Eugenio Bentivoglio

参加作品

La ragazza del metrò
Director of Photography
Nino is a pianist, he runs into Valentina in the underground and falls for her. Valentina is rich but she tells nothing to Nino who is proud. Andrea was the boy of Valentina before Nino and wants to marry her for her money. Nino leaves Valentina when he finds out that she is rich while Andrea, turned down again, kidnaps Valentina.
Corleone
Director of Photography
Two friends grow up together in the Sicily of the '50s. Two different destiny, two different way of life. Could their friendship survive to the mafia shadow?
The Climber
Director of Photography
Joe Dallesandro plays a hungry young buck who aspires to be a career criminal. He starts out working at a warehouse for a gangster where he helps to relocate illegal contraband, and because of his ruthlessness and dependability he begins to ascend the ladder of organized crime. Of course, the more powerful he becomes, the more "Climbers" come out of the shadows to take his place.
Blood Brothers
Director of Photography
In this period piece set in Italy, Nicola Bellizzi dreams of becoming a lawyer. However, when he seeks the reason that people are reluctant to help him in his goals, he discovers that some of his blood relations are high-ranking members of the Mafia. He tries to break away from his family obligations, but falls into a life of crime and violence.
The Bridle On The Neck
Director of Photography
Roman township of San Basilio: Fabio, 7 years old, in Italian a "character", is assigned to a differential class. How the family reacts, what the neighbors say, what the teachers, the principal, the psychologist of the elementary school think: the doubt is that there is no re-education of a child at stake, but the green light for social homologation.
Vengeance Is a Dish Served Cold
Camera Operator
After witnessing the brutal murder of his entire family by Native Americans as a child, Jeremiah Bridger becomes a merciless Indian-killer and scalp hunter. After saving the life of a beautiful Native American girl named Tune, however, the lone and silent gunman slowly reconsiders his hatred. He starts to doubt his former persuasion, that it was really Indians, who killed his family, and soon has to find out that a greedy and unscrupulous landowner usually blames Native Americans for his own crimes.
Io e Dio
Cinematography