Lena Lauzemis
出生 : 1983-01-15, Berlin, Germany
Emeryka loses control of her life through the intrigue of a mysterious character named The Something and is led to an adventurous escape to a female sect, for which she has to leave her daughter behind. It is a story about the right to choose how each person defines themselves in terms of gender and sexuality.
Maria
A tale of dirt, soap, and magic set in a cult on a remote Greek island.
Katja
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own.
Lisa
The insurance salesman Vincent Baumann, a cold-blooded careerist and minion of a merciless system, becomes a victim of the very corporations he is representing. Degraded to a henchman he grimly struggles to get back on the job market. He fights to climb the social ladder. In the process he realizes that there are other values than income and success. He decides against his previous ideology and for another human being, for Lisa Sokulowa. They don’t have a future. But they celebrate a small triumph against the dominance of the ruling system.
Andrea
After the death of her mother, Bea Kanter leaves her home in Hesse in order to start her studies in Frankfurt. She leaves her father Norbert and her younger sister Conny behind. Thanks to her fellow student Andrea, the shy student quickly finds a connection. She moves into a WG and is confronted with the left scene, the rebels of the 1970s. This fits in with her inner life, because she has to distract herself mentally from her father - a conservative entrepreneur, for Bea the epitome of the capitalist. So she becomes a radical rebel.
Sandra
A former East German boxing champion reduced to working as a bouncer and debt collector is forced to reflect on his life when he is diagnosed with a fatal disease.
Chiara
Lynn Zapatek, a chambermaid in a large hotel, has a deathly fear of human interaction yet she craves intimacy. A chance encounter prompts her to emerge from her cocoon.
Martha
Helene and Martha spend the summer holidays in the polish cottage of Marthas parents where they get as close as never before. Two women, one hot summer, and a short goodbye.
narrator (german version)
Documentary about a juvenile prison in Mexico City.
Gudrun Ensslin
In the early 60s, Bernward Vesper and fellow university student Gudrun Ensslin begin a passionate love in the stifling atmosphere of provincial West Germany. Dedicated to the power of the written word, Bernward and Gudrun found a publishing house whose first publication is, paradoxically to many, a controversial past work of Bernward's ostracized father, an infamous Nazi author. Bernward defends his father's writing ability, even if he is haunted by his father's suspicious past.
Ursula Scheuner
Berlin during the Nazi reign: Young music student Ursula is a talented musician and a fervent admirer of the "Führer". When she is asked to assist renowned composer Broch, who was ordered to compose a cantata for Hitler′s 50th birthday, it first seems like a dream fulfilled. Over the time, Broch and Ursula fall in love, and her relationship with the former communist gradually changes Ursula′s perspective on the realities of Nazi Germany. But falling in love with a Nazi means a huge moral conflict for Broch.
Anna
Dejan fled to Germany in order to start a new life because of the war in Yugoslavia. But the past does not let him go: Again and again, three friends from war-time are haunted as ghosts by Dejan's perception and bring him out of balance. On the flight from his visions, Dejan meets 19-year-old Anna. But the demons do not let him go, and Dejan is helpless with his aggressiveness. The relationship is growing, but Dejan's attempts to break out of his delusions, his Yugotrip, fail. Ultimately, Anna is aware that Dejan was not just a victim in this war.
A 19-year-old French woman travels to a country at war and finds herself trapped in a house full of women with a number of other young arrivals from all corners of the globe. In order to survive, she becomes an assistant to the director, Madame, who exerts a powerful fascination over Rabia. Their master-slave relationship drives Rabia to go beyond the limits of her convictions, until she can no longer bear the monster the system is turning her into