Ursina Lardi

The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences.

Anna and Thomas' evening takes a surprising turn when their upstairs neighbors make them a spicy offer.

Maria, a Mexican migrant, is pregnant. Her husband Giorgio is sterile. She conceals the pregnancy from him out of fear he might suspect infidelity. Caught between doubt and longing, both seek tenderness elsewhere. Fascinated by the unknown, their feelings drive them into the depths of love. There, where only trust can prevent them from losing one another.

Orphea in Love, now, fuses many of these diverse forays for a singular piece of musical theatre cinema. Structurally a musical or operetta, it features famous opera tunes paired with modern classical ballet choreographies. Befittingly, the title might insinuate a version of Jacques Offenbach's 1858 Orphée aux enfers (we have that somewhere else in the programme, though!), but the story of young, multi-job hassled Nele, her dream of opera stardom, and her love for dancer Kolya feels in its razzmatazzy mix of realism and kitsch simultaneously closer to Flashdance (1983; Adrian Lyne) and the average Lady Gaga music video. Wow. WOW!

나탈리는 몇 년간 소원하게 지낸 아들 알버트와 일터에서 예고 없이 마주친다. 예고 없이 성사된 만남은 점점 더 위태로워진다. 그들의 관계는 어떻게 변할 것인가.

취르허 형제는 전작에서 벗어나기보다 변주하는 쪽을 택했다. 사람들은 좁은 실내를 오가고, 소리는 곁을 맴돌고, 아이와 고양이와 개는 물끄러미 바라보고, 한두 가지의 멜로디가 반복해서 삽입된다. 그리고 사물은 무심한 흔적을 남긴다. 정서의 흐름과 그곳에서 발생하는 감각으로 이루어진 영화의 달라진 점이 있다면, 가족에서 멜로로의 변화다. 어긋난 감정의 교류가 인물을 묶는다. 각자의 기억은 어떤 파장도 일으키지 못하고, 부질없는 응시는 상처를 입는다. 시선끼리 벌이는 전쟁에 승자는 없다. 그저 습관처럼 공유했던 공간, 거미가 떠난 거미줄처럼 공간만이 모든 걸 기억하는 무덤으로 남는다. 감독은 그걸 ‘일상의 신화’라 했다. 영화를 본 뒤, ‘디자이어리스’의 「보야지, 보야지」가 예전과 달리 들리지 싶다.

Thomas Wintersperger, a man who has to learn to deal with his grief, sees his loss as an opportunity to reorganize his life.

Veteran defense attorney Konrad Biegler accepts the defense of a man accused of kidnapping a young girl. At the trial he must face the tenacious police inspector Peter Nadler.

When a young girl is kidnapped, ruthless police inspector Peter Nadler embarks on a race against time to rescue her.

After a Jewish boy was harassed by his classmates for months, an argument breaks out between the overwhelmed parents, the class teacher and the school management.

Nineteen-year-old David dreams of being a concert pianist on the international stage. Although his talent made him special in his home town, he soon realizes that at the conservatory he is but one of many talented students.

In a small mountain valley in Italy, the former criminal Cesare discovers the corpse of his nephew Fausto.

Paul Bacher is in crisis. If he could feel in the past as one of the most influential writers of his generation, he has long lacked ideas and impetus for a new great work. His reading tours are becoming more and more a sad affair with too much alcohol and too little public. Then Paul overflows in a drunken hitchhiker, flees first scared and later removes the body, without talking to anyone about the experience. But something is flowing in its interior. Paul starts to write again. The criticism is done, but the story about the death of a hitchhiker also arouses suspicion.

Seventeen-year-old Mathieu Reymond lies brutally battered and raped in a field of reeds. It is only after his release from hospital that the memories come back, unannounced and fragmentary, but still so precise that regular meetings with two police officers not only allow the perpetrator’s identikit image to take shape, but also the chronology of the crime itself.

For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.

The retired Chief superintendent Jakob Franck who often had to inform relatives as a "death messenger", now hopes to lead a life beyond the dead.

Lena is happily married. From the strange man in the S-Bahn but such a pull goes out that she gets involved in a spontaneous infidelity. The stranger, Martin, also thought that the marriage with his wife was completely safe. Nevertheless, what should actually be written off as an adventure between Lena and Martin is becoming the projection screen for newly created needs and longings. Lena and Martin can not let go of each other.

After eighteen years of marriage, Alice finds herself confronted with the fact that her husband Frank feels more and more attracted to men. Not only Frank, but also she and their three children undergo an irreversible change.

