Katharina Wöppermann

참여 작품

씨씨와 나
Production Design
The story of Empress Elisabeth of Austria told from the point of view of her lady-in-waiting, Irma Sztáray. Far from the kitschy “Sissi” cliché, she portrays a woman who, for years without her husband, surrounded only by women, ventured on journeys throughout Europe, mastered six languages, practiced high-performance sports and did not fit at all into the tight corset of the Viennese court.
Monte Verità
Production Design
Hanna Leitner, wants to escape the bourgeois corset and her husband Anton, who sexually harasses her. She goes into therapy with Otto Gross and follows him to Monte Verità, where she discovers the fascination of photography.
리틀 조
Production Design
어느 날 앨리스는 아름다운데다 테라피 효능까지 있는 식물을 고안해낸다. 회사의 통제에도 불구하고 앨리스는 이 진홍색 꽃을 피우는 이종 식물을 아들 조에게 선물한다, 아들은 식물에게 ‘리틀 조’ 라는 별명을 지어주고 극진히 돌보는데…
Maikäfer flieg
Production Design
A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”
Drei Eier im Glas
Production Design
According to an African fairy tale, every child receives a song from their parents that they carry with them throughout their lives. Richard, an orphaned Tanzanian immigrant, has never had his own song. How he got one before his unexpected death and the significant, though unintended, roles played by the dark-tourism entrepreneur Drakuhl, the gray-haired hair model Barney and the heavy-drinking music teacher Kiesel won't be revealed here. Merely that the song Dead Man Play becomes an international hit.
Drei Eier im Glas
Casting
According to an African fairy tale, every child receives a song from their parents that they carry with them throughout their lives. Richard, an orphaned Tanzanian immigrant, has never had his own song. How he got one before his unexpected death and the significant, though unintended, roles played by the dark-tourism entrepreneur Drakuhl, the gray-haired hair model Barney and the heavy-drinking music teacher Kiesel won't be revealed here. Merely that the song Dead Man Play becomes an international hit.
핀스터월드
Production Design
독일을 초현실적 세계로 그려내는 영화. 흥미로운 소재를 찾지 못하고 있는 여성 다큐멘터리 감독, 노부인의 굳은 살을 제거한 후 정성스레 간직하는 발 관리사, 독일제 자동차에 탑승을 거부하는 부유한 커플, 강제수용소 단체 방문에 관심이 없는 역사학과 학생, 숲에서 까마귀를 훈련시키는 남자. 모든 인물이 가족 관계나 우연의 일치로 얽혀 있는 이 영화에서 언뜻 보면 세상은 평화롭고 사람들은 행복한 듯 보인다. 하지만 그들의 어두운 면모가 밝혀지면서, 평화와 지옥은 바로 가까이에 있음이 드러난다. 독일의 향토영화 장르에 대한 아이러니한 대조를 드러내는 "핀스터월드"는 신랄한 비평과 블랙유머의 진수를 보여준다. (2014년 제16회 서울국제여성영화제)
루르드
Production Design
휠체어에 갇힌 작은 여인… 그녀에게 일어나는 희망의 기적! 남들처럼 평범한 일상을 꿈꾸던 크리스틴. 전신마비로 휠체어에 묶여 항상 다른 사람의 손길이 필요하게 되자 그녀의 삶은 건조하고 무기력해진다. 답답한 일상을 벗어나고픈 그녀는 믿음에 대한 희망으로 가득 찬 사람들과 기적의 성지 루르드로 순례를 떠나고, 여행을 하는 동안 자신을 돌봐주는 자원봉사자 마리아를 보며 그녀를 부러워하게 된다. 어느 날, 꿈속에서 자신을 부르는 목소리를 들은 크리스틴! 조금씩 믿음이 자라기 시작한 그녀에게 기적의 순간이 찾아오는데…
Forever Never Anywhere
Production Design
Never at the sea.
Forever Never Anywhere
Costume Design
Never at the sea.
