Aurélie Sprenger

参加作品

Armat
Editor
A young Swiss woman searches for her Armenian roots. Various lovingly animated drawers of the simultaneously accumulating family archive open. This very personal examination of collective traumas of post-migrant communities finds images and words for racism and the difficulties of talking about feelings with male family members. Its leitmotif is a wardrobe roaming through night-blue landscapes which – despite the cracks – holds everything and everyone together.
La petite marchande d'allumettes
Director of Photography
ぼくの名前はズッキーニ
Camera Operator
いつも屋根裏部屋でひとりで絵を描いて遊んでいる少年イカールは、ママと二人暮らし。パパが“若い雌鳥(女性)”のもとに去ってしまってから、ママはビールを飲んでは怒ってばかり。ある日、いつものようにビールの缶でタワーを作って遊んでいる時、ママは不慮の事故に遭い、帰らぬ人になってしまう。事故を担当した警察官のレイモンは、ママがつけた“ズッキーニ”という愛称を大切にしているイカールを不憫に思いながらも、孤児院「フォンテーヌ園」に連れていく…。
Land of the Heads
Visual Effects
Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.
Land of the Heads
Assistant Director Trainee
Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.