1952년 소비에트 연방, 범죄 발생률 0%인 완벽한 국가에서 출세가도를 달려온 ‘레오’(톰 하디). 평온한 어느 날, 철길 옆에서 어린 아이가 시체로 발견되고 ‘레오’는 “완벽한 국가에서 범죄란 없다”는 굳은 신념 아래 단순한 기차 사고로 종결 짓는다. 한편 사랑하는 아내 ‘라이사’(누미 라파스)가 스파이로 지목되지만 차마 그녀를 고발하지 못한 ‘레오’는 민병대로 좌천되고, 사고 발생 소식에 ‘네스테로프’ 대장(게리 올드만)과 함께 현장으로 출동한다. 숲 속에서 발견된 아이 시체를 본 ‘레오’는 과거 사고와 유사점을 발견하고 동일범의 소행일지도 모른다는 의심을 갖게 된다. 비슷한 또래 아이들의 모든 사건을 관통하는 단서를 찾게 된 ‘레오’와 ‘네스테로프’ 대장은 끔찍한 아동 연쇄살인사건과 거대한 음모의 실마리를 발견하고 본격적으로 사건을 파헤치기 시작하는데...

Fabian Groys, a renowned journalist for a political news magazine, enjoys great freedom, since the stories he uncovers make for good sales. When he loses a hot story about the German army, the editor saddles him with a young female intern. Fabian hates teamwork and sticks the intern with what seems a classic tabloid story about the suicide of a man who had himself torn to shreds by a lion at the zoo. But thanks to the intern’s dogged determination, signs emerge that the story Fabian was working on and the gory zoo story are actually interlinked. Is it pure coincidence? And if it isn’t, how can Fabian fight a nebulous enemy?

독일 최고의 스파이였으나 지금은 정보부 소속 비밀조직의 수장인 군터 바흐만(필립 세이모어 호프만). 정보원을 미끼 삼아 더 큰 목표물을 제거하는 데 탁월한 재능을 가진 그의 앞에 흥미로운 먹잇감, ‘이사’가 나타난다. 인터폴 지명수배자인 이사는 아버지의 유산을 찾기 위해 함부르크로 밀항한 무슬림 청년. 본능적으로 이사를 쫓기 시작한 군터는 이사를 돕고 있는 인권 변호사 애너벨 리히터(레이첼 맥아덤스)와 유산을 관리하는 은행장 토마스 브루(윌렘 데포)의 존재를 알게 되고, 두 사람을 자신의 정보원으로 섭외하는 데 성공한다. 그리고는 이사를 이용해 테러리스트들의 자금줄로서 각국 정보부의 용의선상에 오른 닥터 압둘라를 체포할 은밀한 작전을 설계하는데...

크리스마스 이브에 스위스 취리히에 사는 외로운 네 가족에게 일어나는 이야기이다. 매춘부들을 관리하는 사회복지사이지만 남자 친구 몰래 성적 환상을 가지고 다른 사람과 성관계를 하는 주디스, 남편이 매춘을 했음을 알게 된 부유층 임산부 리나, 최근 이혼으로 힘들어하며 매춘을 통해 외로움을 극복하려는 롤프, 남편과 사별하고 남자 친구인 주앙에게 성적 욕망을 품는 마리아, 이들 네 가족의 이야기는 모두 거리에서 매춘부로 일하는 불가리아 출신 미아와 연관이 있다.

Peter (39) has slipped into the role of the houseman over the years, because his wife Elisabeth (42) is traveling a lot for work and he takes care of the children Robby (15) and Laura (8). Peter learns that Elisabeth wants to go to Africa with her family. Due to the death of his mother Hedi, the soul situation Peters gets more and more out of balance. When he also learns that Elisabeth has already given her boss half a promise to go to Africa for two years, Peter feels ignored and ignored. It begins a blessing of blame, in which he gets into an emotional dead end.

Prosecutor Charlotte Reinke investigates in a sensitive case: The eight-year-old Laura accuses her father novel of sexual abuse. This indignantly rejects the suspicion. The child had made the accusation under the influence of the mother, who only wanted to take revenge for having left her for another. Does Roman say the truth? Rather accidentally, the prosecutor makes a decisive discovery.

Johanna (13) is in love – but how is she to enjoy this rush of emotions when her violent prone father is returning to the family home? Torn between the wish to stay true to her father and the love for her boyfriend, Johanna is faced with an impossible decision. A story about family secrets, the chains of family loyalty and the power to break free.