클림트
Production Design
세기말의 흥분과 긴장감이 감돌던 1900년. 화려하고 관능적인 아르누보 스타일을 상징하는 클림트의 그림은 고국인 오스트리아 빈에서는 퇴폐적이라는 이유로 혹독한 야유를 받지만 파리는 환호와 찬사를 보낸다. 파리에서 열린 만국박람회에서 철학 이라는 작품으로 금메달을 수상한 클림트는 축하파티에서 프랑스 무희이자 여배우인 레아를 소개 받고 이때부터 그에게 터질듯한 영감과 고통을 동시에 안겨준 레아에 대한 열정이 시작된다. 환상의 뮤즈이자 에로틱한 이상, 육체적 욕망의 현신으로서 그녀는 클림트의 작품 속에 거울처럼 투영되고, 그녀의 아름다움과 여성성은 클림트로 하여금 사랑에 대한 영원한 탐색을 가능케 한다. 하지만 레아와 똑같이 생긴 또다른 레아가 등장하고 의문의 사나이가 자신을 그림자처럼 쫓자 클림트는 점차 환영에 시달리고 그의 정신적, 예술적 방황은 최고조에 이르게 되는데...
Antares
Production Design
A deadly car crash sets off three parallel stories of women at crisis points, faltering behind the doors of the same, plain Vienna apartment block.
Schwarzfahrer
Art Direction
Thomas, a student drop-out, keeps his head above water with a life of petty crime. Passing himself off once again as a ticket inspector on a tram to extract money from fare-dodgers, he is confronted by Erich, a genuine inspector, or so it seems... However, Erich won his inspector's identity badge at cards. The two begin to meet regularly. Thomas doesn't realise until too late that he is to play a major role in Erich's long-planned coup. The well thought out plan succeeds. Unfortunately, however, Erich has failed to consider how he can convert his booty - a lorry load of valuable carpets - into hard cash. Their problems are just beginning...
Tempo
Art Direction
Jojo, a bicycle messenger prone to daydreaming, gets a job offer from a stranger that begins to blur the lines between fantasy and reality. When the route becomes a regular assignment, Jojo finds romance and deadly enemies along the way.
Ein Anfang von etwas
Art Direction
Herbert lives a rather simple life, left to his own devices. He works as a projectionist in a shabby Viennese movie theater and lives alone with his red nameless cat in the free caretaker's apartment of a somewhat run-down apartment building. Now and then he visits his mother in a nursing home, meets with an old friend of his father, or comes to meetings of a savings club. Saving money is pretty much the center of his life because he has a dream. He wants to emigrate to the U.S. to buy his own movie theater and to reunite with his long-lost father. But when Rita, a young student, moves into the apartment building things in his life are changed completely.
Fear of Heights
Art Direction
An unusual love story between a farmer from a small village and a 25-year-old recently released prisoner from Vienna. First he wins the acceptance and sympathy of the villagers before his past catches up with him.
Land der Väter, Land der Söhne
Art Direction
A young journalist researches the life of his father which leads him to path of contradictions until he uncovers a gruelling truth.
Das Jagdgewehr
Costume Design
Thomas Larcher has adapted Yasushi Inoue’s best-seller The Hunting Gun for his first opera, with a libretto by Austrian Book Prize winner Friederike Gösweiner. Austrian actor and film director Karl Markovics made his debut as stage director for an opera. The story tells of three women, who speak in three letters addressed to the same man, a hunter – his wife, his lover and his lover’s daughter. As the women react to the revelation of illicit love, the hunter’s life is laid bare.
Das Jagdgewehr
Set Designer
Thomas Larcher has adapted Yasushi Inoue’s best-seller The Hunting Gun for his first opera, with a libretto by Austrian Book Prize winner Friederike Gösweiner. Austrian actor and film director Karl Markovics made his debut as stage director for an opera. The story tells of three women, who speak in three letters addressed to the same man, a hunter – his wife, his lover and his lover’s daughter. As the women react to the revelation of illicit love, the hunter’s life is laid bare.