María Botto

Pedro, Kiko and David, three friends in their late thirties, travel to Rio de Janeiro to pick up the lifeless body of Mateo, their best friend from high school, who has died under mysterious circumstances. But when you arrive in Brazil, nothing is what it seems. Mateo, "the dead man", has fled, his house is upside down and one of his ex-girlfriends is desperately looking for him...

운이 다한 농구 스카우트(애덤 샌들러)가 평생에 한 번 볼까 말까 한 엄청난 실력에 험난한 과거를 가진 선수를 외국에서 우연히 발견한다. 결국 그는 팀의 허락도 받지 않고 독단으로 이 천재 선수를 미국에 데려가는데. 두 사람은 난관을 무릅쓰고 NBA에서 성공할 자질을 갖췄음을 입증하기 위한 마지막 시도에 나선다.

Juan, a secret service agent, approaches Wendy, a young Filipina who works as a maid for a suspicious couple.

스페인 내전 중에 나치의 실험으로 좀비가 탄생한다. 인육을 탐하는 이 괴물들을 맞닥뜨리면서 몇몇 숙적들은 함께 힘을 합쳐야 하는 상황에 놓인다.

피로 물든 예루살렘의 골고다 언덕. 로마군의 수장 클라비우스(조셉 파인즈)는 십자가에 못 박힌 예수의 처형을 명한다. 로마군은 예수의 시신을 돌무덤에 봉인하고, 누구의 접근도 허락하지 않는다. 하지만 3일 뒤, 예수의 시신은 흔적 없이 사라지고, 예수가 로마로부터 이스라엘을 구하기 위해 메시아로 부활했다는 희망의 소리가 점차 거세진다. 예수의 시신을 찾아야만 모든 것을 뒤덮을 수 있는 클라비우스는 보좌관 루시우스(톰 펠튼)와 함께 사라진 예수의 3일간의 행적을 뒤쫓기 시작하는데.... 위대한 인류구원의 역사, 감춰졌던 놀라운 여정이 펼쳐진다!

A deliciously lighthearted comedy from the team of the successful web series Girl Seeks Girl. A hot and hilarious LGBT comedy that shows the different ways to understand love & family.

An anthology film with 20 stories on the subject of words, communication, linked to one another over a 400-metre stretch: from Madrid's Lavapiés Square to the Sala Mirador. A journey between theatre and cinema, filmed in a single fixed shot running continuously over 80 minutes and half a kilometer, in Madrid's popular Lavapiés district. The characters talk, argue, laugh, cry, threaten, whisper, shout, steal, make dates, get angry with and hug one another, prompting the spectator to reflect on the immense power of words.

어느 대학 연구소에서 일하는 ‘루스’, 상사 ‘사라’의 결혼식에 한 껏 멋을 부리고 멋진 남자친구와 결혼식에 가지만 루스를 기다리고 있는 건, 이제 그만 헤어지자는 남자친구 ‘페드로’의 청천병력같은 통보였다. 모두가 보는 앞에서 매몰차게 차인 루스는 그 이후 자신의 연구에만 집중하며 외로운 시간을 보낸다. 얼마 뒤 루스는 예전에 사귀었던 전남자친구의 결혼식에 초대를 받게 되고, 배신감에 분노하지만 곧 또 다른 전남자친구에게서 청첩장을 받게 된다. 우울함을 덜어내고자 산책을 나간 루스는 3개월전 헤어진 ‘페드로’가 결혼한다는 소식까지 접하게 되면서 배신감에 치를 떤다. 남의 부탁은 절대 거절하지 못하는 루스는 결국 전남자친구들의 결혼식에 참가하겠다고 그들에게 말하지만, 루스에게는 같이 결혼식에 데려갈 남자 한 명 없는 상황. 루스는 자존심을 지키기 위해 연구소 인턴인 ‘다니’에게 가짜 남자친구 행세를 해달라고 부탁을 하게 되고, 다니는 어쩔 수 없이 상사의 부탁을 들어주기로 한다. 스페인 곳곳에서 벌어지는 3번의 결혼식! 과연 루스는 전남자친구들의 결혼식에서 자존심을 지켜낼 수 있을까?

연애하고는 담을 쌓은 삭막한 삶을 살아온 조지아. 고향인 그리스로 돌아와 여유로운 생활을 꿈꾸지만, 여행 가이드 첫날부터 제멋대로의 여행객들을 상대하느라 녹초가 되어버린다. 한 성격하는 조지아는 사사건건 고집불통 여행객들과 부딪히게 되고, 심지어 ‘hello’조차 모르는 줄 알았던 관광버스 운전기사 ‘포르코피’에게 자신의 연애 치부마저 들키게 되고, 인생 최대의 고비를 맞이하게 되는데… 뭐만 할라치면 꼬여버리는 조지아에게 과연 ‘연애운’은 돌아올 것인가?

Two young people learn about love as politics turn their world upside down in this drama from director Ana Diez. After a long and successful career as a soccer player, Xavi retires from the game and moves to Spain, where one day to his surprise he happens upon Rosana, a friend from his childhood in Uruguay. As Xavi and Rosana catch up on what has happened to them over the past thirty years, they flash back to 1973, when young Xavi and his father Manuel, a shoemaker, lived down the street from Rosana.

Two young people learn about love as politics turn their world upside down in this drama from director Ana Diez. After a long and successful career as a soccer player, Xavi retires from the game and moves to Spain, where one day to his surprise he happens upon Rosana, a friend from his childhood in Uruguay. As Xavi and Rosana catch up on what has happened to them over the past thirty years, they flash back to 1973, when young Xavi and his father Manuel, a shoemaker, lived down the street from Rosana.