1945년 봄 연합군의 폭격 후 독일의 저항은 붕괴된다. 나치였던 아버지는 자살하고 어머니가 감옥에 간 뒤 로어는 여동생 리즐, 쌍둥이 남동생 귄터와 위르겐 그리고 막내 페터와 함께 남겨진다. 그들은 살아남기 위해 전쟁의 상흔으로 피폐해진 독일 땅을 가로질러 900km 떨어진 북부지역의 할머니 집으로 가야만 한다. 패배한 조국의 혼돈을 목격하면서 로어는 신비스러운 분위기의 젊은 유태인 난민 토마스를 만난다. 환영 받지 못한 채 토마스는 로어의 가족을 따라가게 되고 로어는 혐오와 열망이 교차하는 미묘한 감정을 느낀다. 유태인인 토마스에 대해 로어는 저항과 편치 못할 친절함을 느끼지만 토마스의 도움을 받아가며 점차적으로 로어와 그녀의 동생들은 가까워진다. 하지만 로어가 토마스를 믿어야 할까? 믿지 않는다면 그녀의 동생들은 어떻게 될까? 그들은 살아남을 수 있을까? 로어는 전쟁 후 황폐화된 현실을 직시하며 사랑, 죄 그리고 용서의 본질에 대해 다시 생각하게 된다.

A mass panic at a vast subway station somewhere in the Northwestern hemisphere leaves its survivors perplexed. What happened to trigger the stampede? At the peak of the rush hour the film goes on a journey into the landscape of public fears.

Switzerland, 1955. The young orphan Max is sent as a foster child and contracted to work for the Bösiger family who lives on a farm. His foster parents treat him like a workhorse while their son seizes every opportunity to humiliate him. Playing the accordion is the one thing that is entirely his. But when the new teacher stands up for Max, it only makes a bad situation much worse. The only thing preserving his will to survive is his friendship with Berteli, who was also taken on to work at the farm. Max dreams of Argentina with her: a fantasy world, where allegedly even hayforks are made of silver.

Judith decides to go on her own to the salsa-dancing night, even though her boyfriend, with whom she goes there every week, can’t accompany her. A stranger, with whom she briefly dances, offers to walk her home. Next morning, upon returning home, Judith refuses at first to accept that she’s a rape victim, but in the end decides to go to a doctor and press charges - which prove inadequate to have the rapist convicted. Under the influence of sweeping bodily and mainly psychological oscillations, Judith decides she has to follow an unorthodox path in order to prove the perpetrator’s guilt.

In an idyllic wine region at the foot of the Swiss Alps lives Rico with his two daughters and his wife Anna. The charming daughter, Lili, brings turbulence into the so far harmonious family life because of the awakening of her sexuality. Her father sees her with new eyes and starts to distance himself from her. Lili feels rejected from her father and reacts with aggression and power games.

What starts out as a relaxing weekend at lake Neusiedl ends in fear and horror for two friendly couples. Three children have gone missing from the neighbouring village. As tensions increase people start showing their true colours.

1913년, 독일의 한 시골마을에서 연쇄적으로 발생하는 기이한 사건들의 근원을 쫓는 영화로 고요하고 평화로운 보이는 작은 마을에서 드러나지 않은 사람들의 추악한 본성과 그것이 어떠한 제재도 없이 되물림 되는 것의 공포가 무엇인지를 보여주는 작품이다. 누군가의 의도적 장치로 동네 의사가 부상을 입는 사건을 시작으로 마을 사람들과 아이들에게 의문의 사건들이 연이어 발생한다. 누가 자행한 짓인지 밝혀지지 않은 사건들은 점차 강도 높게, 연쇄적으로 일어나며 마을 사람들을 공포에 빠뜨린다.

After his mother's death, 17-year-old Sven moves in with his dad Achim, a taxi driver, who had divorced his mother several years earlier. It is not easy for Achim to get used to an adolescent around the house, especially since Sven hardly speaks to him. But Sven does well in school, and Achim hopes that time will bring them closer together. It is Achim's girlfriend Julia who first senses that something is wrong with Sven. Why, she wonders, does he always hang around with young boys? Why does not he have any friends his own age? She suspects that he is gay. The truth, however, is somewhat more nuanced - and chilling: Sven has pedophile tendencies. Proof is soon found on videos that shock and sicken Achim. Sven himself is shattered and regrets his actions. Julia suggests therapy, but Achim is convinced that he and Sven can handle this together. But he is wrong. Though Sven practically begs his father to lock him up in his room, Achim has confidence in his son.

When the hard-working bread-winner Katja and Hendrik the intellectual meet Saida, an illegal immigrant from Algeria, and accept to organize a "passport marriage" between her and Hendrik, they are caught up in a chain of events and feelings over which they have no control.

A woman faces a variety of emotional crises as she spends the summer interacting in various ways with friends, family, and lovers.