Self (archive footage)
The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?
Self
多くの映画やテレビ作品で音楽を手掛け、2020年に逝去したエンニオ・モリコーネ氏。クエンティン・タランティーノ監督やクリント・イーストウッドらが彼に賛辞を贈る一方、自身は映画音楽の芸術的価値が低かった当時の苦しい胸のうちを明かす。『荒野の用心棒』での成功、『アンタッチャブル』で3度目のアカデミー賞ノミネートとなるも受賞を逃し、落ち込む様子なども描かれる。
Himself
An Italian documentary about Italian cinema.
"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.
Self - Filmmaker (archive footage)
The life of the legendary Italian photojournalist Paolo Di Paolo through his photographs, which capture the essence of a fascinating and turbulent Italy, the one inhabited by Anna Magnani and Pier Paolo Pasolini, a country that no longer exists.
Self
Opera Prima is a tribute and a journey through the evolution that cinema has had in Italy. Tayu Vlietstra, a pupil of Bertolucci, carries out an investigation on the first work of six of the most authoritative and beloved Italian directors. The result is an unpublished and precious document that reveals the emotions and expectations of directors grappling with their cinematic debut. Mario Monicelli, Bernardo Bertolucci, Lina Wertmüller, Marco Bellocchio, Liliana Cavani and Francesca Archibugi offer a still current evolution on the needs and difficulties of making cinema in our country.
Self
The story of the legendary star Alida Valli through the unpublished words of her letters and diaries, enriching it with other exclusive materials: photographs, family film in 8mm, new interviews with her sons, relatives, friends and collaborators, and much more archive material.
Self (archive footage)
A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.
Self (archive footage)
“A future historian, if he or she is honest, will feel a legitimate need to place the decade 1968 to 1978 alongside the great events that changed the world, such as the French and Russian Revolutions”. This was the guiding idea to which we entrusted, with considerable emotion, our personal memory and the archive footage that we took and collected during those years and which represent the physical body of the battles fought and victories gained everywhere during those ten years. Their value, in a country like Italy which has lost its memory, is a rare witness to the power of human dignity in a constant struggle for its redemption.
Self (archive footage)
A nostalgic look at the birth and death of arthouse film distribution in the early 2000s in Russia. The story of the "Cinema Without Borders" company and its two founders, Sam Klebanov and Anton Mazurov.
Self
Himself
The life and work of Giuseppe Bertolucci, as told by his father and brother, friends and colleagues.
Self
Roberto Benigni, Bernardo Bertolucci, Gabriele Salvatores, Paolo Sorrentino and Giuseppe Tornatore talk about their idea of cinema.
Self
An account of the life and work of the legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey into the greatest moments of cinema, from the Italian neorealism to the masterpieces of Woody Allen, commented by prestigious figures of world cinema.
Self - Filmmaker (archive footage)
Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.
Self - Filmmaker
In his early days as an actor, Marlon Brando (1924-2004) was a shy young man with theatrical ambitions, like many others; but his charisma and superb acting skills made him truly unique, so that the doors to the starry sky of Hollywood opened for him. However, his peculiar manners, political commitment and complicated love life always overshadowed his artistic success.
The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.
Director
Thirteen filmmakers talk about Henri Langlois and their relationship with him.
Self
Thirteen filmmakers talk about Henri Langlois and their relationship with him.
Self
Self - Guest
Self
This short film tells the story of the most important cinema trend that Italy has ever produced - Neo Realism. Born after the Second World War, this veritable cultural revolution rapidly became a boundless source of inspiration for movie-makers throughout the entire world. Even today it influences those wanting to produce quality movies characterized and identified as Italian products able to be exported as well. It is precisely one of the masters of this unique current rich in different personalities who introduces the story - Carlo Lizzani - whose 'lesson' reconstructs the birth and development of Neorealism in Italy. It combined innovative movie techniques with a new view based on a 'true' interpretation of reality. Due to its high cultural value, this short film was given the highest reknown of the Presidency of the Republic of Italy.
Director
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Self
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
Self
The American composer and author Paul Bowles was a man with a great deal of charisma and influence. When he moved to Tangier, Morocco, in 1949, half the world followed him to the enigmatic city. His marriage with author Jane Bowles was a loving relationship of opposites, even though both were homosexual. Based on exclusive interviews with Bowles shortly before his death interwoven with anecdotes recounted by his friends and co-workers, the film portrays a daring and visionary life as well as a relationship shaped by an interdependency that encompassed much more than sexuality.
