが奇妙な行動をとり、花粉を吸い込んだアリスの助手クリスもいつもとは違う様子を見せ始める。監督はミヒャエル・ハネケの助手を務め、「ルルドの泉で」で注目された気鋭の女性監督ジェシカ・ハウスナー。

A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”

According to an African fairy tale, every child receives a song from their parents that they carry with them throughout their lives. Richard, an orphaned Tanzanian immigrant, has never had his own song. How he got one before his unexpected death and the significant, though unintended, roles played by the dark-tourism entrepreneur Drakuhl, the gray-haired hair model Barney and the heavy-drinking music teacher Kiesel won't be revealed here. Merely that the song Dead Man Play becomes an international hit.

According to an African fairy tale, every child receives a song from their parents that they carry with them throughout their lives. Richard, an orphaned Tanzanian immigrant, has never had his own song. How he got one before his unexpected death and the significant, though unintended, roles played by the dark-tourism entrepreneur Drakuhl, the gray-haired hair model Barney and the heavy-drinking music teacher Kiesel won't be revealed here. Merely that the song Dead Man Play becomes an international hit.

The film tells different stories in a kind of parallel Germany about love, affection and hatred.

Christine is a wheelchair-using woman with severe multiple sclerosis. In order to escape her isolation, she makes a journey to Lourdes, the iconic site of pilgrimage in the Pyrenees Mountains, along with other people with varying disabilities. During her stay she begins to regain the use of her limbs. This is in contrast with others, who appear to have stronger faith than Christine but experience only slight, passing improvement. Her fellow pilgrims are eager to call it a miracle; however, as the pilgrimage draws to a close, exactly how accurate a claim this is becomes uncertain.

Never at the sea.

Never at the sea.

A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

A deadly car crash sets off three parallel stories of women at crisis points, faltering behind the doors of the same, plain Vienna apartment block.

Thomas, a student drop-out, keeps his head above water with a life of petty crime. Passing himself off once again as a ticket inspector on a tram to extract money from fare-dodgers, he is confronted by Erich, a genuine inspector, or so it seems... However, Erich won his inspector's identity badge at cards. The two begin to meet regularly. Thomas doesn't realise until too late that he is to play a major role in Erich's long-planned coup. The well thought out plan succeeds. Unfortunately, however, Erich has failed to consider how he can convert his booty - a lorry load of valuable carpets - into hard cash. Their problems are just beginning...

Jojo, a bicycle messenger prone to daydreaming, gets a job offer from a stranger that begins to blur the lines between fantasy and reality. When the route becomes a regular assignment, Jojo finds romance and deadly enemies along the way.

Herbert lives a rather simple life, left to his own devices. He works as a projectionist in a shabby Viennese movie theater and lives alone with his red nameless cat in the free caretaker's apartment of a somewhat run-down apartment building. Now and then he visits his mother in a nursing home, meets with an old friend of his father, or comes to meetings of a savings club. Saving money is pretty much the center of his life because he has a dream. He wants to emigrate to the U.S. to buy his own movie theater and to reunite with his long-lost father. But when Rita, a young student, moves into the apartment building things in his life are changed completely.

An unusual love story between a farmer from a small village and a 25-year-old recently released prisoner from Vienna. First he wins the acceptance and sympathy of the villagers before his past catches up with him.

A young journalist researches the life of his father which leads him to path of contradictions until he uncovers a gruelling truth.

Thomas Larcher has adapted Yasushi Inoue’s best-seller The Hunting Gun for his first opera, with a libretto by Austrian Book Prize winner Friederike Gösweiner. Austrian actor and film director Karl Markovics made his debut as stage director for an opera. The story tells of three women, who speak in three letters addressed to the same man, a hunter – his wife, his lover and his lover’s daughter. As the women react to the revelation of illicit love, the hunter’s life is laid bare.

Thomas Larcher has adapted Yasushi Inoue’s best-seller The Hunting Gun for his first opera, with a libretto by Austrian Book Prize winner Friederike Gösweiner. Austrian actor and film director Karl Markovics made his debut as stage director for an opera. The story tells of three women, who speak in three letters addressed to the same man, a hunter – his wife, his lover and his lover’s daughter. As the women react to the revelation of illicit love, the hunter’s life is laid bare.