Jurij Moškon

Marko and Ankica never got over the death of their only child, Ante, in the war. When their neighbour Stipe suggests renting their son’s room to tourists, Marko feels insulted but Ankica manages to talk him into it. Renting rooms is easy money, especially for retired people, but having an unknown man sleeping in his son’s bed troubles Marko.

A 19-year-old woman is killed by a bullet intended for her father in the tragic culmination of a bitter family feud between her father and his cousin, who is now imprisoned for murder. Or is her death just another twist in a saga of blood revenge? In the Albanian mountains, the ancient tribal law Kanun rules, and even though the killer is behind bars, the last word in the case has not been spoken. Religious and legal authorities - like the families involved - have their own powerful and conflicting interests in the controversial law, which is a taboo both in church and modern society. The question, however, is if the young woman’s father can find the faith to not only forgive his cousin, but also reconcile himself with him and break the vicious circle once and for all? Marija Zidar’s epic drama was filmed over 5 years in an obstinate patriarchal world, on the threshold of modern times. A mountain western from the old world, from the stuff of antique tragedies.

Half-sisters from a small coastal town who were never that close are forced by circumstance to share a flat in Ljubljana.

Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.

Armin has been unemployed for a long time, and in desperately need of a job. His wife Jasmina is pregnant, and his son Edin has behavioral problems at school.

In Varja Mocnik's documentary, members of former Yugoslav rock band Buldozer, their friends and fans reminisce about the time of the release of the band's debut album Pljuni istini u oci (1975). Their accounts interlace with fictitious scenes, the record artwork, archive material and animation, to ultimately come together into an inventive, surrealist film that speaks not just of the legendary album, but also of the society and reality of the time.

Set in socialist Yugoslavia in 1986, a humble and diligent factory worker falls into a 10-year shock right at his working place. He wakes up from coma in hospital in 1996 capitalist Slovenia, only to find out that he's left without job as being redundant.

Hannah and Sam are young, have a house, a lovely daughter, Anja, and well paid work. However, their comfortable family routine is thrown into emotional turmoil. When Hannah realizes Sam has an affair with a young female colleague, she packs her suitcase and returns to her mother. She reunites with her ex-flame Leo, from her student years hoping it will help her to move on, but discovers that Leo is a philanderer. Hannah makes a hard choice.

In the Year of Hip Hop takes a retrospective look at the Slovenian hip hop/rap music scene. Boris Petkovič explores in great detail the evolution of a music style which, from the very start, has intimately reflected the social situation of its artists. Hip hop has always absorbed the "vibes" of the place where it is taking root, and Slovenia is no exception. According to Petkovič, in today's Slovenia, rap is the one and only form of music that discusses the state of our society and of human relationships without any inhibitions. If rap is not your cup of tea, this film can make you change your mind.

Aleksandra is a student from Krško, a small town in Slovenia. She has a plan to conquer the world. Working as a prostitute, her life is heading to where she wants it, but an accidental death has her wrestling with new feelings of fear, loneliness, confusion and responsibility

Peter is in his early forties and until recently he worked in a factory, but after Slovenia's integration into the European Union, the factory closed down and Peter and his colleagues have been made redundant. Slowly but surely, he is losing self-confidence and self-esteem.

In Yugoslavia's Livada prison in 1970, inmates led by Keber convince reluctant authorities to let them watch the televised Olympic final basketball game between the home country and the U.S., but taunting guards interrupt the viewing and prod the prisoners to the point of a riot. After a period of a kind of blissful anarchy where the inmates taste freedom, Keber enlists the house "intellectual" Mrak to devise a system of prisoner self-government aimed at forcing reforms on the state.

A canoe trip down the river Kolpa becomes a journey of discovery for three female students.

Documentary from biggest rock festival in Slovenia. Performers: Big Foot Mama, Indust Bag, Dicky B Hardy, Warpigs, Veliki Bijeli Slon, Borut Veselko, Drustvo Mrtvih pesnikov, Adi Smolar, Dan D, Schal Sick Brass Band, Temni Angeli Usode, Plavi Orkestar, Hic Et Nunc, Durhmarsh, Wet Bed, Skroz, Terra Mystica, Z'kovaci, Rok Otocec, Buldozer, Rambo Amadeus, Zabranjeno Pusenje, Zoran Predin.

Documentary from biggest rock festival in Slovenia. Performers: Big Foot Mama, Indust Bag, Dicky B Hardy, Warpigs, Veliki Bijeli Slon, Borut Veselko, Drustvo Mrtvih pesnikov, Adi Smolar, Dan D, Schal Sick Brass Band, Temni Angeli Usode, Plavi Orkestar, Hic Et Nunc, Durhmarsh, Wet Bed, Skroz, Terra Mystica, Z'kovaci, Rok Otocec, Buldozer, Rambo Amadeus, Zabranjeno Pusenje, Zoran Predin.