Screenplay
「ラストエンペラー」「シェルタリング・スカイ」の巨匠ベルナルド・ベルトルッチ監督が重い病で車椅子生活を余儀なくされながらも、2003年の「ドリーマーズ」以来10年ぶりの復活を果たして撮り上げた青春ドラマ。周囲に馴染めない孤独な14歳の少年が腹違いの大人びた姉と自宅地下室で過ごす秘密の１週間を綴ったニッコロ・アンマニーティの同名小説を映画化。
周囲に馴染めず、独りが好きなちょっと変わり者の14歳、ロレンツォ。学校行事のスキー合宿に行くと両親を騙して向かった先は、自分の住むアパルトマンの地下室。彼はそこに食料を持ち込み、寝床や暖房も確保したその秘密の部屋で、好きな本と音楽に浸って一週間を過ごす計画だったのだ。ところがそこに、異母姉のオリヴィアが転がり込んでくる。美しく奔放な上、麻薬中毒でもあるオリヴィアの登場で、のんびり過ごすはずだったロレンツォの地下室生活は思いもよらぬ方向へと転がり始めるが…。
Director
「ラストエンペラー」「シェルタリング・スカイ」の巨匠ベルナルド・ベルトルッチ監督が重い病で車椅子生活を余儀なくされながらも、2003年の「ドリーマーズ」以来10年ぶりの復活を果たして撮り上げた青春ドラマ。周囲に馴染めない孤独な14歳の少年が腹違いの大人びた姉と自宅地下室で過ごす秘密の１週間を綴ったニッコロ・アンマニーティの同名小説を映画化。
周囲に馴染めず、独りが好きなちょっと変わり者の14歳、ロレンツォ。学校行事のスキー合宿に行くと両親を騙して向かった先は、自分の住むアパルトマンの地下室。彼はそこに食料を持ち込み、寝床や暖房も確保したその秘密の部屋で、好きな本と音楽に浸って一週間を過ごす計画だったのだ。ところがそこに、異母姉のオリヴィアが転がり込んでくる。美しく奔放な上、麻薬中毒でもあるオリヴィアの登場で、のんびり過ごすはずだったロレンツォの地下室生活は思いもよらぬ方向へと転がり始めるが…。
Self
Making of documentary of Bernardo Bertolucci's Io e Te.
Self
A portrait of Laura Betti with archival footage and stories of friends: Bernardo Bertolucci remembers Laura in "Novecento" and in a lost sequence of "Last Tango in Paris", Giacomo Marramao and Walter Siti dwell on the relationship with Pier Paolo Pasolini, Francesca Archibugi remembers a precious friend, Michelle Kokosowski and Jack Lang talk about the successful and mutual love for France, Piero Tosi and Paolo Poli remember her youth, Jacqueline Risset her private life, Valentino Parlato her civic passion, Renato Nicolini recaps her difficult relationship with institutions, Filippo Crivelli remembers the singer. Views that seek to reconstruct the figure of an exceptional artist, unusual and contradictory.
Self
In this visual essay, renowned film critic and historian Adriano Apra takes a closer look at Bernardo Bertolucci's work with Pier Paolo Pasolini on La Commare Secca and discusses its poetic qualities and visual style; Before the Revolution, which was inspired by the French Nouvelle Vague; Agony, a segment from the anthology film Love and Anger; the politically charged Partner, with Pierre Clémenti, which was filmed during the '68 student riots; and The Spider's Stratagem. Adriano Apra also discusses The Conformist and its unusual color scheme, the camera movement, the lensing, etc. Also included in the essay are clips from a very long interview with the Italian director in which he explains how The Conformist came to exist, and discusses its production history, its script and Alberto Moravia's novel, the casting process, the key conflicts in the film, etc.
Self
Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.
Self
A labor of love documentary, in which a daughter, with the help of various talking heads, looks back on the life work of her father.
self
Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.
Self
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
Self
Features conversations with ten of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera.
Self
What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)
Self
A documentary on the director’s career, featuring interviews with friends, collaborators, and filmmakers.
self
A behind the scenes look at Bernardo Bertolucci’s classic film about the dark side of the sexual revolution: Last Tango in Paris, starring Marlon Brando and Maria Schneider.
