Gurinder Chadha
出生 : 1960-01-10, Nairobi, Kenya
略歴
Gurinder Chadha, OBE, is a British film director of Indian origin. Most of her films explore the lives of Indians living in the United Kingdom. She is best known for the hit films Bhaji on the Beach (1993), Bend It Like Beckham (2002), Bride and Prejudice (2004) and Angus, Thongs and Perfect Snogging (2008).
Description above from the Wikipedia article Gurinder Chadha, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The story of how 2 Tone, a record label from Coventry went on to have a global impact. The brainchild of Jerry Dammers saw dance music with a message dominate the charts from 1979.
Producer
1987年、英国ルートンにある小さな町。パキスタンから移民してきた両親、マリクとヌールと暮らす彼らの長男ジェベドは、一帯で根強いマイノリティーへの偏見や、保守的な価値観に固執する父親マリクとの確執に悩む。そんなジェベドは同級生から影響を受け、人気歌手スプリングスティーンのファンとなり、自分自身の言葉で“詩”を書いて残し始める。ジェベドの詩は注目を集めだすが、彼とマリクの関係は複雑になっていき……。
Writer
1987年、英国ルートンにある小さな町。パキスタンから移民してきた両親、マリクとヌールと暮らす彼らの長男ジェベドは、一帯で根強いマイノリティーへの偏見や、保守的な価値観に固執する父親マリクとの確執に悩む。そんなジェベドは同級生から影響を受け、人気歌手スプリングスティーンのファンとなり、自分自身の言葉で“詩”を書いて残し始める。ジェベドの詩は注目を集めだすが、彼とマリクの関係は複雑になっていき……。
Director
1987年、英国ルートンにある小さな町。パキスタンから移民してきた両親、マリクとヌールと暮らす彼らの長男ジェベドは、一帯で根強いマイノリティーへの偏見や、保守的な価値観に固執する父親マリクとの確執に悩む。そんなジェベドは同級生から影響を受け、人気歌手スプリングスティーンのファンとなり、自分自身の言葉で“詩”を書いて残し始める。ジェベドの詩は注目を集めだすが、彼とマリクの関係は複雑になっていき……。
Herself
India’s Partition: The Forgotten Story In this documentary, British film-maker Gurinder Chadha, director of Bend It Like Beckham and Viceroy's House, travels from Southall to Delhi to find out about the Partition of India - one of the most seismic events of the 20th century. Partition saw India divided into two new nations - independent India and Pakistan. The split led to violence, disruption and death. To find out why and how it happened, Gurinder crosses India, meeting people whose lives were torn apart by Partition and talking to historians who explain the motivations behind the split. Along the way, she discovers that Partition was caused by politicians who were more interested in their own power than in Indian unity, and finds out that the British also played a major role in the Partition.
Producer
In 1947, Lord Mountbatten assumes the post of last Viceroy, charged with handing India back to its people, living upstairs at the house which was the home of British rulers, whilst 500 Hindu, Muslim and Sikh servants lived downstairs.
Writer
In 1947, Lord Mountbatten assumes the post of last Viceroy, charged with handing India back to its people, living upstairs at the house which was the home of British rulers, whilst 500 Hindu, Muslim and Sikh servants lived downstairs.
Director
In 1947, Lord Mountbatten assumes the post of last Viceroy, charged with handing India back to its people, living upstairs at the house which was the home of British rulers, whilst 500 Hindu, Muslim and Sikh servants lived downstairs.
Producer
Indian mother Mrs Sethi's obsession with marrying off her daughter turns murderous. With jokes that routinely miss the mark and cringeworthy slapstick, this black comedy farce shouldn't work. Somehow, though, it does.
Screenplay
Indian mother Mrs Sethi's obsession with marrying off her daughter turns murderous. With jokes that routinely miss the mark and cringeworthy slapstick, this black comedy farce shouldn't work. Somehow, though, it does.
Director
Indian mother Mrs Sethi's obsession with marrying off her daughter turns murderous. With jokes that routinely miss the mark and cringeworthy slapstick, this black comedy farce shouldn't work. Somehow, though, it does.
Producer
Georgia Nicolson is fourteen, lives with nosey parents who don't understand her, an annoying three year old sister and has to wear a beret to school. She would, however, rather be blonde, have a smaller nose and a boyfriend. Revolving around her hilarious journal entries, prepare to be engulfed in the world of the soaring joys and bottomless angst of being a teenager.
