Ursina Lardi

The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences.

Anna and Thomas' evening takes a surprising turn when their upstairs neighbors make them a spicy offer.

Maria, a Mexican migrant, is pregnant. Her husband Giorgio is sterile. She conceals the pregnancy from him out of fear he might suspect infidelity. Caught between doubt and longing, both seek tenderness elsewhere. Fascinated by the unknown, their feelings drive them into the depths of love. There, where only trust can prevent them from losing one another.

Orphea in Love, now, fuses many of these diverse forays for a singular piece of musical theatre cinema. Structurally a musical or operetta, it features famous opera tunes paired with modern classical ballet choreographies. Befittingly, the title might insinuate a version of Jacques Offenbach's 1858 Orphée aux enfers (we have that somewhere else in the programme, though!), but the story of young, multi-job hassled Nele, her dream of opera stardom, and her love for dancer Kolya feels in its razzmatazzy mix of realism and kitsch simultaneously closer to Flashdance (1983; Adrian Lyne) and the average Lady Gaga music video. Wow. WOW!

Nathalie Adler is on a mission for the EU in Sicily. She organizes the next visit of Macron and Merkel to a migrant camp. Their presence has a high symbolic value to show that everything is under control. But who still wants to believe in this European family on the verge of a nervous breakdown? Probably not Albert, Nathalie's son, an NGO activist who arrives without warning. He, moreover, no longer believes in his mother.

Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event, a family next door returns from vacation, and a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up.

Thomas Wintersperger, a man who has to learn to deal with his grief, sees his loss as an opportunity to reorganize his life.

Veteran defense attorney Konrad Biegler accepts the defense of a man accused of kidnapping a young girl. At the trial he must face the tenacious police inspector Peter Nadler.

When a young girl is kidnapped, ruthless police inspector Peter Nadler embarks on a race against time to rescue her.

After a Jewish boy was harassed by his classmates for months, an argument breaks out between the overwhelmed parents, the class teacher and the school management.

Nineteen-year-old David dreams of being a concert pianist on the international stage. Although his talent made him special in his home town, he soon realizes that at the conservatory he is but one of many talented students.

In a small mountain valley in Italy, the former criminal Cesare discovers the corpse of his nephew Fausto.

Paul Bacher is in crisis. If he could feel in the past as one of the most influential writers of his generation, he has long lacked ideas and impetus for a new great work. His reading tours are becoming more and more a sad affair with too much alcohol and too little public. Then Paul overflows in a drunken hitchhiker, flees first scared and later removes the body, without talking to anyone about the experience. But something is flowing in its interior. Paul starts to write again. The criticism is done, but the story about the death of a hitchhiker also arouses suspicion.

Seventeen-year-old Mathieu Reymond lies brutally battered and raped in a field of reeds. It is only after his release from hospital that the memories come back, unannounced and fragmentary, but still so precise that regular meetings with two police officers not only allow the perpetrator’s identikit image to take shape, but also the chronology of the crime itself.

For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.

The retired Chief superintendent Jakob Franck who often had to inform relatives as a "death messenger", now hopes to lead a life beyond the dead.

Lena is happily married. From the strange man in the S-Bahn but such a pull goes out that she gets involved in a spontaneous infidelity. The stranger, Martin, also thought that the marriage with his wife was completely safe. Nevertheless, what should actually be written off as an adventure between Lena and Martin is becoming the projection screen for newly created needs and longings. Lena and Martin can not let go of each other.

After eighteen years of marriage, Alice finds herself confronted with the fact that her husband Frank feels more and more attracted to men. Not only Frank, but also she and their three children undergo an irreversible change.

1953年、スターリン政権下のソ連で、臓器を摘出された子どもたちの変死体が次々と発見される。国家保安省のエリート捜査官レオは、あくまで事故死として事件を処理しようとする上司たちに異を唱えたのがあだとなって、愛妻のライーサにあらぬスパイ容疑を掛けられたうえ、やがて地方の警察署に左遷されるはめに。その地でまたしても同様の手口による子どもの変死体が見つかり、レオはあらためて真相を突き止めようと決心する。

Fabian Groys, a renowned journalist for a political news magazine, enjoys great freedom, since the stories he uncovers make for good sales. When he loses a hot story about the German army, the editor saddles him with a young female intern. Fabian hates teamwork and sticks the intern with what seems a classic tabloid story about the suicide of a man who had himself torn to shreds by a lion at the zoo. But thanks to the intern’s dogged determination, signs emerge that the story Fabian was working on and the gory zoo story are actually interlinked. Is it pure coincidence? And if it isn’t, how can Fabian fight a nebulous enemy?

A Chechen Muslim illegally immigrates to Hamburg and becomes a person of interest for a covert government team which tracks the movements of potential terrorists.

