Florencia Di Concilio

Summer 2019. Just graduated from Sciences Po, Madeleine leaves to prepare the orals of the ENA in Corsica with Antoine, her lover with whom she shares very left-wing political convictions. On a small deserted road, an unexpected encounter will seal their fate.

The Dunars are conductors from father to son. François' long and brilliant international career come to an end, whereas Denis has just won an umpteenth classical music award. When François is chosen to be the head of the Scala, his ultimate dream, he can't believe it. Happy at first for his father, Denis quickly become disillusioned when he discovers that he was, in fact, chosen to go to Milan.

Vicky has a mysterious gift: she can recreate any scent she comes across, even that of her beloved mother Joanne. When her estranged aunt suddenly returns to town, the invocation of her fragrance plunges the young girl back in time to unravel a past replete with family secrets and queer romance.

Vicky has a mysterious gift: she can recreate any scent she comes across, even that of her beloved mother Joanne. When her estranged aunt suddenly returns to town, the invocation of her fragrance plunges the young girl back in time to unravel a past replete with family secrets and queer romance.

“There Is No Path” follows legendary director Heddy Honigmann on a real and spiritual journey. Today, facing a terminal illness, she will travel to her country of birth, Peru and through Europe revisiting all the important places and moments of her life, richly illustrated with clips of her films. Is it a farewell journey in which she lets go of her family, her loved ones and her work? Or is it a celebration of life? Her travelling companion is taxi driver Hussein, a refugee from Iraq with whom Heddy has a tight bond. As they trace Heddy’s family history they find many common themes. They are no longer taxi driver and customer, but two souls who each find joy in life in the face of adversity. It is a life affirming film about universal connection and comfort.

『カラミティ』は、西部開拓史上、伝説の女性ガンマンと知られるマーサ・ジェーン・キャナリーの子供時代（11歳）の物語です。マーサは家族とともに大規模なコンボイ（旅団）で西に向けて旅を続けていますが、旅の途中、父親が暴れ馬で負傷し、マーサが家長として幼い兄弟を含め、家族を守らなければならない立場になってしまいます。普通の少女であったマーサは、乗馬も、馬車の運転も経験がありません。そんなマーサは、少女であることの制約に苛立ち、家族の世話をする義務をよりよく果たすために少年として服を着ることを決心します。女性は女性らしくという時代にあって、マーサの生き方は、古い慣習を大事にする旅団の面々と軋轢を生みます。更にマーサを野獣からの危険から救ってくれた中尉をコンボイに引き入れたことで、盗みの共犯の疑いまでかけられてしまいます。

Jack 19, Lisa 17, and Mathis 10, become suddenly orphans. Each of them reacts in his own way to the family catastrophe.

Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster.The film follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she’s travelling the globe, trying to understand who’s being pushed out of the city and why. “I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is,” says Leilani.

Walking in the forest without being able to see, coming down the stairs or going shopping when one is paralysed, falling asleep with post-traumatic stress disorder: for the protagonists of Buddy, all of this is made possible by the presence of an assistance dog at their side. Edith, 86 years old and blind since adolescence, remembers all of the dogs she has had with her, and their portraits—even if she cannot see them—cover the walls of her house.

Two cousins come of age together, overcoming the heinous acts which interrupted their childhoods.

Ava, 13, is spending the summer on the Atlantic coast when she learns that she will lose her sight sooner than expected. Her mother decides to act as if everything were normal so as to spend their best summer ever. Ava confronts the problem in her own way. She steals a big black dog that belongs to a young man on the run...

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth's resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.

Filmed in 1993 but never completed due to River Phoenix's death, Dark Blood tells the story of Boy, a young widower living on a nuclear testing site in the desert. Boy is waiting for the end of the world and carves Katchina dolls that supposedly contain magical powers. Boy's solitude is interrupted when a Hollywood jet-set couple who are travelling across the desert become stranded after their car breaks down. The couple are rescued by Boy, who then holds them prisoner because of his desire for the woman and his ambition to create a better world with her.

An intimate portrait of three young afghan women accused of committing "moral crimes."

The story of the Spanish Republicans of La Nueve, the 9th Company of the Régiment de marche du Tchad, part of the French 2nd Armored Division, known as Leclerc Division, whose troops were the first who entered Nazi-occupied Paris on August 24, 1944.

Muriel is beautiful, free-spirited and bed-ridden since a horrific accident. Leo is a drunk middle-aged ex-boxer. Desperate for work and unqualified, he interviews for Muriel, who hires him to cook and care for her against her better judgment. Initially out of his depth, Leo slowly wins Muriel's trust. As Muriel teaches him to read, he forces her to confront the joys beyond her window.

In 1971, Uruguayan journalist and writer Eduardo Galeano published his landmark work Open Veins of Latin America, in which he comprehensively described the centuries of economic exploitation of Latin America. Almost 40 years later, filmmaker Gonzalo Arijon reevaluates the situation. His search takes him from the soybean plantations of the Brazilian Amazon to the tin mines of Bolivia to the deep jungles of Ecuador. Arijon’s politically committed film allows the local populations to speak for themselves, interspersing this with archival footage of speeches by Hugo Chávez, Lula da Silva and Evo Morales. Galeano himself also speaks—sometimes in poetic language— about how the rise of socialist governments in the early 21st century is benefitting Latin America, and what more can be done.

One of the most astonishing and inspiring survival tales of all time. On October 13, 1972, a young rugby team from Montevideo, Uruguay, boarded a plane for a match in Chile—and then vanished into thin air. Two days before Christmas, 16 of the 45 passengers miraculously resurfaced. They had managed to survive for 72 days after their plane crashed on a remote Andean glacier. Thirty-five years later, the survivors returned to the crash site—known as the Valley of Tears—to recount their harrowing story of defiant endurance and indestructible friendship.