Screenplay
Georgia Nicolson is fourteen, lives with nosey parents who don't understand her, an annoying three year old sister and has to wear a beret to school. She would, however, rather be blonde, have a smaller nose and a boyfriend. Revolving around her hilarious journal entries, prepare to be engulfed in the world of the soaring joys and bottomless angst of being a teenager.
Director
Georgia Nicolson is fourteen, lives with nosey parents who don't understand her, an annoying three year old sister and has to wear a beret to school. She would, however, rather be blonde, have a smaller nose and a boyfriend. Revolving around her hilarious journal entries, prepare to be engulfed in the world of the soaring joys and bottomless angst of being a teenager.
Writer
<モンマルトル編>駐車できる場所を探し求めてモンマルトルの坂道を走り回った末、ようやく見つけたスペースにマイカーを滑り込ませた男性主人公は、すぐ近くで女性が行き倒れとなっているのと遭遇する。<セーヌ河岸編>2人の悪友とともにセーヌ河岸に陣取って、道行く女性たちの品定めをしていたフランソワ。偶然目の前で転んだアラブ系の若い女性を助け起こした彼は、彼女の美しさにたちまち魅せられる。その他、計18話。
Director
<モンマルトル編>駐車できる場所を探し求めてモンマルトルの坂道を走り回った末、ようやく見つけたスペースにマイカーを滑り込ませた男性主人公は、すぐ近くで女性が行き倒れとなっているのと遭遇する。<セーヌ河岸編>2人の悪友とともにセーヌ河岸に陣取って、道行く女性たちの品定めをしていたフランソワ。偶然目の前で転んだアラブ系の若い女性を助け起こした彼は、彼女の美しさにたちまち魅せられる。その他、計18話。
Writer
This short from the anthology film Paris, je t’aime looks at the meeting between two teenagers, one a catcaller and the other a Muslim girl. Directed by Gurinder Chadha.
Director
This short from the anthology film Paris, je t’aime looks at the meeting between two teenagers, one a catcaller and the other a Muslim girl. Directed by Gurinder Chadha.
Director
Tilo is an Indian shopkeeper in America with an ability to see the future and a magical connection to powerful spices, which she uses to help her customers satisfy their various needs and desires. One day she falls in love with an American man. But the spices forbid it.
Author
Tilo is an Indian shopkeeper in America with an ability to see the future and a magical connection to powerful spices, which she uses to help her customers satisfy their various needs and desires. One day she falls in love with an American man. But the spices forbid it.
Herself
Documentary tracing the history of the Two Tone record label which emerged in the late 1970s, the bands linked to it and their musical influences, and its place at the fore of promoting multi-cultural music and concepts and the Ska music revival.
Screenplay
A Bollywood update of Jane Austen's classic tale, in which Mrs. Bakshi is eager to find suitable husbands for her four unmarried daughters. When the rich single gentlemen Balraj and Darcy come to visit, the Bakshis have high hopes, though circumstance and boorish opinions threaten to get in the way of romance.
Producer
A Bollywood update of Jane Austen's classic tale, in which Mrs. Bakshi is eager to find suitable husbands for her four unmarried daughters. When the rich single gentlemen Balraj and Darcy come to visit, the Bakshis have high hopes, though circumstance and boorish opinions threaten to get in the way of romance.
Director
A Bollywood update of Jane Austen's classic tale, in which Mrs. Bakshi is eager to find suitable husbands for her four unmarried daughters. When the rich single gentlemen Balraj and Darcy come to visit, the Bakshis have high hopes, though circumstance and boorish opinions threaten to get in the way of romance.
Producer
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Screenplay
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Director
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Associate Producer
In LA's Fairfax district, where ethnic groups abound, four households celebrate Thanksgiving amidst family tensions. In the Nguyen family, the children's acculturation and immigrant parents' fears collide. In the Avila family, Isabel's son has invited her estranged husband to their family dinner. Audrey and Ron Williams want to keep their own family's ruptures secret from Ron's visiting mother. In the Seelig household, Herb and Ruth are unwilling to discuss openly their grown daughter's living with her lover, Carla. Around each table, things come to a head. A gun, an affair, a boyfriend, and a pregnancy precipitate crises forcing each family to find its center.
