Florencia Di Concilio

Summer 2019. Just graduated from Sciences Po, Madeleine leaves to prepare the orals of the ENA in Corsica with Antoine, her lover with whom she shares very left-wing political convictions. On a small deserted road, an unexpected encounter will seal their fate.

아버지와 아들 모두 유명 지휘자이지만 사이는 소원한 뒤마 부자. 어느날 아버지 ‘프랑수와’는 평생의 소원인 밀라노 ‘라 스칼라’ 오페라 극장의 지휘자를 맡아 달라는 제안을 받고 감격한다. 하지만, 아들 ‘드니’는 자신에게 가야 할 제안이 아버지에게 잘못 갔다는 걸 알게 되고, 고민에 빠진다.

Vicky has a mysterious gift: she can recreate any scent she comes across, even that of her beloved mother Joanne. When her estranged aunt suddenly returns to town, the invocation of her fragrance plunges the young girl back in time to unravel a past replete with family secrets and queer romance.

Vicky has a mysterious gift: she can recreate any scent she comes across, even that of her beloved mother Joanne. When her estranged aunt suddenly returns to town, the invocation of her fragrance plunges the young girl back in time to unravel a past replete with family secrets and queer romance.

“There Is No Path” follows legendary director Heddy Honigmann on a real and spiritual journey. Today, facing a terminal illness, she will travel to her country of birth, Peru and through Europe revisiting all the important places and moments of her life, richly illustrated with clips of her films. Is it a farewell journey in which she lets go of her family, her loved ones and her work? Or is it a celebration of life? Her travelling companion is taxi driver Hussein, a refugee from Iraq with whom Heddy has a tight bond. As they trace Heddy’s family history they find many common themes. They are no longer taxi driver and customer, but two souls who each find joy in life in the face of adversity. It is a life affirming film about universal connection and comfort.

미국 서부 개척시대의 전설 ‘캘러미티 제인’의 어린 시절 모험담을 서정미 넘치는 2D 애니메이션으로 연출한 작품. 1863년 미국. 엄마를 여읜 12살 제인은 아빠와 어린 동생들과 함께 보다 나은 삶의 보금자리를 찾아 서부로 향하는 마차행렬에 합류한다. 강을 건너던 중 예기치 못한 사고로 아빠가 몸져눕게 되면서 전체 행렬의 여정이 지체되자, 무리 중에서도 가난하고 힘없는 그들 가족은 주변의 따가운 눈총을 받는다. 무엇보다 여자라는 이유로 아빠 대신 마차를 몰 수 없는 제인은 남녀 간의 뿌리박힌 차별과 여성으로서 느끼는 구속의 부당함에 맞서 스스로 마차를 몰고 말을 타는 자유의 길을 꿈꾼다.

Jack 19, Lisa 17, and Mathis 10, become suddenly orphans. Each of them reacts in his own way to the family catastrophe.

Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster.The film follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she’s travelling the globe, trying to understand who’s being pushed out of the city and why. “I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is,” says Leilani.

Walking in the forest without being able to see, coming down the stairs or going shopping when one is paralysed, falling asleep with post-traumatic stress disorder: for the protagonists of Buddy, all of this is made possible by the presence of an assistance dog at their side. Edith, 86 years old and blind since adolescence, remembers all of the dogs she has had with her, and their portraits—even if she cannot see them—cover the walls of her house.

Two cousins come of age together, overcoming the heinous acts which interrupted their childhoods.

Ava, 13, is spending the summer on the Atlantic coast when she learns that she will lose her sight sooner than expected. Her mother decides to act as if everything were normal so as to spend their best summer ever. Ava confronts the problem in her own way. She steals a big black dog that belongs to a young man on the run...

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth's resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.

Filmed in 1993 but never completed due to River Phoenix's death, Dark Blood tells the story of Boy, a young widower living on a nuclear testing site in the desert. Boy is waiting for the end of the world and carves Katchina dolls that supposedly contain magical powers. Boy's solitude is interrupted when a Hollywood jet-set couple who are travelling across the desert become stranded after their car breaks down. The couple are rescued by Boy, who then holds them prisoner because of his desire for the woman and his ambition to create a better world with her.

An intimate portrait of three young afghan women accused of committing "moral crimes."

The story of the Spanish Republicans of La Nueve, the 9th Company of the Régiment de marche du Tchad, part of the French 2nd Armored Division, known as Leclerc Division, whose troops were the first who entered Nazi-occupied Paris on August 24, 1944.

Muriel is beautiful, free-spirited and bed-ridden since a horrific accident. Leo is a drunk middle-aged ex-boxer. Desperate for work and unqualified, he interviews for Muriel, who hires him to cook and care for her against her better judgment. Initially out of his depth, Leo slowly wins Muriel's trust. As Muriel teaches him to read, he forces her to confront the joys beyond her window.

In 1971, Uruguayan journalist and writer Eduardo Galeano published his landmark work Open Veins of Latin America, in which he comprehensively described the centuries of economic exploitation of Latin America. Almost 40 years later, filmmaker Gonzalo Arijon reevaluates the situation. His search takes him from the soybean plantations of the Brazilian Amazon to the tin mines of Bolivia to the deep jungles of Ecuador. Arijon’s politically committed film allows the local populations to speak for themselves, interspersing this with archival footage of speeches by Hugo Chávez, Lula da Silva and Evo Morales. Galeano himself also speaks—sometimes in poetic language— about how the rise of socialist governments in the early 21st century is benefitting Latin America, and what more can be done.

One of the most astonishing and inspiring survival tales of all time. On October 13, 1972, a young rugby team from Montevideo, Uruguay, boarded a plane for a match in Chile—and then vanished into thin air. Two days before Christmas, 16 of the 45 passengers miraculously resurfaced. They had managed to survive for 72 days after their plane crashed on a remote Andean glacier. Thirty-five years later, the survivors returned to the crash site—known as the Valley of Tears—to recount their harrowing story of defiant endurance and indestructible friendship.