Herself
Russian Lessons sees its two filmmaker-protagonists, Olga Konskaya and Andrei Nekrasov, report from different posts on the frontline of the 2008 Russian-Georgian war.
Editor
Russian Lessons sees its two filmmaker-protagonists, Olga Konskaya and Andrei Nekrasov, report from different posts on the frontline of the 2008 Russian-Georgian war.
Producer
Russian Lessons sees its two filmmaker-protagonists, Olga Konskaya and Andrei Nekrasov, report from different posts on the frontline of the 2008 Russian-Georgian war.
Writer
Russian Lessons sees its two filmmaker-protagonists, Olga Konskaya and Andrei Nekrasov, report from different posts on the frontline of the 2008 Russian-Georgian war.
Director
Russian Lessons sees its two filmmaker-protagonists, Olga Konskaya and Andrei Nekrasov, report from different posts on the frontline of the 2008 Russian-Georgian war.
Producer
The film TWELVE CHAIRS linked in a spectacular way the dramaturgy of a treasure hunt and chase with a dense imagery of people and places. It tells both of yesterday and today, the reality of the people in the CIS countries and the universal humanity of our own actions. Large social utopia thus mixes with the individual hope of personal happiness, be it through money or in love.
The film is based on A. P. Chekhov’s play “Tatiana Repina” and short story “Difficult People”. At his wedding, the groom is horrified to see among the church crowd his former mistress who had recently committed suicide.
Lyubov
Alex is creating a databank of dreams, claming he knows how to digitise the dreamimage. It is just a self publicity ploy and Alex is soon woken up to the reality of underprivilege, corruption and state terror by an ex-convict Lubov, with whom Alex has an unlikely love affair.
A mixture of re-enactment, news reel footage, archival film and rare documents, including the diaries and intimate correspondence of Nicholas & Alexandra. Recreates the atmosphere at the time of their deportation to Siberia, life in exile, and brutal execution.
