María Botto

Pedro, Kiko and David, three friends in their late thirties, travel to Rio de Janeiro to pick up the lifeless body of Mateo, their best friend from high school, who has died under mysterious circumstances. But when you arrive in Brazil, nothing is what it seems. Mateo, "the dead man", has fled, his house is upside down and one of his ex-girlfriends is desperately looking for him...

運に見放されたバスケのスカウトマン(アダム・サンドラー)が海外で見つけたのは、過去に問題はあるものの並外れた才能を持つ選手。チームの了承を得ることなく自らの判断でこの天才選手の渡米を決めた彼は、NBAで成功を勝ち取れることを証明すべく、あらゆる逆境をはねのけて一世一代の大勝負に出ます。

Juan, a secret service agent, approaches Wendy, a young Filipina who works as a maid for a suspicious couple.

During the Spanish Civil War, sworn enemies must work together when they encounter flesh-eating zombies created in a Nazi experiment.

Clavius, a powerful Roman military tribune, and his aide, Lucius, are tasked with solving the mystery of what happened to Jesus in the weeks following the crucifixion, in order to disprove the rumors of a risen Messiah and prevent an uprising in Jerusalem.

A deliciously lighthearted comedy from the team of the successful web series Girl Seeks Girl. A hot and hilarious LGBT comedy that shows the different ways to understand love & family.

An anthology film with 20 stories on the subject of words, communication, linked to one another over a 400-metre stretch: from Madrid's Lavapiés Square to the Sala Mirador. A journey between theatre and cinema, filmed in a single fixed shot running continuously over 80 minutes and half a kilometer, in Madrid's popular Lavapiés district. The characters talk, argue, laugh, cry, threaten, whisper, shout, steal, make dates, get angry with and hug one another, prompting the spectator to reflect on the immense power of words.

Ruth, a young researcher at a college, is invited to the weddings of three of her exes. She enlists the help of her assistant to find a companion for each wedding; will one of them turn out to be her soulmate?

A Greek tour guide named Georgia attempts to recapture her kefi (Greek for mojo) by guiding a ragtag group of tourists around Greece and showing them the beauty of her native land. Along the way, she manages to open their eyes to the wonders of an exotic foreign land while beginning to see the world through a new set of eyes in the process.

Two young people learn about love as politics turn their world upside down in this drama from director Ana Diez. After a long and successful career as a soccer player, Xavi retires from the game and moves to Spain, where one day to his surprise he happens upon Rosana, a friend from his childhood in Uruguay. As Xavi and Rosana catch up on what has happened to them over the past thirty years, they flash back to 1973, when young Xavi and his father Manuel, a shoemaker, lived down the street from Rosana.

Two young people learn about love as politics turn their world upside down in this drama from director Ana Diez. After a long and successful career as a soccer player, Xavi retires from the game and moves to Spain, where one day to his surprise he happens upon Rosana, a friend from his childhood in Uruguay. As Xavi and Rosana catch up on what has happened to them over the past thirty years, they flash back to 1973, when young Xavi and his father Manuel, a shoemaker, lived down the street from Rosana.

The quiet day-to-day existence of two kidnappers, Alfonso and Marta, comes to an abrupt end when the elderly businessman they are holding in captivity tries to commit suicide.

6 characters—contemporary archetypes of urban solitude—in an old Barcelona building: an old husband and wife, her sister, and 3 tenants: a teacher of French, a young ex-footballer, now security guard, and a pregnant Latin American girl.

This documentary tells the facts Lorca inspired to write "Blood Wedding", through the eyes of Maria Botto, actress whom Rafael Amargo intends to participate in the girlfriend role in a montage, mixing theater and dance, on the well-known work of Spanish poet and playwright. What initially began as a simple interest of an actress to know and understand her character, ends up becoming a rite of passage in search of the reality of the facts, the crime of Níjar, occurred on July 22, 1928 in a small town Almeria.

