Aurélie Sprenger

참여 작품

Armat
Editor
A young Swiss woman searches for her Armenian roots. Various lovingly animated drawers of the simultaneously accumulating family archive open. This very personal examination of collective traumas of post-migrant communities finds images and words for racism and the difficulties of talking about feelings with male family members. Its leitmotif is a wardrobe roaming through night-blue landscapes which – despite the cracks – holds everything and everyone together.
La petite marchande d'allumettes
Director of Photography
내 이름은 꾸제트
Camera Operator
우연한 사고로 엄마와 헤어지고 퐁텐 보육원으로 보금자리를 옮기게 된 ‘꾸제트’. 각각의 비밀스러운 사연을 가진 친구들과 함께 살아가게 된 ‘꾸제트’, 티격태격 싸우기도 하지만 그래도 항상 함께 있어주는 친구들로 인해 마음의 위로를 받게 된다. 그리고 퐁텐 교육원에 새로 온 ‘까미유’를 보고 첫 눈에 반하게 되는데… 사랑 받지 못했던 ‘꾸제트’, 엄마, 아빠와는 함께 할 수 없지만 ‘레이몽’ 경찰관 아저씨, 퐁텐 보육원의 자칭 대장 ‘시몽’, 신참 ‘까미유’, 그리고 다른 친구들과 추억과 우정을 쌓아가며, 하루하루 사랑을 배워나가게 된다.
Land of the Heads
Visual Effects
Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.
Land of the Heads
Assistant Director Trainee
Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.