Self
Self
The making of The Dreamers, its background and relation to the May 1968 student riots in Paris.
Self
Various generations of filmmakers talk about what cinema means for them.
Self - Filmmaker
Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)
Self - Filmmaker
First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)
Director
1968年、五月革命に揺れるパリ。アメリカ人留学生マシューは、映画フリークの学生たちによるデモの最中に魅惑的な双子の姉弟イザベルとテオに出会い、急速に親密になっていく...。
Self
A short documentary about the making of Chaplin's "Limelight."
Self
Documentary about Italian film screenwriter Cesare Zavattini
Screenplay
映画史に燦然と輝く巨匠監督15人が“時間”をテーマに競作した豪華な短編集。10分という厳密な時間制限と予算だけが決められ、それ以外は各監督の自由にすべてが委ねられたこの企画は、２本のコンピレーション・フィルムに結実。本作はそのうちの１本。もう１本のタイトルは「１０ミニッツ・オールダー 人生のメビウス」。
これまで古今東西の哲学者たちが様々な思索をめぐらせた“時間の謎”を、８人の映画監督がそれぞれのタッチで追究していく。収録されている作品は、ベルナルド・ベルトルッチの「水の寓話」、マイク・フィギスの「時代×４」、イジー・メンツェルの「老優の一瞬」、イシュトヴァン・サボーの「１０分後」、クレール・ドニの「ジャン＝リュック・ナンシーとの対話」、フォルカー・シュレンドルフの「啓示されし者」、マイケル・ラドフォードの「星に魅せられて」、ジャン＝リュック・ゴダール「時間の闇の中で」の全８編。
Director
映画史に燦然と輝く巨匠監督15人が“時間”をテーマに競作した豪華な短編集。10分という厳密な時間制限と予算だけが決められ、それ以外は各監督の自由にすべてが委ねられたこの企画は、２本のコンピレーション・フィルムに結実。本作はそのうちの１本。もう１本のタイトルは「１０ミニッツ・オールダー 人生のメビウス」。
これまで古今東西の哲学者たちが様々な思索をめぐらせた“時間の謎”を、８人の映画監督がそれぞれのタッチで追究していく。収録されている作品は、ベルナルド・ベルトルッチの「水の寓話」、マイク・フィギスの「時代×４」、イジー・メンツェルの「老優の一瞬」、イシュトヴァン・サボーの「１０分後」、クレール・ドニの「ジャン＝リュック・ナンシーとの対話」、フォルカー・シュレンドルフの「啓示されし者」、マイケル・ラドフォードの「星に魅せられて」、ジャン＝リュック・ゴダール「時間の闇の中で」の全８編。
Self
It is a chronological compilation of film clips, awards ceremonies and brief period interviews gathered by journalist Sandro Lai.
Self - Director
A revealing look at the great Quebecois director who gave us such classic films as Mon Oncle Antoine, A toute prendre and Kamouraska: Power of Passion. Amidst the rise of French-Canadian identity and the political struggles of the '60s, Jutra was at the forefront of a group of artists dedicated to social change and attacking taboo.
Producer
A princess is determined to restore her homeland's throne to its rightful heir, a young prince with whom she falls in love.
Writer
A princess is determined to restore her homeland's throne to its rightful heir, a young prince with whom she falls in love.
Self
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
as Self
A documentary that focuses on Abbas Kiarostami's cinematic philosophy talking to himself and other figures, and also seeks the opinion about his works both inside and outside his homeland.
Self
A profile and history of film director Akira Kurosawa.
Writer
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. "What do you know of Africa?," she asks, then, in anguish, shouts, "Get my husband out of jail!" The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.
Director
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. "What do you know of Africa?," she asks, then, in anguish, shouts, "Get my husband out of jail!" The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.
Self - Director
The Story Of X takes you to the earliest days of adult films when men peddled stag reels and projectors out of the trunks of their cars, then through the movie house years to the arrival of the home video business, and now the Internet. Meet the men behind the camera, such as "King of Sexploitation" Dave Friedman and the preeminent breast man Russ Meyer. Considered pariahs at the time, they're now hailed as pioneers in the fight against censorship. The Story of X visits the 60s when women's rights, not nudity, became the issue and recounts porn's arrival in Hollywood, led by director Bernardo Bertolucci's Last Tango In Paris. In the 70s, several groundbreaking films, including Behind The Green Door featuring Marilyn Chambers and Deep Throat featuring Linda Lovelace, took the genre to a new level.
