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The film, which is in sharp monochrome, relates the story of a twenty-four-hour-long journey of two young Iranian soldiers (Issā and Emād) and a civilian driver (Amu Rahim) transporting thirty-eight Iraqi prisoners of war, taken from behind the Iraqi line, to a garrison inside Iran. From the details one is informed that the Iran–Iraq War has entered into its third year. The film masterfully depicts the deep inhumanity of acts of war amongst nations by showing the shared humanity of the combatants on both sides
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The war between Iran and Iraq is raging. Near the border on the Iranian side, an old man takes care of martyrs’ graves by the little cabin where he lives with his wife and grandson, while the boy’s father is fighting in the war. Suddenly one day, their home is invaded by a wounded Iraqi officer and two of his subordinates. They desperately need care and a place to hide. The intruders and the little family do not understand each other’s language, the tone is aggressive and an intense, life-and-death chamber play ensues.
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"In her second narrative feature, Karimi presents a gorgeous minimalist portrait of a woman crushed by indecision. At first it seems that graphic designer Shahrzad (played by Karimi) goes about her daily life with placid ease, but her surface stillness masks a maelstrom of weighty decisions she desperately wishes to avoid making." - Persian Film Festival Australia
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Amir Hossein, Manouchehr, and Shahkar are young and unmarried who decide to go to Emirates in order to find well-paid jobs. Unfortunately, Shahkar gets mugged by a motor rider and they lose all of their money. Shahkar's uncle suggests them working in a workshop owned by a young lady called Ms. Arabshahi. She has one condition though, that they should pass her tests.
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Sina and Sharare's honeymoon takes unexpected turns.
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An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.
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Hamed is unemployed. Meanwhile, his wife and daughter immigrate to Europe for a better future. Missing his family, he imprisons himself and starts to revise his life in isolation.
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Forough Kia is a film-maker who got divorced from her husband many years ago and now is living with her son Maani. She decides to make a documentary about perfect mothers. In order to do so she meets many mothers to chose the perfect mother among them. She finally decides to quit making this film because of tiredness but doctor Rahbar wants her to continue. Maani is teasing her every day preventing her from marrying doctor Rahbar but she finally decides that she wants to marry him.
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An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.