An affluent city is covered in snow, all seems perfect – on the surface. Divorcé Rolf is doing his best to rebuild his relationship with his daughter. Pregnant Lena appears to be living a faultless family life with her husband and son. Social worker Judith has a tough job and escapes it through her fantasies, whilst widowed Maria has finally built up the courage to invite her male acquaintance to a romantic dinner. In the course of one day, all of them will cross paths with the Bulgarian Mia, who works in the red-light trade and their seemingly perfect lives will never be the same…

Peter (39) has slipped into the role of the houseman over the years, because his wife Elisabeth (42) is traveling a lot for work and he takes care of the children Robby (15) and Laura (8). Peter learns that Elisabeth wants to go to Africa with her family. Due to the death of his mother Hedi, the soul situation Peters gets more and more out of balance. When he also learns that Elisabeth has already given her boss half a promise to go to Africa for two years, Peter feels ignored and ignored. It begins a blessing of blame, in which he gets into an emotional dead end.

Prosecutor Charlotte Reinke investigates in a sensitive case: The eight-year-old Laura accuses her father novel of sexual abuse. This indignantly rejects the suspicion. The child had made the accusation under the influence of the mother, who only wanted to take revenge for having left her for another. Does Roman say the truth? Rather accidentally, the prosecutor makes a decisive discovery.

Johanna (13) is in love – but how is she to enjoy this rush of emotions when her violent prone father is returning to the family home? Torn between the wish to stay true to her father and the love for her boyfriend, Johanna is faced with an impossible decision. A story about family secrets, the chains of family loyalty and the power to break free.

1945年、敗戦して間もないドイツ。ナチスの幹部だった両親が去り、14歳の少女ローレは、妹と弟と共に南ドイツから900キロ離れたハンブルクの祖母の家へ向かうことに。途中、貼り出されたホロコーストの写真を見たローレは困惑する。翌日、連合軍兵士に呼び止められたローレはユダヤ人青年のトーマスに助けられる。

A mass panic at a vast subway station somewhere in the Northwestern hemisphere leaves its survivors perplexed. What happened to trigger the stampede? At the peak of the rush hour the film goes on a journey into the landscape of public fears.

Switzerland, 1955. The young orphan Max is sent as a foster child and contracted to work for the Bösiger family who lives on a farm. His foster parents treat him like a workhorse while their son seizes every opportunity to humiliate him. Playing the accordion is the one thing that is entirely his. But when the new teacher stands up for Max, it only makes a bad situation much worse. The only thing preserving his will to survive is his friendship with Berteli, who was also taken on to work at the farm. Max dreams of Argentina with her: a fantasy world, where allegedly even hayforks are made of silver.

Judith decides to go on her own to the salsa-dancing night, even though her boyfriend, with whom she goes there every week, can’t accompany her. A stranger, with whom she briefly dances, offers to walk her home. Next morning, upon returning home, Judith refuses at first to accept that she’s a rape victim, but in the end decides to go to a doctor and press charges - which prove inadequate to have the rapist convicted. Under the influence of sweeping bodily and mainly psychological oscillations, Judith decides she has to follow an unorthodox path in order to prove the perpetrator’s guilt.

In an idyllic wine region at the foot of the Swiss Alps lives Rico with his two daughters and his wife Anna. The charming daughter, Lili, brings turbulence into the so far harmonious family life because of the awakening of her sexuality. Her father sees her with new eyes and starts to distance himself from her. Lili feels rejected from her father and reacts with aggression and power games.

What starts out as a relaxing weekend at lake Neusiedl ends in fear and horror for two friendly couples. Three children have gone missing from the neighbouring village. As tensions increase people start showing their true colours.

第一次世界大戦前夜のドイツ北部。プロテスタントの教えを信じる村人たちに、不可解な事故が次々と襲い掛かる。小さな村は不穏な空気に包まれ、村人は疑心暗鬼に陥り、子どもたちは苦悩を感じ始めていた。

After his mother's death, 17-year-old Sven moves in with his dad Achim, a taxi driver, who had divorced his mother several years earlier. It is not easy for Achim to get used to an adolescent around the house, especially since Sven hardly speaks to him. But Sven does well in school, and Achim hopes that time will bring them closer together. It is Achim's girlfriend Julia who first senses that something is wrong with Sven. Why, she wonders, does he always hang around with young boys? Why does not he have any friends his own age? She suspects that he is gay. The truth, however, is somewhat more nuanced - and chilling: Sven has pedophile tendencies. Proof is soon found on videos that shock and sicken Achim. Sven himself is shattered and regrets his actions. Julia suggests therapy, but Achim is convinced that he and Sven can handle this together. But he is wrong. Though Sven practically begs his father to lock him up in his room, Achim has confidence in his son.

When the hard-working bread-winner Katja and Hendrik the intellectual meet Saida, an illegal immigrant from Algeria, and accept to organize a "passport marriage" between her and Hendrik, they are caught up in a chain of events and feelings over which they have no control.

A woman faces a variety of emotional crises as she spends the summer interacting in various ways with friends, family, and lovers.