Pierre Chenal
出生 : 1904-12-05, Bruxelles, Belgique
死亡 : 1990-12-23
略歴
Pierre Chenal was a French director and screenwriter who flourished in the 1930s.
He was born in 1904 in Brussels, Belgium as Pierre Cohen. Chenal was best known for film noir thrillers such as the 1937 film L'Alibi, where he worked with Erich von Stroheim and Louis Jouvet. In 1939 he made Le Dernier Tournant, the first of many film treatments of James M. Cain's celebrated novel, The Postman Always Rings Twice.
He was also known for Crime and Punishment (1935), Native Son (1951) and Versatile Lovers (1970).
Chenal was Jewish and was forced to flee occupied France for South America in 1942. He made a number of films while living in Argentina and more in France after the war; but his post-war work never achieved the success and popularity of his pre-war efforts.
He was married to Florence Marly.
He died on December 23, 1990 in La Garenne-Colombes, Hauts-de-Seine, France.
Director
Isabelle (Marisa Mell) runs a nursing home for wealthy women who are trying to detox from their various obsessions. Her lover, Serge Belaiev (Robert Hossein), a petty gangster, has pulled off a big hit but his partners have denounced him to the police in order to appropriate his share of the loot. Isabelle takes him in and hides him in an attic of this strange house. In love with Isabelle, Philippe Lansac (Alberto Dalbes), the owner of the place, decides to close the castle...
Writer
Lionel Fribourg, a great composer (at least that's what he thinks) has a problem with his noisy environment: he can't complete his unfinished symphony. Of course there is a market for unfinished symphonies but, for all he knows, only one became famous. So he had better find a way to finish it. At long last, he comes across Agnès, a divorced woman who agrees to let him her quiet home. Lionel, full of hope, resumes work...
Director
Lionel Fribourg, a great composer (at least that's what he thinks) has a problem with his noisy environment: he can't complete his unfinished symphony. Of course there is a market for unfinished symphonies but, for all he knows, only one became famous. So he had better find a way to finish it. At long last, he comes across Agnès, a divorced woman who agrees to let him her quiet home. Lionel, full of hope, resumes work...
Writer
Rasputin was a lusty steppes peasant, a god revealed, a cunning patriot, all that, or a mystifier? An intriguing biography.
Director
Rasputin was a lusty steppes peasant, a god revealed, a cunning patriot, all that, or a mystifier? An intriguing biography.
Director
Melun, on 1959. On the return to an auction, a young and attractive widow, Elisabeth Vernon, finds at her home(with her) a wounded escapee of prison. The fugitive, Daniel Morane, is a handsome boy and justifies himself crimes(murders) of which we accuse it. The young woman is allowed convince, seduce, feels sorry, and agrees to help him(it). But during their escape(mare), the doubt seizes her …
Screenplay
Director
Screenplay
Michel Piccoli plays a police inspector whose best friend is murdered on the orders of gang boss Charles Vanel. The inspector knows full well that Vanel is too crafty and well-connected to ever stand trial for his crime, so he carefully lays a subtle trap for his adversary. Unfortunately, both Piccoli and Vanel are thwarted by a pair of scheming females.
Director
Michel Piccoli plays a police inspector whose best friend is murdered on the orders of gang boss Charles Vanel. The inspector knows full well that Vanel is too crafty and well-connected to ever stand trial for his crime, so he carefully lays a subtle trap for his adversary. Unfortunately, both Piccoli and Vanel are thwarted by a pair of scheming females.
Screenplay
The love affair of an ex-convict with a showgirl, unleashes the jealousy of his older, wealthy and unbalanced wife. A murder plot, staged phoney suicide and other twists and turns follow.
Director
The love affair of an ex-convict with a showgirl, unleashes the jealousy of his older, wealthy and unbalanced wife. A murder plot, staged phoney suicide and other twists and turns follow.
Screenplay
An actor argues with his wife and she decides to leave. The day after learning of the mysterious death of his wife in Viña del Mar, he hires a detective to find the murderer.
Director
An actor argues with his wife and she decides to leave. The day after learning of the mysterious death of his wife in Viña del Mar, he hires a detective to find the murderer.
Screenplay
Author Richard Wright portrays his novel's Bigger Thomas, a young chauffeur trapped in an accidental murder.
Director
Author Richard Wright portrays his novel's Bigger Thomas, a young chauffeur trapped in an accidental murder.
Director
A little town erupts in turmoil about the construction of a public urinal. The army is sent in to restore order, but the military add to the confusion by getting involved with the local women.
Director
The Director of an international banknote printing institute, mutilated by the face of the Great War, Frank Davres, falls in love with a young woman, Jeanne, admirably beautiful, but blind. He marries her. For her, he ruins himself and comes to issue counterfeit banknotes. The young woman does everything to make people forget her infirmity. One day, following an operation, she recovers her sight and notices the physical and moral ugliness of her husband. She hides her cure until the day when Frank, taken by the police, kills one of his accomplices and commits suicide. Jeanne leaves to join a friend with whom she was performing in a circus.
Director
At the core of this enormously bleak melodrama, there is a beautiful, passionate woman (Florence Marly, Chenal's wife) who capriciously oscillates between two men (Chiola, De Paula), even though she knows her fate is fatally linked to one of them.
