Assistant Production Design
共産主義信奉者の大学教授ブルスキ（マルチェロ・マストロヤンニ）は規則正しい生活を送るのが身上の保守的な人間。ある日、疎遠な息子オリヴィエロから離婚寸前の妻ステラ（サンドリーヌ・ボネール）が出て行ったため、4歳の娘パペレを託される。利発だがちょっと変わった孫娘との生活にとまどうブルスキだが、やがて感受性豊かな彼女との生活が楽しみになる。ところがそこにステラが転がり込んできて状況は一転。奔放で粗野なステラは自分の都合だけでパペレを振り回し、ブルスキと衝突を続けたあげく家を追い出される。1カ月後、交通事故にあったステラを探しあてたブルスキは彼女を家に連れ帰る。奇妙な共同生活が続くなか、ブルスキはステラを本当の娘のように思い始め、3人は家族のようになった。ブルスキから教育を受けて新たな世界に目覚めるステラだが、彼との生活は窮屈だった。ある日、ステラはパペレを連れて家を出て行く。残されたブルスキは人生の黄昏をかみしめるのだった。
Assistant Production Design
Carlo, a police officer, after intercepting a call conducts a drug bust at a private party at the upper class apartment of Rosanna Clerici and she is arrested. Just as the police and party guests are leaving, Giulio, Rosanna's six-year-old son, comes out of his room and asks Carlo where his mother is. Seeing that Carlo is the person responsible for his mother's arrest, Giulio tags along with him until his mother is freed. Carlo does everything possible to have Social Services or somebody look after the kid but is told by the Courts that he is the best candidate for his custody until a better one is found. Even though Giulio manages to turn Carlo's life inside out he ends up getting to like the kid and falling for the kid's mother, Rosanna, while she is in prison. It ends with Rosanna being released from prison and the three of them going out for dinner.
Assistant Set Decoration
Before finally entering the afterlife, the dead spend a period in a limbo from which they depart only when, among the living, there is no one who remembers them. Under the care of the salacious Domenico the visitors of a small cemetery recount how they arrived at eternal peace.