The quiet day-to-day existence of two kidnappers, Alfonso and Marta, comes to an abrupt end when the elderly businessman they are holding in captivity tries to commit suicide.

6 characters—contemporary archetypes of urban solitude—in an old Barcelona building: an old husband and wife, her sister, and 3 tenants: a teacher of French, a young ex-footballer, now security guard, and a pregnant Latin American girl.

This documentary tells the facts Lorca inspired to write "Blood Wedding", through the eyes of Maria Botto, actress whom Rafael Amargo intends to participate in the girlfriend role in a montage, mixing theater and dance, on the well-known work of Spanish poet and playwright. What initially began as a simple interest of an actress to know and understand her character, ends up becoming a rite of passage in search of the reality of the facts, the crime of Níjar, occurred on July 22, 1928 in a small town Almeria.

Fernando (Fernando Tejero) is a loser. A gray type, without ambition, that works like bookcases distributor in a supermarket of the quarter. In his free short whiles, he is a substitute keeper of a football team, a third regional one. In all the season he has not played a single minute. But the last Sunday of the league the referee indicates penalty and the regular keeper injures itself. Fernando must occupy the goal for the first time. If penalty scores, the team of the district will proclaim champion. If no, all the effort of a year will not have been worth for anything. When the penalty is just about to be kicked, a group of indignant fans with the referee invades the field and prevents the kick. The competition committee decides that the penalty must play the following Sunday, in the same goal, with same players and the field closed to the public. El Penalti más largo del mundo, (The Longest Penalty Shot in the World) is exactly the history of that week of delay.

Lola goes to cover the press conference of the Cervantes Prize Award to María Zambrano. Captivated by the personality of the thinker decides to launch a film about her.

Leni takes Rafi to meet her family in Madrid. Leni's family is Jewish - mother, father, older sister and daughter, brother, and grandfather. Rafi is Palestinian, in Spain since age 12. Before her father returns from work, Leni reveals Rafi's origins. He accidentally drops a block of frozen soup out the flat window, probably killing a passerby. Leni initiates a cover-up and Rafi figures out the body is probably Leni's father. The body disappears and without telling the rest of the family what they know, Leni and Rafi organize a search for dad. Mom is sure he's having an affair. Leni's belly-dancing sister kisses Rafi. Her brother grabs a rifle to shoot the Arab. Can anything be put right?

The first actor of a theater company on tour in Spain dies in a car accident. A new actor, Jorge Ruiz, is to relieve you. He's handsome, young and revolutionary. His arrival creates tension, jealousy and distrust in the rest of the cast, is-especially in Mario Soto, which is responsible to lead in the absence of the author of the assembly, busy with an opera for the Teatro Real in Madrid . Already in the first trial of the work concerned the "Play Without a Title" by Federico Garcia Lorca, their personalities collide head. Morante Carmen, leading actress of the company, and Laura G. Reyna, which was secret lover of the deceased, witness the struggle between the two. As if that were not enough, the newcomer brings added conflict: reading at the end of the function of a manifesto for peace. Mario questioned that decision and the company is divided.

The first actor of a theater company on tour in Spain dies in a car accident. A new actor, Jorge Ruiz, is to relieve you. He's handsome, young and revolutionary. His arrival creates tension, jealousy and distrust in the rest of the cast, is-especially in Mario Soto, which is responsible to lead in the absence of the author of the assembly, busy with an opera for the Teatro Real in Madrid . Already in the first trial of the work concerned the "Play Without a Title" by Federico Garcia Lorca, their personalities collide head. Morante Carmen, leading actress of the company, and Laura G. Reyna, which was secret lover of the deceased, witness the struggle between the two. As if that were not enough, the newcomer brings added conflict: reading at the end of the function of a manifesto for peace. Mario questioned that decision and the company is divided.

19세기 중반 스페인. 곧 진급을 앞둔 건장하고 잘생긴 군인 호세는 담배공장에서 위병근무를 하던 중 카르멘의 매력에 영혼을 사로잡힌다. 카르멘은 공장에서 칼을 휘두르고 호송되는 길에 거짓말을 하며 호세를 유혹한다. 이미 카르멘의 매력에 눈이 먼 호세는 카르멘의 애원대로 그녀를 풀어 주게 되고 직무태만으로 군생활에 오점을 남긴다. 그러나, 절망적인 상황에서도 호세의 머리에는 카르멘에 대한 생각이 떠나지 않는다. 카르멘을 다시 만나길 고대하던 호세는 우연히 그녀를 다시 만나 동정을 바치는 불타는 사랑을 나눈다.

Professor Lola Sánchez investigates the truth behind the events experienced by Rafael Sánchez Mazas, one of the founders of the Falange Española party, during the Spanish Civil War.

Ana is a woman of thirty-something, goes back to the house where she spent of her childhood during the Argentine dictatorship.

Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who continue fighting for their ideas, even at the cost of their own lives. When Manuel is pursued (by Franco's Civil Guard) he flees to the mountain and Lucía discovers the reality of political repression, the silence, the horror and fear.

A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man's first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen's past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Leopoldo Contreras, a professor emeritus of Roman law has serious economic problems. His translations of classical authors do not give enough money to live and had to sell even their floor. To remedy the situation is offered as a slave to a former student in exchange for room and board.