Self
Documentary about the life and works of Italian filmmaker Roberto Rossellini.
Story
Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.
Director
Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.
Self
The history of film and video censorship in Great Britain.
Self
Story
ベルトルッチらしい美しい場面で綴る、魅惑的な輪廻転生譚。案内役となるのはアメリカ・シアトルの9歳の少年ジェシー。突然訪れた三人のラマ僧が彼の前にひざまずく。少年を仏陀の生まれ変わり、活仏だと言うのだ。父と共に未知のチベットに旅した少年は、そこで太古の偉大な王子ゴータマの伝説を学び、その姿を目の当たりに見て仏性に目覚めていく。インド・ロケによる王子が栄華を極めるシークェンスや、彼が悟りを開いて仏陀となるシーン等、SFXも絶妙で、映像的には大変見応えがある。
Director
ベルトルッチらしい美しい場面で綴る、魅惑的な輪廻転生譚。案内役となるのはアメリカ・シアトルの9歳の少年ジェシー。突然訪れた三人のラマ僧が彼の前にひざまずく。少年を仏陀の生まれ変わり、活仏だと言うのだ。父と共に未知のチベットに旅した少年は、そこで太古の偉大な王子ゴータマの伝説を学び、その姿を目の当たりに見て仏性に目覚めていく。インド・ロケによる王子が栄華を極めるシークェンスや、彼が悟りを開いて仏陀となるシーン等、SFXも絶妙で、映像的には大変見応えがある。
Self
Part one of a BBC documentary about Jean Renoir.
Self
Documentary about the Dutch film director Adriaan Ditvoorst.
Le Maître de la Cour
An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.
Self
Documentary about Vittorio Storaro, cinematographer of Apocalypse Now, The Last Emperor, Reds, Il Confimista, 1900. Vittorio Storaro talks about his work, along with collaborators like Warren Beatty and Bernardo Bertolucci and peers like Nestor Almendros. On-set footage from Dick Tracy and The Sheltering Sky. Storaro explains his zany theories about light and colour, and gives a potted history of lighting in the cinema. Sublime.
Screenplay
第2次世界大戦後まもない1947年、ニューヨークから北アフリカへある夫婦が旅行にやってくる。かつて2人を取り巻いていた活気が薄れ、愛も夢もなくなってしまったことに気づいた夫婦は、この北アフリカで何かを発見できるのではないかと考えていたのだ。しかし、旅行を続ける内にかえって2人の関係は険悪になってゆく……。
Director
第2次世界大戦後まもない1947年、ニューヨークから北アフリカへある夫婦が旅行にやってくる。かつて2人を取り巻いていた活気が薄れ、愛も夢もなくなってしまったことに気づいた夫婦は、この北アフリカで何かを発見できるのではないかと考えていたのだ。しかし、旅行を続ける内にかえって2人の関係は険悪になってゆく……。
Self
Italian film director Bernardo Bertolucci is interviewed on the British television series about his film "The Last Emperor."
Director
Promotional omnibus film, made for the 1990 FIFA World Cup in Italy, featuring portraits of 12 Italian cities.
Director
Children play hide in seek in the city of Bologna
Interviewee
Documentary about the making of the film first presented on the British television series "The South Bank Show".
Screenplay
1950年。第二次世界大戦の終結による満州国の崩壊と国共内戦の終結により、共産主義国である中華人民共和国の一都市となったハルビン駅の構内。5年間にわたるソビエト連邦での抑留を解かれ、中華人民共和国に送還された「戦犯」達がごった返す中で、列から外れた1人の男が洗面所で自殺を試みる。男は監視人の手により一命を取り留めるものの、薄れ行く意識の中で幼い日々の頃を思い出していた。この男こそ清朝最後の皇帝にして満州国の皇帝、「ラスト・エンペラー」と呼ばれた愛新覚羅溥儀その人であった。
Director
1950年。第二次世界大戦の終結による満州国の崩壊と国共内戦の終結により、共産主義国である中華人民共和国の一都市となったハルビン駅の構内。5年間にわたるソビエト連邦での抑留を解かれ、中華人民共和国に送還された「戦犯」達がごった返す中で、列から外れた1人の男が洗面所で自殺を試みる。男は監視人の手により一命を取り留めるものの、薄れ行く意識の中で幼い日々の頃を思い出していた。この男こそ清朝最後の皇帝にして満州国の皇帝、「ラスト・エンペラー」と呼ばれた愛新覚羅溥儀その人であった。
Bernardo Bertolucci
Documentary about Bernardo Bertolucci, and his film The Last Emperor, tracing the director’s geographic influences, from Parma to China.
