Mehri Shirazi

The film, which is in sharp monochrome, relates the story of a twenty-four-hour-long journey of two young Iranian soldiers (Issā and Emād) and a civilian driver (Amu Rahim) transporting thirty-eight Iraqi prisoners of war, taken from behind the Iraqi line, to a garrison inside Iran. From the details one is informed that the Iran–Iraq War has entered into its third year. The film masterfully depicts the deep inhumanity of acts of war amongst nations by showing the shared humanity of the combatants on both sides

The war between Iran and Iraq is raging. Near the border on the Iranian side, an old man takes care of martyrs’ graves by the little cabin where he lives with his wife and grandson, while the boy’s father is fighting in the war. Suddenly one day, their home is invaded by a wounded Iraqi officer and two of his subordinates. They desperately need care and a place to hide. The intruders and the little family do not understand each other’s language, the tone is aggressive and an intense, life-and-death chamber play ensues.

"In her second narrative feature, Karimi presents a gorgeous minimalist portrait of a woman crushed by indecision. At first it seems that graphic designer Shahrzad (played by Karimi) goes about her daily life with placid ease, but her surface stillness masks a maelstrom of weighty decisions she desperately wishes to avoid making." - Persian Film Festival Australia

Amir Hossein, Manouchehr, and Shahkar are young and unmarried who decide to go to Emirates in order to find well-paid jobs. Unfortunately, Shahkar gets mugged by a motor rider and they lose all of their money. Shahkar's uncle suggests them working in a workshop owned by a young lady called Ms. Arabshahi. She has one condition though, that they should pass her tests.

Sina and Sharare's honeymoon takes unexpected turns.

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

Hamed is unemployed. Meanwhile, his wife and daughter immigrate to Europe for a better future. Missing his family, he imprisons himself and starts to revise his life in isolation.

Киофа - кинорежиссер, которая развелась со своим мужем много лет назад и сейчас живет со своим сыном Маани. Она решает снять документальный фильм о идеальных мамах. Для этого она встречает многих матерей, чтобы выбрать среди них идеальную маму. Наконец она решает прекратить снимать этот фильм из-за усталости, но доктор Рахбар хочет, чтобы она продолжила. Маани каждый день дразнит ее, не давая ей выйти замуж за доктора Рахбара, но она наконец решает, что хочет выйти за него замуж.

Пожилой владелец томатной фермы и фабрики соусов после смерти своей жены влюбляется в одного из работников фабрики, ставя под угрозу его отношения с дочерьми и родственниками. В то время как все в большой семье убеждают старика отказаться от отношений с бедной девочкой, старик делает свой последний выбор любви.