Production Design
Afro-Brazilian poet and politician, the legendary Carlos Marighella. Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal, racist right-wing dictatorship that followed, the revolutionary leaves behind his wife and son to take up arms, becoming a notorious enemy to the power structure.
Production Design
After another day at work, Virgílio turns on the answering machine at home and hears a disturbing message. It's a message from Clara, communicating the end of their relationship. Virgílio then listens to the message repeatedly, seeking some meaning. Breaking up is not the problem; the problem is that Virgílio has no idea who Clara is.
Art Direction
Over the course of one night, the trivial squabbles of five couples from the same apartment building escalate into potentially relationship-ending rows.
Production Design
Director
어딜 가나 사고를 치고 다니는 말썽꾸러기 페르난도. 언제나 장난감들과 비디오 게임만 하는 페르난도가 걱정되는 마음에 아버지는 여러 방법을 시도하다가 ‘폭풍 대장 이야기’라는 책을 페르난도에게 선물한다. 책에 푹 빠진 페르난도는 머나먼 땅 캄차카에 잡혀 있는 폭풍 대장을 구하러 가기로 결심한다. 아프리카와 인도, 중국을 거치며 페르난도와 장난감 친구들은 넓은 세상을 구경하고, 갖은 고비를 넘기며 돈독한 우정을 쌓게 되는데…
Art Direction
A group of literature-loving friends bury letters to be opened 10 years later when they will confront the dreams of their youth with what the future has held in store for them.
Production Design
A group of literature-loving friends bury letters to be opened 10 years later when they will confront the dreams of their youth with what the future has held in store for them.
Production Design
Art Direction
A human look on the life of one of the biggest frauds in the world happened by important people in Brazil.
Writer
Art Direction
Eugênio (Lucas Cotrim) é um garoto de 11 anos que jamais se separa do guarda chuva herdado de seu avô. No último dia de férias ele e Cebola (Victor Froiman), seu melhor amigo, precisam entrar na sombria casa onde fica sua nova escola. O motivo é para resgatar Frida (Rafaela Victor), a grande paixão de Eugênio, que foi sequestrada pelo fantasma do Barão Von Staffen (Daniel Dantas)
Art Direction
At the end of a tough workweek an assistant congressman and his friend go to an abandoned room in the Capitol building to relax and smoke a joint. While trying to unwind the assistant congressman complains about his job. He is doing all he can to cover up his boss' scandalous sex affair but nothing seems to be working. "Things can't get any worse", he proclaims. . . but they do!
Art Direction
In the middle of his crazy day, a man tries to remember if he closed a window at home.
Production Design
In the middle of his crazy day, a man tries to remember if he closed a window at home.
Art Direction
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.
