Patrick Lung Kong

In their second film compilation following their 'Boogeymen:The Killer Compilation' series, FlixMix takes you into the history of action movies from Hollywood to Hong Kong cinema that spans a 20-year period. This one features action scenes from 16 action-packed movies featuring action gurus, Jet Li, Michelle Yeoh, Chow Yun-Fat, Jackie Chan, Jean-Claude Van Damme and many more.

The prostitute of Xiaoliu (played by Ronnie Cheung) was shot and killed in an unethical transaction. The person who opened the room with her was the senior inspector-Gao Kun (played by Simon Lui), who was forced to suspend his duties in the police force. Gao Kun's girlfriend Joey (Grace Lam) is also a policeman, and his boss Zhang Sir (Wang Hexi) approved to take over the investigation. For this reason, Joey pretended to be a little Liu's girlfriend and mixed in. Because Xiaoliu's stable business is so good, the peers are jealous. They know that Gao Kun has taken bribes to help them. They want to get the same help and hijack Joey...

The prostitute of Xiaoliu (played by Ronnie Cheung) was shot and killed in an unethical transaction. The person who opened the room with her was the senior inspector-Gao Kun (played by Simon Lui), who was forced to suspend his duties in the police force. Gao Kun's girlfriend Joey (Grace Lam) is also a policeman, and his boss Zhang Sir (Wang Hexi) approved to take over the investigation. For this reason, Joey pretended to be a little Liu's girlfriend and mixed in. Because Xiaoliu's stable business is so good, the peers are jealous. They know that Gao Kun has taken bribes to help them. They want to get the same help and hijack Joey...

Andy Lau is Wesley, investigating alien existence on this earth. He works outside of the MIB-influenced FBI operation, run by Shu Qi and Roy Cheung. They're hot on the trail of the Blue-Blooded Alien (Rosamund Kwan). Two other aliens, the "Warlock Toxin Group," are gunning for her as well -- red maggoty swarming creatures that form into Mark Cheng and Almen Wong.

Action adventure in which the formula for a cancer-curing medicine is stolen, and a kung-fu fighting team must overcome rivals and doublecrosses in order to get it back.

So goes to the U.S. to open a martial arts school. Around this time, many Chinese people were sold off to U.S. railroad companies, and were brutally treated by the Americans under the harsh working conditions. Thus, the American workers' hatred towards the Chinese immigrants is high. As a result, So gets into trouble with the Americans and the mob, and calls Master Wong for help.

北のある国で人間に改造手術と洗脳を行い、無敵の戦士を作り上げるプロジェクトが進行していた。彼らは“701部隊”と呼ばれたが、政府は実験の中止を決定、彼らの抹殺を目論む。しかし、唯一洗脳を免れたブラック・マスクはこの謀略を察知し脱走に成功する。香港で平穏な生活を送る彼だったが、やがて何者かに命を狙われるようになり、黒ずくめの怪人ブラック・マスクとなって対決するのだった。

a HK cop (Mark Cheng) comes to New York City to try and patch things up with his estranged wife (Yvonne Yung Hung), only to find that the criminal (Patrick Lung Kong) that made his life hell in Hong Kong has also come to the States.

In 1937 Shanghai, a soon-to-depart soldier meets a young woman under a bridge during a Japanese air raid. They vow to meet after the war ends, but they don't know each other's name or face. Ten years later, the young woman, a nightclub singer, takes in a naive girl fresh from the country. The country girl falls in love with the would-be song-writer upstairs who, unbeknownst to the singer, is none other than the soldier from the bridge.

Hong Kong crime movie from 1981

The boyfriend of a young co-ed turns into a demented stalker after his sister's suicide.

Two young martial artists enter a martial arts tournament. They also have to deal with ghosts.

Two young martial artists enter a martial arts tournament. They also have to deal with ghosts.

Two young martial artists enter a martial arts tournament. They also have to deal with ghosts.

Two young martial artists enter a martial arts tournament. They also have to deal with ghosts.

Mitra was the first Hong Kong film to be made in Iran and the last of Lung Kong’s directorial works to be released theatrically. Made in an act of courage and of opportunism with a small crew on the occasion of the director’s sojourn to the Tehran International Film Festival to premiere Hiroshima 28, the film tells a love story set upon the expansive desert backdrops of the Middle East.

