Thibault Vinçon

First half of a two-film adaptation of Alexandre Dumas' novel.

Paris, 1981. The winds of change are blowing on election night and the French storm the streets, elated. But Élisabeth struggles to share the general mood of optimism. Her marriage is coming to an end and she will now have to support her family. She is distraught, and her father and teenage children are worried that her tears simply will not dry. But what if listening to her emotions could help her to start filling the blank page of her future? What if she were to write a letter on a whim to the host of her favourite radio programme? Or invite a homeless girl into her house? What would happen if she were to make the kind of gestures that actually change lives?

Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her mind… Or not. The child welfare services and adoption service spring into action… The former have to take care of the baby and support it during this limbo-like time, this period of uncertainty, while the latter must find a woman to become his adoptive mother. She is called Alice, and she has spent the last ten years fighting to have a child.

The chauvinist Damien wakes up in a world where women and men have their roles reversed in society, and everything is dominated by women.

In high summer, Sasha suddenly dies. Her death brings two virtual strangers, her boyfriend Lawrence and sister Zoé, closer together, sharing their grief and the burden of their loss in Berlin, Paris and New York.

A struggling writer finds a shortcut to fame, but a blackmailer threatens to ruin his perfect life.

In the aftermath of the 2010 earthquake, a middle-aged Port-au-Prince couple come face to face with the stark contradictions of Haitian society when they are forced to rent out their villa to a foreign aid worker and his enterprising local girlfriend.

Gaspard Dassonville may be 63 but he stubbornly refuses to show his age. A well-known television producer, he amuses himself with women who are half his age, and life has never felt so good. Then, one day, his age catches up with him with a vengeance, when he is forced to take care of his elderly father Hubert. An indomitable oldster, Hubert soon manages to unsettle his son’s illusory youth, but things take an unexpected turn when a care assistant with a colorful imagination comes between them...

A young woman inherits her family's historic home on the coast of Brittany, a house she has not been to since her father died there when she was age 12.

Though its aftertitles detailing the history of French nuke experiments suggest otherwise, writer/director Marion Hänsel’s Black Ocean is not a political treatise or a history lesson, instead taking advantage of the remote, isolated environments in which the experimentation took place – as well as the monumental imagery of the act itself – in order to communicate a more universal story about the power of awe. Ocean principally follows three young sailors on a French naval vessel in 1972, who are on course for an unknown destination in order to help carry out the bomb tests they’ve yet to personally witness. The film is essentially divided into two parts: before and after the blast.

When Paul dies, he leaves his wife Eve with a mountain of debt. As the police begin their investigation into Paul’s death, Eve is supported by a lawyer named Chollet, a friend of her husband who generously helps her to clear the debts she has inherited. Eve and Chollet become close, perhaps too close, and their intimacy soon begins to arouse the suspicions of the police..

During a medical exam, Helena, a student in anatomical drawing, meets Benoit, a young radiologist. Their mutual fascination for the human body incites them to start a passionate romance. Helena's capability to memorize every detail of Benoit's body and Benoit's irresistible curiosity to uncover the 'interior' secrets of Helena's body lead them to a dangerous journey with no limits...

August in Paris' suburbs, seven friends are gathered to spend a week in the city where they grew up. The city is empty and the days pass by under a deep blue sky. Each of them has a reason to be there: some still live there, some come back to see their family, some are searching their childhood, some want to escape boredom or eventually searching for love. They are all bearing the fact that these moments they are sharing are maybe the last ones.

One night, three young women, the neon lights of the boulevards, empty streets, a mall, quiet gardens, the tower plaza, the esplanade of the station, a farewell coffee, a camera, a concert, a terrace, then the city waking up, Montparnasse.

A retelling in two parts, from 1977 to 1986, of the education and the rise to power of a group of young graduates of the prestigious ENA school.

Paris, 1968. Catherine, Yves and Hervé are twenty years old. They're students and they love each other. The May student uprisings radically change their lives. Overtaken by communal utopia, they leave the city with a few friends to set up house in an abandoned farm in the Lot region. A desire for freedom and the search for individual fulfillment lead them to make choices that cause more harm than good.

Unable to forget her first love, Félicité, a simple and kind maid, devotes herself completely to her new master, Mathilde Aubain. As the passing of time doesn't heal her wounds, she gives love to all those who surround her: Mathilde's children, her nephew Victor. But fate seems to always deny her from any love in return. Still she tries to find someone who'll accept her unconditional love.

On Christmas Eve, a West suburb of Paris. Stéphane, Joëlle, Xavier and Sonia (25 years old) decide to take a stroll down the big park overhanging the city of their youth, musing on pop music, their work, sex and their disappointed ambitions.

A group of college students are duped by a charming pathological liar.

At Christmas time, 19 year old Simon returns home to visit his dysfunctional family with Louise, a fearless girl he met during his train ride. While Simon struggles to cope with the growing distance between him and his parents, he starts to examine his feelings when Louise develop a liaison of her own with his childhood friend Mathieu.