Fernando (Fernando Tejero) is a loser. A gray type, without ambition, that works like bookcases distributor in a supermarket of the quarter. In his free short whiles, he is a substitute keeper of a football team, a third regional one. In all the season he has not played a single minute. But the last Sunday of the league the referee indicates penalty and the regular keeper injures itself. Fernando must occupy the goal for the first time. If penalty scores, the team of the district will proclaim champion. If no, all the effort of a year will not have been worth for anything. When the penalty is just about to be kicked, a group of indignant fans with the referee invades the field and prevents the kick. The competition committee decides that the penalty must play the following Sunday, in the same goal, with same players and the field closed to the public. El Penalti más largo del mundo, (The Longest Penalty Shot in the World) is exactly the history of that week of delay.

Lola goes to cover the press conference of the Cervantes Prize Award to María Zambrano. Captivated by the personality of the thinker decides to launch a film about her.

Leni takes Rafi to meet her family in Madrid. Leni's family is Jewish - mother, father, older sister and daughter, brother, and grandfather. Rafi is Palestinian, in Spain since age 12. Before her father returns from work, Leni reveals Rafi's origins. He accidentally drops a block of frozen soup out the flat window, probably killing a passerby. Leni initiates a cover-up and Rafi figures out the body is probably Leni's father. The body disappears and without telling the rest of the family what they know, Leni and Rafi organize a search for dad. Mom is sure he's having an affair. Leni's belly-dancing sister kisses Rafi. Her brother grabs a rifle to shoot the Arab. Can anything be put right?

The first actor of a theater company on tour in Spain dies in a car accident. A new actor, Jorge Ruiz, is to relieve you. He's handsome, young and revolutionary. His arrival creates tension, jealousy and distrust in the rest of the cast, is-especially in Mario Soto, which is responsible to lead in the absence of the author of the assembly, busy with an opera for the Teatro Real in Madrid . Already in the first trial of the work concerned the "Play Without a Title" by Federico Garcia Lorca, their personalities collide head. Morante Carmen, leading actress of the company, and Laura G. Reyna, which was secret lover of the deceased, witness the struggle between the two. As if that were not enough, the newcomer brings added conflict: reading at the end of the function of a manifesto for peace. Mario questioned that decision and the company is divided.

The first actor of a theater company on tour in Spain dies in a car accident. A new actor, Jorge Ruiz, is to relieve you. He's handsome, young and revolutionary. His arrival creates tension, jealousy and distrust in the rest of the cast, is-especially in Mario Soto, which is responsible to lead in the absence of the author of the assembly, busy with an opera for the Teatro Real in Madrid . Already in the first trial of the work concerned the "Play Without a Title" by Federico Garcia Lorca, their personalities collide head. Morante Carmen, leading actress of the company, and Laura G. Reyna, which was secret lover of the deceased, witness the struggle between the two. As if that were not enough, the newcomer brings added conflict: reading at the end of the function of a manifesto for peace. Mario questioned that decision and the company is divided.

In director Vicente Aranda's adaptation of the classic opera, a French writer documents the seductive power of the beautiful Gypsy Carmen, who turns her charms on a young soldier, awakening his passions but ultimately leading to tragedy. Jose becomes obsessed with Carmen and finds himself unable to control his jealousy, which forces him to make a deadly decision in this fiery story of love and betrayal.

Professor Lola Sánchez investigates the truth behind the events experienced by Rafael Sánchez Mazas, one of the founders of the Falange Española party, during the Spanish Civil War.

Ana is a woman of thirty-something, goes back to the house where she spent of her childhood during the Argentine dictatorship.

Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who continue fighting for their ideas, even at the cost of their own lives. When Manuel is pursued (by Franco's Civil Guard) he flees to the mountain and Lucía discovers the reality of political repression, the silence, the horror and fear.

A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man's first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen's past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Leopoldo Contreras, a professor emeritus of Roman law has serious economic problems. His translations of classical authors do not give enough money to live and had to sell even their floor. To remedy the situation is offered as a slave to a former student in exchange for room and board.