Li-Kong Hsu

Hangzhou, Zhejiang province, China, the present day. Master chef Tang Shizhe (Kenneth Tsang) tells his two daughters, the careerist Wa'er (Huo Siyan) and teenage Xiaolan (Jiang Mengjie), that he has decided to sell his upscale vegetarian restaurant, the centre of his life for 30 years.

Chun, 28, Taiwanese, goes on a conflict-packed search journey with her Chinese guide, Ming, to find her father's long-lost first love, XiuQian, in China. Chun's father had promised XiuQian 60 years ago that he'd definitely come back to marry her. But not until recently, Taiwan and China were hostile to each other, he was never able to fulfill his promise. Chun and Ming grew up on two sides of the Taiwan Strait and were brought up with different values. They don't hesitate to cut each other down to size. Their turbulent romance unfolds in tears, laughter and a clash of values. The love story of two generations, across the Taiwan Strait, told with touching drama and biting comedy, is a poignant and entertaining road movie.

Several residents of a Taipei apartment complex try to sort out their tangled romances in this Taiwanese drama helmed by Ming-Tai Wang. Hair stylist Angel can't get her aloof beau, Alan, to commit to their relationship -- a problem that escalates when Alan's first love moves in next door. Meanwhile, he's also having a fling with a middle-aged Mafia mistress who lives in the building.

Compulsive gambler Jih (Tai-bao) tries to bamboozle dim-bulb gang boss Black Dog (Chen-Nan Tsai) in this satirical action-comedy that pokes fun at Taiwanese culture. To fend off Black Dog's attempt to collect a gaming debt, Jih says he can't repay the money because he needs it for the funeral of his father (Bin-hui Lee) -- who once saved the mafioso's life. Trouble is, Jih's father is alive, and Black Dog plans to attend the memorial service.

The film has four main-storylines. A shoe store girl who likes Tony Leung, a couple who is suffering from cockroaches and is looking for a new apartment, a salesperson who is worried about his ex-wife, and a young actor from a small theater group who is afraid of being seen naked by his mother.

Set in China in the 1930s, the film is about the unsettling relationship between three characters. Ing'er, the daughter of a theatre-owner, welcomes the return of Shao-dung, her fiancee and a fine cellist from America. Shao-dung soon finds himself captivated by the opera "Fleeing By Night" and its celebrated actor, Lin Chung, whose voice seems to articulate something within himself. While Shao-dung attempts to blend eastern and western music, Ing'er becomes torn between her affection for both men, and an awareness of the growing intimacy between them. - Written by Strand Releasing

Set in China in the 1930s, the film is about the unsettling relationship between three characters. Ing'er, the daughter of a theatre-owner, welcomes the return of Shao-dung, her fiancee and a fine cellist from America. Shao-dung soon finds himself captivated by the opera "Fleeing By Night" and its celebrated actor, Lin Chung, whose voice seems to articulate something within himself. While Shao-dung attempts to blend eastern and western music, Ing'er becomes torn between her affection for both men, and an awareness of the growing intimacy between them. - Written by Strand Releasing

剣の英雄たちが群雄割拠する時代。天下の名剣“グリーン・デスティニー”の使い手としてその名を轟かせる英雄リ－と女弟子ユーは、心惹かれ合いながらも長い間人々のため正義に生きてきた。リーは剣を置く決意をしてグリーン・デスティニーをユーに託し、依頼されたティエ氏に無事剣を届けたユーは、そこで貴族の娘イェンと出会う。その夜、グリーン・デスティニーが何者かに盗まれ、ユーはイェンを疑い彼女の家を訪ねる。

Infused with a few moments of pathos, this off-beat comedy centers on a trio of Taiwanese outcasts who go looking for love.

A rather dejected Mei-li Chen lives with her extended family in the suburbs. She drops out of college when the boy she has a crush on finds a girlfriend. Mei-li eventually ends up selling tickets in a movie theatre. A great camaraderie then builds up between the two cashiers in the small ticket booth.

A young man develops severe neck pain after swimming in a polluted river; his dysfunctional parents are unable to provide any relief for him or themselves.

With a singular voice that distinguishes him from his New Taiwan Cinema contemporaries, Lin Cheng-sheng adds to his brief, but already remarkable, filmography with Sweet Degeneration, his third film in two years. As with A Drifting Life and Murmur of Youth, Lin’s new film delicately unfolds, gradually building to a climax of stunning emotional reverberations. Drawn from a particularly painful episode in the director’s past, Sweet Degeneration delves into the uneasy bonds a brother and sister have with each other and the people around them.

In 1949, the Communists take over mainland. The refugees and the military arrive in the Keelung Harbor in Taiwan. While the father holds secret meetings with other generals in attempt to recover the lost land, the kids still play games with their grandma who still enjoys the harmony and peace in hardship. Gradually, it seems that there was no hope to fight back the fatherland. The general turned father has to run a small business to support the family. He encounters a series of struggles. And finally his kids grow up.

A group of aimless Taipei residents deal with their personal problems in this Taiwanese drama that does feature brief flashes of black humor. Much of the story centers upon lonely Mrs. Chen who has trouble coping with her philandering husband, and nearly senile mother-in-law. Her daughter frequently sulks and has a desperate crush on one of her teachers. Mrs. Chen's only friend is her co-worker Liu, who has fallen for a new office boy, Chou. Mrs. Chen also finds him attractive. Unfortunately for either woman, Chou is gay and plagued with problems of his own.

A high school student and a pop singer meld reality with fiction as they both fantasize themselves as characters in a Ming dynasty tale of seduction - "The Peony Pavilion."

Siao Yu needs a Green Card. Mario Moretti needs his debts paid. Getting married could solve their problems, or multiply them.

Three lonely young denizens of Taipei unknowingly share an apartment: Mei, a real estate agent who uses it for her sexual affairs; Ah-jung, her current lover; and Hsiao-kang, who's stolen the key and uses the apartment as a retreat.

A retired and widowed Chinese master chef Chu and his family live in modern day Taipei, Taiwan. He lives with his three attractive daughters, all of whom are unattached. Soon, each of the daughters encounter new men in their lives. When these new relationships blossom, stereotypes are broken and the living situation within the family changes. Since the family has difficulty expressing their love for each other, the intricate preparation of banquet quality dishes for their Sunday dinners is the surrogate for their familial feelings.

A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.

Defying his parents, disaffected youth Hsiao Kang drops out of the local cram school to head for the bright lights of downtown Taipei. He falls in with Ah Tze, a young hoodlum, and their relationship is a confused mixture of hero-worship and rivalry that soon leads to trouble.

Mr. Chu is an elderly widower who teaches tai chi chuan in Beijing. He moves to America to live with his son's family, but finds the cultural adjustment difficult. Since his daughter-in-law is a white woman who does not speak Chinese, Mr. Chu's son, Alex, must mediate.