Václav Sloup

Princess Julia doesn't want to marry an old prince Hubert so she runs away from home. She meets two old magicians and join the circus, where she meets lovely Franta Kuldan and evil devil performer.

The musical version of the successful play of Oldřich Daněk was transferred to the screen by director Jiří Sequens in 1986. It takes place in the 14th century in Bohemia during the reign of King Wenceslas IV. Heroes of the story are three mercenaries who always fight on the wrong side and are always beaten, but they are moral winners of all conflicts and skirmishes.

Criminal comedy, a second movie from the "Chief" series.

To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.

The heroes of this absurd comedy, full of confusion and humor are Dzharda Zemanek and Frantisek Liska.

It is the summer of 1968 and also in South Moravian Pálavice appear political clashes. The so far peacefully farming Unified farmers' cooperative starts splitting. Some of the farmers have found the cooperative called Vidrupa and want to deal with wine in private trade. Michal Janák, chairman of the farmers' cooperative is a deliberate man and refuses the latent return to the capitalism. As an excellent farmer he continues preparing planting out new vineyards. His adversaries do not agree - the returns will come many years later. Jozka Hrdlicka, an émigré, notices on the Austrian TV the interview with the representatives of Vidrupa and decides to visit his native village. The new suit and the hired car transform the bankrupt and criminal to the successful businessman with wine.

A married couple of artists move to a utopian town known for its absolute freedom, but behind the surface perversion and violence are spreading.

Marek (Jirí Holý), formerly a driver of a long-distance lorry, has served his term for smuggling art works abroad and is released from jail. Years ago, he sacrificed himself and confessed his guilt on behalf of his companions - the drivers Krása, Jelínek, Hess and Novák from the Ministry of Culture who gave them tips. Marek finds Hess and tells him that now he expects the gang to compensate him for the wasted years of his life.

Czech nobleman Petr Vok of Rozmberk (Milos Kopecký) is no longer so young, but his amatory adventures continue to arouse the envy of men and the indignation of respectable ladies. In his "female retinue" at the chateau in Bechyne he has twelve comely girls, but he still manages to seduce the miller's wife and the maid. Lord Vok is in great financial difficulties. His elder brother Vilém advises him to marry a rich woman. Petr surprises him by announcing his intention to marry the very young Katerina of Ludanice.

In the Prague Old Town and the adjoining streets there is always plenty of life. Housewives shop, beggars arouse sympathy, the Salvation Army tries to put the godless on the road to salvation by hymns and sermons, and Ferdys Pistora hunts in the pockets of his fellow men and isn't even put off by the presence of an officer of the law. Ferdys sets off to burgle villa of the banker Rosenstok, but a fire breaks out in the house and Ferdys ends up saving the banker's two small children. For this he is celebrated as a hero and gets a place as an errand boy with the Rosenstoks. At home he is visited by representatives of the Salvation Army, Captain Kosterka and Terezka, with whom Ferdys instantly falls in love.

A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.

It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.

Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.

Even in the "enlightened" 60. years filmmakers like to play spies. In the grand-world environment, Luxury hotel in Karlovy Vary the sophisticated charade unfolds, in which several foreign agents interested in the famous Austrian scientist, the discoverer of the artificial protein. Endangered man fortunately never notice danger around him. His protection was entrusted to the mysterious madame Elizabeth, amongst agents famed as the ' 006, in fact, working for the State security... As a parody, perhaps the movie succeeded, but hardly convincing anyone - and this is despite scriptwriting participation of the renowned Jan Procházka.

Miss Nováková reports to Major Tuma (Karel Höger) from the police about the disappearance of her roommate, the model Zuzana. Shortly afterwards, a film director named Konrád (Otomar Krejca) asks Tuma to cooperate on a new cinéma-vérité film describing the story of Zuzana's disappearance.

The work of actors on a stage makes a dreamlike parallelism between artistic immagination and the concreteness of everyday life. Tribute to Prague's Divadlo na zàbradlì, theater that has been a point of reference for Theater of the Absurd in Czechoslovakia in Sixties

While a woman is in the hospital preparing to deliver her child, her husband has all day to reflect upon his wife and their relationship. As he tends to his job as a television repairman, Slavek fondly remembers how he first met Ivana and the days they spent getting to know one another. Slavek also grows increasingly aware of the environment that surrounds him and questions the society his new child will be entering. Loaded with a repeated plea for social change, this is the first feature from Czech writer/director Jaromil Jires.

African student Omar would like to return home to Angola, but he is enrolled in a three-year postgraduate research fellowship at a clinic in Prague. One day while seeing off a friend at the airport, he and a girl named Mariama are brought together by chance as he offers to accompany her in an unfamiliar city toward the International Student Club, where she plays bass in a jazz orchestra.

A character from a musical film falls into the real world in this short, predating similar films by Woody Allen (The Purple Rose of Cairo) and Wojciech Marczewski (Escape from the 'Liberty' Cinema).

Pavel, a young student living in Prague in 1942, hides a Jewish girl in his apartment building's attic. Amidst the brutality of the occupying German army, love blossoms between the two. He is her only link to the outside world. Then the two are discovered by Pavel's mother, who forces the residents of the apartment building to decide whether Hana can remain.

A movie about Czechoslovak border guards trying to arrest the famous escapee called "King of the Sumava".