Caroline Link

ドイツの絵本作家ジュディス・カーが少女時代の体験を基につづった自伝的小説「ヒトラーにぬすまれたももいろうさぎ」を、「名もなきアフリカの地で」のカロリーヌ・リンク監督が映画化。1933年2月。ベルリンで両親や兄と暮らす9歳のアンナは、ある朝突然、「家族でスイスに逃げる」と母から告げられる。新聞やラジオでヒトラーへの痛烈な批判を展開していた演劇批評家でユダヤ人でもある父は、次の選挙でのヒトラーの勝利が現実味を帯びてきたことに身の危険を感じ、密かに亡命の準備を進めていたのだ。持ち物は1つだけと言われたアンナは大好きなピンクのうさぎのぬいぐるみに別れを告げ、過酷な逃亡生活へと踏み出していく。アンナの父を「帰ってきたヒトラー」のオリバー・マスッチ、母を「ブレードランナー 2049」のカーラ・ジュリ、心優しいユリウスおじさんを「お名前はアドルフ？」のユストゥス・フォン・ドーナニーが演じた。

ドイツの絵本作家ジュディス・カーが少女時代の体験を基につづった自伝的小説「ヒトラーにぬすまれたももいろうさぎ」を、「名もなきアフリカの地で」のカロリーヌ・リンク監督が映画化。1933年2月。ベルリンで両親や兄と暮らす9歳のアンナは、ある朝突然、「家族でスイスに逃げる」と母から告げられる。新聞やラジオでヒトラーへの痛烈な批判を展開していた演劇批評家でユダヤ人でもある父は、次の選挙でのヒトラーの勝利が現実味を帯びてきたことに身の危険を感じ、密かに亡命の準備を進めていたのだ。持ち物は1つだけと言われたアンナは大好きなピンクのうさぎのぬいぐるみに別れを告げ、過酷な逃亡生活へと踏み出していく。アンナの父を「帰ってきたヒトラー」のオリバー・マスッチ、母を「ブレードランナー 2049」のカーラ・ジュリ、心優しいユリウスおじさんを「お名前はアドルフ？」のユストゥス・フォン・ドーナニーが演じた。

Dramatised origin story of one of Germany's most beloved contemporary comedians.

With "Emil and the Detectives" Erich Kästner is revolutionizing children's book literature. In the Weimar Republic, he quickly rose as an editor, writer and screenwriter. His books were burned in 1933. Nevertheless, he does not emigrate, published under a pseudonym and abroad. In the post-war period, Kästner was a moral authority. But he can no longer build on his previous success, gets caught up in love affairs and fights his frustration with alcohol. Until his death in 1974, he struggled with the decision not to go into exile. The documentary drama takes a new look at Kästner's picture.

Documentary about German film critic Michael Althen.

When 17-year-old Ben visits his father Heinrich in Marrakech, it is the start of an adventurous journey through a foreign country with a picturesque charm and a rough beauty where everything appears possible — including the chance that father and son will lose each other for good, or find one another again.

When 17-year-old Ben visits his father Heinrich in Marrakech, it is the start of an adventurous journey through a foreign country with a picturesque charm and a rough beauty where everything appears possible — including the chance that father and son will lose each other for good, or find one another again.

A renowned artist must uncover a young dancer's secrets in order to truly capture her likeness for a commissioned work.

A renowned artist must uncover a young dancer's secrets in order to truly capture her likeness for a commissioned work.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

1938年4月、少女レギーナと母イエッテルはナチスの迫害を逃れるため、故郷のドイツを後にし、先にケニアに渡っていた父ヴァルターのいるロンガイの農場へとやってきた。ドイツでは弁護士をしていたヴァルターもここでは農場で働く一介の労働者。予想を超える過酷な生活に、お嬢様育ちのイエッテルは耐えられず弱音を吐いてばかり。一方ヴァルターは、欧州情勢の悪化に、残してきた父や妹の安否が不安でならない。そんな2人を尻目に、レギーナは料理人のオウアやケニアの子どもたちとすぐに仲良くなり、アフリカの大地でたくましく成長していく…。

1938年4月、少女レギーナと母イエッテルはナチスの迫害を逃れるため、故郷のドイツを後にし、先にケニアに渡っていた父ヴァルターのいるロンガイの農場へとやってきた。ドイツでは弁護士をしていたヴァルターもここでは農場で働く一介の労働者。予想を超える過酷な生活に、お嬢様育ちのイエッテルは耐えられず弱音を吐いてばかり。一方ヴァルターは、欧州情勢の悪化に、残してきた父や妹の安否が不安でならない。そんな2人を尻目に、レギーナは料理人のオウアやケニアの子どもたちとすぐに仲良くなり、アフリカの大地でたくましく成長していく…。

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

Micha is 16, a difficult age. Like every year, he spends the summer holidays with his mother and brothers in a country house in Sweden. When the mother goes to Stockholm for a week, Isabelle, the fun-loving daughter of a friend, looks after the children. Micha lives under Isabelle's care, feels taken seriously for the first time and treated as a "man".

Micha is 16, a difficult age. Like every year, he spends the summer holidays with his mother and brothers in a country house in Sweden. When the mother goes to Stockholm for a week, Isabelle, the fun-loving daughter of a friend, looks after the children. Micha lives under Isabelle's care, feels taken seriously for the first time and treated as a "man".