Frederico Pinto

参加作品

Marighella
Production Design
Afro-Brazilian poet and politician, the legendary Carlos Marighella. Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal, racist right-wing dictatorship that followed, the revolutionary leaves behind his wife and son to take up arms, becoming a notorious enemy to the power structure.
Maybe a Love Story
Production Design
After another day at work, Virgílio turns on the answering machine at home and hears a disturbing message. It's a message from Clara, communicating the end of their relationship. Virgílio then listens to the message repeatedly, seeking some meaning. Breaking up is not the problem; the problem is that Virgílio has no idea who Clara is.
Edifício Paraíso
Art Direction
Over the course of one night, the trivial squabbles of five couples from the same apartment building escalate into potentially relationship-ending rows.
Love in Sampa
Production Design
The Adventures of the Red Plane
Director
A film about imagination, in which the protagonist goes on internal journeys around the world, overcoming fears and making new discoveries.
Between Us
Art Direction
A group of literature-loving friends bury letters to be opened 10 years later when they will confront the dreams of their youth with what the future has held in store for them.
Between Us
Production Design
A group of literature-loving friends bury letters to be opened 10 years later when they will confront the dreams of their youth with what the future has held in store for them.
Onde Está a Felicidade?
Production Design
VIPs
Art Direction
A human look on the life of one of the biggest frauds in the world happened by important people in Brazil.
De lá pra cá
Writer
Me and My Umbrella
Art Direction
Eugênio (Lucas Cotrim) é um garoto de 11 anos que jamais se separa do guarda chuva herdado de seu avô. No último dia de férias ele e Cebola (Victor Froiman), seu melhor amigo, precisam entrar na sombria casa onde fica sua nova escola. O motivo é para resgatar Frida (Rafaela Victor), a grande paixão de Eugênio, que foi sequestrada pelo fantasma do Barão Von Staffen (Daniel Dantas)
Blackout
Art Direction
At the end of a tough workweek an assistant congressman and his friend go to an abandoned room in the Capitol building to relax and smoke a joint. While trying to unwind the assistant congressman complains about his job. He is doing all he can to cover up his boss' scandalous sex affair but nothing seems to be working. "Things can't get any worse", he proclaims. . . but they do!
The Open Window
Art Direction
In the middle of his crazy day, a man tries to remember if he closed a window at home.
The Open Window
Production Design
In the middle of his crazy day, a man tries to remember if he closed a window at home.
Domésticas
Art Direction
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.