Director
The arbitrariness of an evil father leads his children to patricide.
Writer
On the night of his marriage a young man runs over a cyclist. He believes he is dead, he hides the body and a mysterious character appears.
Director
On the night of his marriage a young man runs over a cyclist. He believes he is dead, he hides the body and a mysterious character appears.
Director
A foreign woman marries a rich man.
Director
Frank, a hobo, ends up in a garage-truck stop in the middle of nowhere. Nick Marino, its older, kind and naive owner, is married to Cora, a sexy and mercenary woman half his age. Frank, although not a fan of hard work, accepts Nick's offer to work for him. Of course, it is not for Nick's sake that the young man becomes his attendant, but for the love of Cora under whose spell he has fallen at once. It does not take long before Cora, who despises her husband, asks her lover to help her get rid of him. Frank is reluctant at first but ...
Director
Town trollop Safia, much against her better judgment, falls in love with Matteo, a beggar and mystic in the native quarter of Sirocco. She flees to France, first as the mistress and then wife of a wealthy archaeologist, and bears him Matteo's child, whom he believes to be his own. Complications arise years later when Matteo finds Safia, and a ring of blackmailers uncover her past and exposes her to her husband.
Director
Based on true facts, a news item which was widely talked about in the nineteenth century, this is the story of a wife who might have poisoned her husband .
Director
Paris, 1937. Winckler kills his enemy Gordon, a Chicago mobster, from the stage of a Parisian music hall, where he performs telepathy. He pays another artist, Helene, so that she tells the police they've spent the night together, which doesn't fool Callas, the police officer who investigates the murder. He hires one of his fellow officers in order to seduce Helene.
Screenplay
Mathias Pascal, saddled with a stupid wife and a nagging mother-in-law, leaves home and is extremely lucky at several gambling resorts. He returns home and discovers that a drowned man, fished out of the river, bears an uncanny likeness to him and is being buried by his family as him. This, to him, is a pleasant turn of events and he goes to Rome, where he falls in love with Louise Paleari. Count Papiano, a jealous suitor of Louise's, threatens him with arrest unless he produces credentials to prove his identity.
Director
Mathias Pascal, saddled with a stupid wife and a nagging mother-in-law, leaves home and is extremely lucky at several gambling resorts. He returns home and discovers that a drowned man, fished out of the river, bears an uncanny likeness to him and is being buried by his family as him. This, to him, is a pleasant turn of events and he goes to Rome, where he falls in love with Louise Paleari. Count Papiano, a jealous suitor of Louise's, threatens him with arrest unless he produces credentials to prove his identity.
Screenplay
A journalist takes command of a ship after the crew mutiny against the brutal captain. It was an adaptation of the novel The Mutiny of the Elsinore by Jack London.
Director
A journalist takes command of a ship after the crew mutiny against the brutal captain. It was an adaptation of the novel The Mutiny of the Elsinore by Jack London.
Writer
Pierre Chenal's adaptation of Dostoyevsky's novel, starring Pierre Blanchar and Harry Baur. Bears the influence of German Expressionism and serves as an early forerunner of poetic realism.
Director
Pierre Chenal's adaptation of Dostoyevsky's novel, starring Pierre Blanchar and Harry Baur. Bears the influence of German Expressionism and serves as an early forerunner of poetic realism.
Director
Writer
The story focuses on a street in the Parisian banlieue where Italian and French workers live. Their neighborhood will soon be demolished and a mysterious character hides himself in this street.
Director
The story focuses on a street in the Parisian banlieue where Italian and French workers live. Their neighborhood will soon be demolished and a mysterious character hides himself in this street.
Director
A young lady whose husband has been seeing someone else decides to make him jealous by flirting with the unlikely prospect of a fat man.Is it worth that guy's trouble to try to lose some weight, or is he kidding himself?
Editor
Grinders, rag-men, China menders, mattress carders are among those small trades of yesteryear that have disappeared from our sight and fallen into oblivion. But way back in 1931 they were far from extinct and still populated and livened up the streets from dawn till dusk. The tenderness of Pierre Chenal look at them is only accentuated by the nostalgia experienced by today's viewer.
Cinematography
Grinders, rag-men, China menders, mattress carders are among those small trades of yesteryear that have disappeared from our sight and fallen into oblivion. But way back in 1931 they were far from extinct and still populated and livened up the streets from dawn till dusk. The tenderness of Pierre Chenal look at them is only accentuated by the nostalgia experienced by today's viewer.
Producer
Grinders, rag-men, China menders, mattress carders are among those small trades of yesteryear that have disappeared from our sight and fallen into oblivion. But way back in 1931 they were far from extinct and still populated and livened up the streets from dawn till dusk. The tenderness of Pierre Chenal look at them is only accentuated by the nostalgia experienced by today's viewer.
Director
Grinders, rag-men, China menders, mattress carders are among those small trades of yesteryear that have disappeared from our sight and fallen into oblivion. But way back in 1931 they were far from extinct and still populated and livened up the streets from dawn till dusk. The tenderness of Pierre Chenal look at them is only accentuated by the nostalgia experienced by today's viewer.
Director
Regarding Le Corbusier: the man and his architecture
Editor
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
Director
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
