Keiko Takahashi

大学で生徒に映画撮影の講義を行う一方、新作映画の撮影に取り掛かれない映画監督の時田修次は、映画とは自身の経験が投影されるものと考えていた。理解のある美しい愛人・唯に支えられ新作の脚本に着手していたある日、女子高生・律子が現れる。

Ippei Akabane (Takaya Kamikawa) is an unpopular novelist. He barely makes ends meet writing serials novels under different pen names. Daigo Kurei (Shinji Takeda) is on death row. He killed four women twelve years ago. During his murdering spree, he sent pictures of his decapitated victims with flower decoration to the police. The murders and photos caused widespread panic in Japan. One day, Ippei is contacted by Daigo from prison. He asks Ippei if he wants to interview him and write his memoirs. Soon, more women are killed in the same grisly manner as the serial murders from twelve years ago. Now, Ippei becomes the prime suspect of the police and Ippei must quickly find the real murderer. Based on the novel "The Serialist" by David Gordon (published by Simon & Schuster; Original edition on March 9, 2010).

家電量販店に勤める均（亀梨和也）は、ふとしたことからオレオレ詐欺を働く。すると、立場は違うが均とまるっきり同じ顔、同じ好み、同じ考えの“俺”が現れる。“俺”たちといると楽しく、俺山パラダイスと呼んでいた。しかし“俺”の増殖は止まることを知らず、次第に“俺”同士の削除が始まる……。

A woman run a store in a tiny seaside hamlet near the cliffs where people come to commit suicide.

A film about an orphan kid in Japan in 1943

毎日1時間だけ父親が入院している病院へ通う史郎（AKIRA）だったが、ある日、自らの体も病に冒されていたことを知ってしまう。父親より病状は悪く、父親より余命が短い可能性が高いという不測の事態に襲われた史郎は、家族や恋人のことを思うばかりに、そのことを誰にも言えずにうろたえてしまう。

既成仏教に疑問を抱き、大宋国にわたって正師と真実の教えに巡り合った道元は、日本に戻り、様々な出会いと別れの中で、時の権力に心の太刀で立ち向かい、万人を救済する真の教えを説いていく。

フリーライターの“俺”（伊勢谷友介）は、「月刊　黒い本」の美人編集長（水野美紀）から、仮死体験できるという“死にモドキ”を使って死後の世界をルポするよう依頼される。“俺”は、友人でアル中のオルゴール職人、エンドー（松尾スズキ）を強引に誘い、共に旅に出ることに。彼らは元SM嬢で自殺願望を持つサヨコ（菊地凛子）、ヤクザの目玉のおっちゃん（岩松了）とその弟分のチョロリ（ふせえり）などと偶然合流しながら旅を続ける。やがて“俺”とサヨコは、手掛かりとなる情報を得て臨死体験ショーに入ってみることに。そのショーに出ている半分男（村松利史）が古い言い伝えを知っており、師匠（三谷昇）と呼ばれる男が“死にモドキ”使いの末裔だという。まもなく“俺”とエンドーは師匠が住むというホームレスだらけの奇妙な島に上陸する。そこで同じく“死にモドキ”を求めて行方不明になっていたカメラマンの真島（松重豊）が現れる。そして師匠から“死にモドキ”の正体を聞く。それはかつて、海女が海に潜る時に無酸素状態を維持させるために使っていた“虫”だという。こうして“死にモドキ”をめぐる騒動は、“俺”の命を懸けた不思議な旅が終わるまで続くのだった。

昭和を代表する歌謡曲をモチーフに、11人の個性豊かな監督たちが大胆な発想で撮りあげた短編オムニバス。『ウォーターボーイズ』の矢口史靖監督と妻夫木聡が久々にタッグを組んだ『逢いたくて逢いたくて』、漫画家としても活躍する蛭子能収が武田真治を主演に迎えた『いとしのマックス/マックス・ア・ゴーゴー』など、ユニークな12作品が勢ぞろい。昭和テイストあふれる曲とストーリーが見事に融合したアンサンブルを楽しめる。

Set in the traditional city of Kyoto, Japan, this deeply poetic TV movie revolves around Chieko who becomes bewildered and troubled as she discovers the true facets of her past. With the harmony and time-honored customs of a Japanese backdrop, the story becomes poignant as Chieko’s longing and confusion develops.

「なあ、おれと駆け落ちしないか？」幼なじみボーイフレンド・斉藤秀一からのとつぜんの告白に戸惑う五島桐絵。最近、秀一は何かに怯えているかのように元気がなく、桐絵はずっと心配していた。やがて、桐絵の通う高校の生徒が、らせん階段から飛び降りて死んだ事件をきっかけに、秀一はおぞましいことを口にする。二人の暮らす黒渦町が得たいの知れない”うずまき”の力に取り憑かれているというのだ。その後、秀一の父・敏夫までが謎の死を遂げると、二人の周囲に禍々しく、怪奇なうずまき現象が次々と巻き起こりはじめる。

Directed by Banmei Takahashi of "New Love in Tokyo." A drama centered around identity, with a half Korean/Japanese man and a hermaphroditic woman.