Interviewee
Documentary about the making of Italian film director Bernardo Bertolucci's The Last Emperor.
Director
A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.
Producer
Writer
The son of the owner of a large Italian cheese factory is kidnapped, but as the factory is on the verge of bankruptcy the owner hatches a plan to use the ransom money as reinvestment in the factory.
Director
The son of the owner of a large Italian cheese factory is kidnapped, but as the factory is on the verge of bankruptcy the owner hatches a plan to use the ransom money as reinvestment in the factory.
Self
Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.
Screenplay
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
Story
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
Director
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
Self
A journey through history
Writer
The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
Director
The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
Self
Documentary on the filming of Novecento by Bernardo Bertolucci
Editor
Screenplay
Self
Screenplay
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
Director
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
Director
Screenplay
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
Director
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
Screenplay
A young man returns to his countryside hometown to investigate the unclear circumstances behind the death of his father, ostensibly killed by Fascists in 1936, before his birth. As he unravels a web of lies that seems to encompass the whole town, he finds himself entangled in the same web.
Director
A young man returns to his countryside hometown to investigate the unclear circumstances behind the death of his father, ostensibly killed by Fascists in 1936, before his birth. As he unravels a web of lies that seems to encompass the whole town, he finds himself entangled in the same web.
Writer
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
Director
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
Story
セルジオ・レオーネ監督が、主演チャールズ･ブロンソンをはじめ豪華出演陣で描く西部劇の傑作。土地を狙う鉄道王モートンの差し金で夫を失ったジル。その後も執拗に狙われる彼女にもとに謎のガンマンが現れて……。
Writer
The story of a young man who meets his own likeness and uses him to fulfill his dreams.
Director
The story of a young man who meets his own likeness and uses him to fulfill his dreams.
Director
La Via del Petrolio is a three-part documentary Bernardo Bertolucci made for the Italian oil giant ENI that aired in 1967. The film was made following Bertolucci’s breakthrough second feature Before the Revolution, and the director has said that it’s a documentary made by a man who is desperate to direct another feature. The film was presented in three parts: "The Origins", "At Sea" and "In the Heart of Europe".
Director
Screenplay
The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.
Story
The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.
Director
The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.
Screenplay
ある日、ローマの郊外から市内に流れ込むテーヴェレ川のほとりで、中年の娼婦（しょうふ）が死体で見付かる。警察はかっぱらい一味のカンティッキア（フランチェスコ・ルイウ）や、高利貸しのカリッファ（アルフレード・レッジ）らを次々と召喚。そのほかにも休暇中の兵士テオドーロ（アレン・ミジェット）らが取調室に呼ばれ、それぞれ証言をしていくのだが……。
Director
ある日、ローマの郊外から市内に流れ込むテーヴェレ川のほとりで、中年の娼婦（しょうふ）が死体で見付かる。警察はかっぱらい一味のカンティッキア（フランチェスコ・ルイウ）や、高利貸しのカリッファ（アルフレード・レッジ）らを次々と召喚。そのほかにも休暇中の兵士テオドーロ（アレン・ミジェット）らが取調室に呼ばれ、それぞれ証言をしていくのだが……。
Assistant Director
A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.
Cinematography
Small semi-documentary exercise on the traditional slaughter of the pig in the countryside shot with the usual Paillard-Bolex in the courtyard of the family farmhouse of Baccanelli.
Writer
Small semi-documentary exercise on the traditional slaughter of the pig in the countryside shot with the usual Paillard-Bolex in the courtyard of the family farmhouse of Baccanelli.
Director
Small semi-documentary exercise on the traditional slaughter of the pig in the countryside shot with the usual Paillard-Bolex in the courtyard of the family farmhouse of Baccanelli.
Director
Italian short movie now lost.