Writer
In LA's Fairfax district, where ethnic groups abound, four households celebrate Thanksgiving amidst family tensions. In the Nguyen family, the children's acculturation and immigrant parents' fears collide. In the Avila family, Isabel's son has invited her estranged husband to their family dinner. Audrey and Ron Williams want to keep their own family's ruptures secret from Ron's visiting mother. In the Seelig household, Herb and Ruth are unwilling to discuss openly their grown daughter's living with her lover, Carla. Around each table, things come to a head. A gun, an affair, a boyfriend, and a pregnancy precipitate crises forcing each family to find its center.
Director
In LA's Fairfax district, where ethnic groups abound, four households celebrate Thanksgiving amidst family tensions. In the Nguyen family, the children's acculturation and immigrant parents' fears collide. In the Avila family, Isabel's son has invited her estranged husband to their family dinner. Audrey and Ron Williams want to keep their own family's ruptures secret from Ron's visiting mother. In the Seelig household, Herb and Ruth are unwilling to discuss openly their grown daughter's living with her lover, Carla. Around each table, things come to a head. A gun, an affair, a boyfriend, and a pregnancy precipitate crises forcing each family to find its center.
Reporter #1
An incredibly dull-witted family unknowingly stumble upon an illegal weapons deal while on the trail of their "stolen" garbage.
Director
Ellie and Malc Freeman are a working-class couple in their forties who live in a terrace house in a poor district of Liverpool. Ellie has a part-time job as a shop assistant; Malc is a warehouseman in a dead-end job. Ellie is convinced that Malc can do better. One day Ellie wins £1.5 million on the football pools. Resisting the temptation to spend all the money on herself, she invests it in a local security firm - on condition that they give Malc a job as a salesman... and that they don't reveal how he got his big break. But does Ellie like the man that her husband has turned into?
Interviews with women directors working in Hollywood and Europe in the early 1990s, exploring the opportunities and obstacles that face them. A program made to accompany a Channel 4 season of films directed and produced by women.
Producer
What do you call an Indian woman who's funny in 20th Century Britain? A British performer? A Black comedienne? An enigma? This humorous and comedic documentary, brings the laughs and dreams of four Indian women cabaret performers while posing the questions: What is comedy and who defines it? Is it culturally specific, or can anyone enjoy the joke? Who makes it into the mainstream and why? Does comedy always have to come from a white perspective in Britain to be taken seriously? What -- ultimately, do you call a funny Indian woman?
Director
What do you call an Indian woman who's funny in 20th Century Britain? A British performer? A Black comedienne? An enigma? This humorous and comedic documentary, brings the laughs and dreams of four Indian women cabaret performers while posing the questions: What is comedy and who defines it? Is it culturally specific, or can anyone enjoy the joke? Who makes it into the mainstream and why? Does comedy always have to come from a white perspective in Britain to be taken seriously? What -- ultimately, do you call a funny Indian woman?
Screenplay
Documents an Indian-English family's attempt to give their Briticized daughter a traditional Indian arranged marriage, with as much photography as possible.
Director
Documents an Indian-English family's attempt to give their Briticized daughter a traditional Indian arranged marriage, with as much photography as possible.
Writer
A group of South Asian women try but cannot escape their problems on a day trip to a British beach resort.
Director
A group of South Asian women try but cannot escape their problems on a day trip to a British beach resort.
Director
This humorous and thought-provoking film documents the residents of a South Asian home for the elderly in Britain. Director Gurinder Chadha assists the residents in directing their own video. The result is an examination of politics, ageism, and cross-cultural communication in contemporary British society. Interview subjects range from people on the street to Members of Parliament.
Director
I'm British but... uncovers a defiant popular culture, part Asian, part British, against a backdrop of fading English nationalism. The rhythms of Bhangra and Bangla music set the pace for this lively collage of interviews with British Asian youth. Mixing archival footage with present day street scenes of Asians in England, this film chronicles the role of race and cultural identity in the formation of modern day British society. I'm British but... is an engaging critique of nationalisms of any sort and a celebration of cultural diversity and hybridity.
Screenplay
An animated musical that tells the story of a young Indian elephant from the jungles of Kerala with the impossible dream of becoming a Bollywood dancer.
Director
An animated musical that tells the story of a young Indian elephant from the jungles of Kerala with the impossible dream of becoming a Bollywood dancer.
Director
Pashmina is a fantasy and adventure story that follows Priyanka, a first generation American of Indian descent, as she explores her family history with the help of a magical pashmina.