Asian Blue focuses on Koreans brought to Japan to work in forced-labor brigades during World War II

A man fed up with city life moves to a village in the mountains

Ai is a call girl. If her work involves a great deal of risk, she feels free and like fun situations that may seem dangerous ... Ai likes to play. she met many customers, sometimes violent, sometimes very sweet , but often crazy... Among these clients, Mr.Mamiya, a strange and captivating artist who gradually will initiate her into SM pleasures. Despite everything, her attraction to him is growing and one day she told him " I love you ", Next day Ai receives a letter of invitation sent by Mamiya.

会社帰りのサラリーマンが、レポーターのインタビューを受けている最中に突然倒れてしまう。そして夢の中で、過去の世界を追体験する。戦時下の疎開児童と山男との交流を描いたファンタスティックなヒューマン・ドラマ。

都会の高層マンションに住んでいた主婦がふとしたことからセールスマンの反感を買い恐怖に脅かされる姿を描く、スプラッター・ホラー。

Comedy film.

親と子の心のふれあいを描いた古典的名作の映画化。原作は下村湖人の同名小説、脚本は「白い野望」の井手雅人。

A drama depicting the conflict between a man that ran to an old lover suffering from advanced leukemia, his wife and child that were left behind, and the friendship that develops between his wife and his former lover.

First production by Directors' Company. A man stripped bare of all modern values lives in a pure form, like a beast, feeding and satiating his every primal desire whenever they may arise. He takes on a mate, a woman intrigued by his personage or lack thereof, and they live in his den in central Tokyo. As time goes on, we see how this animal clashes with modern man, and the consequences of their coexistance.

愛犬とのジョギングを生き甲斐とするひとりの女が、殺された愛犬の復讐のため、ただひたすら走り続ける・・・。400年前の戦国時代から現代、そして宇宙にまで舞台を広げ、見果てぬ遠い幻の夢を追い続ける人間を描くネオ・サスペンス。東宝創立50周年記念作品。

Story of three people, a barber, a Christian and a graduate of the Tokyo Military Academy during the 2nd World War.

少年院あがりで、20歳のときに「30歳になるまでに何かドデカいことをやったる!」と誓った竹田明夫。それまでの生活を一変させるため、パーマをかけ、胸に刺青を入れキャバレーのボーイになった。同じ店のナンバー・ワン・ホステスの三千代を強引にくどき同棲を始める…。

30以上も年のちがう、妻ある詩人を愛したオンナ。他人に白い目でみられながら、ひとりぼっちでオトコが通って来るのをひたすら待つ。そして二人をつなぐのは、あまりのいとおしさからくる激しい肉欲である。

A former retainer to a noble family kills his wife's father when he tries to expose his past crimes. When he begins an affair with the daughter of another clan's retainer, her father tries to poison him but the substance instead claims an innocent victim...

Akiyama is an intern, disgusted with the noise pollution caused by the bullet trains and the heart attacks that noise has been causing in older hospital patients, plots to disrupt and, in ten days, destroy a unit of the operation. He warns the Japan National Railway, that, if nothing is done to reduce the noise, he will derail a bullet train. Takigawa is the police detective sent to stop him.

Mainly the story of Shinsuke and his stepmother, ranging from Shinsuke's infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of the life of the characters. Shinsuke's father dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a kind Korean and a Harley-riding yakuza.

Based on a blockbuster song by Kaguyahime, a folk group. Makoto, a college student who belongs to a puppet theatre club, meets Michiko, who works at a printing factory, and they come to learn the bitterness and sadness of love. The two live humbly by the River Kanda, but are viewed coldly by people around them.

Though a farmer and his fellow villagers in this Japanese film resist the effort to turn the unspoiled region in which they live into a land development, they are ultimately unsuccessful.

A 16-year-old girl works in a factory to pay her late father’s debt. When she makes up her mind to become a hostess, a boy approaches her with kind and gentle manners...(Also occasionally known in English as “Play”)

Yumi Ishikawa (Mari Atsumi) is nineteen and a popular geisha. Orphaned when a child, Yumi she was raised by Shizuko, the madame of a geisha house. Yumi is impulsive, out-going. And although she cannot claim to be good at Japanese dancing or playing musical instruments so necessary to a geisha, she is a whizz at go-go and will dance the hula at parties. But before becoming a full-fledged geisha, Yumi must go through the ceremony of the "mizuage", when a budding geisha surrenders her virginity to an experienced man who makes her a woman. Takida, a rich money-lender, is chosen for Yumi's mizuage but she offers herself first to Keiichi (Ryo Tamura), who she really loves although she knows that his world and hers are too far apart for a successful marriage.

This is the only surviving “Mito Komon Manyu-ki” film. This release also known as "Adrift Tour Memoir" or literally "Mito Komon's Pleasure Trip" is an 80-minute compilation of the first (東海道の巻 or "Tokaido no maki") and second (日本晴れの巻 or "Japan's Fine Weather Reel") parts (147 minutes), which were re-edited and screened at a time when presentable films were dried up immediately after the defeat of the war.