Mitra was the first Hong Kong film to be made in Iran and the last of Lung Kong’s directorial works to be released theatrically. Made in an act of courage and of opportunism with a small crew on the occasion of the director’s sojourn to the Tehran International Film Festival to premiere Hiroshima 28, the film tells a love story set upon the expansive desert backdrops of the Middle East.

A female extra-terrestrial (Chen Chen) appears on earth - in Hong Kong - to warn humankind of an impending catastrophe, but is arrested and institutionalised. She becomes trapped in a media circus, paraded as a freak. Exhausted and exasperated, the girl vanishes; a UFO is seen disappearing into the night sky.

A female extra-terrestrial (Chen Chen) appears on earth - in Hong Kong - to warn humankind of an impending catastrophe, but is arrested and institutionalised. She becomes trapped in a media circus, paraded as a freak. Exhausted and exasperated, the girl vanishes; a UFO is seen disappearing into the night sky.

In Nina, Lung Kong explores the yet-to-be trendy discipline of psychology.

In Nina, Lung Kong explores the yet-to-be trendy discipline of psychology.

Filmed on the occasion of the 28th anniversary of the bombing of Hiroshima, Hiroshima 28 was the first all-Hong Kong crew to make a feature in Japan. Lung Kong anchors a bittersweet melodrama in the historical milieu in the months following the horrific events of August 6, 1945. Josephine Siao—a star whose career had become synonymous with the filmmaker’s work over the past decade—plays a young tour guide to a Hong Kong reporter researching the tragic effects of the atom bomb, their journey forming an odyssey through the city’s ruins.

Filmed on the occasion of the 28th anniversary of the bombing of Hiroshima, Hiroshima 28 was the first all-Hong Kong crew to make a feature in Japan. Lung Kong anchors a bittersweet melodrama in the historical milieu in the months following the horrific events of August 6, 1945. Josephine Siao—a star whose career had become synonymous with the filmmaker’s work over the past decade—plays a young tour guide to a Hong Kong reporter researching the tragic effects of the atom bomb, their journey forming an odyssey through the city’s ruins.

Filmed on the occasion of the 28th anniversary of the bombing of Hiroshima, Hiroshima 28 was the first all-Hong Kong crew to make a feature in Japan. Lung Kong anchors a bittersweet melodrama in the historical milieu in the months following the horrific events of August 6, 1945. Josephine Siao—a star whose career had become synonymous with the filmmaker’s work over the past decade—plays a young tour guide to a Hong Kong reporter researching the tragic effects of the atom bomb, their journey forming an odyssey through the city’s ruins.

Filmed on the occasion of the 28th anniversary of the bombing of Hiroshima, Hiroshima 28 was the first all-Hong Kong crew to make a feature in Japan. Lung Kong anchors a bittersweet melodrama in the historical milieu in the months following the horrific events of August 6, 1945. Josephine Siao—a star whose career had become synonymous with the filmmaker’s work over the past decade—plays a young tour guide to a Hong Kong reporter researching the tragic effects of the atom bomb, their journey forming an odyssey through the city’s ruins.

This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.

A story of female sex workers across all social strata.

A story of female sex workers across all social strata.

A story of female sex workers across all social strata.

Lung Kong collaborated with accomplished novelist Meng Jun to pen the script for this tale of heartbreak and doomed romance. The mounting despair of two solipsistic characters headed towards an emotionally shattering break-up is depicted through an elliptical series of flashbacks.

Lung Kong collaborated with accomplished novelist Meng Jun to pen the script for this tale of heartbreak and doomed romance. The mounting despair of two solipsistic characters headed towards an emotionally shattering break-up is depicted through an elliptical series of flashbacks.

Lung Kong collaborated with accomplished novelist Meng Jun to pen the script for this tale of heartbreak and doomed romance. The mounting despair of two solipsistic characters headed towards an emotionally shattering break-up is depicted through an elliptical series of flashbacks.

A romantic melodrama from Lung Kong that is more commercially minded than his earlier films, starring Jenny Hu.

Inspired by Albert Camus’s The Plague, Yesterday, Today, Tomorrow is perhaps Lung Kong’s grandest vision, and a testament to his uncompromising humanist convictions. From a rat infestation in the slums, a fast-spreading virus grips Hong Kong, inducing panic when the government is slow to react. Mercilessly cut down by censors for its frank portrayal of class and political conflicts at the time of its release, the film found new critical acclaim in during the SARS outbreak decades later. In 2011, it was placed on Hong Kong Film Archive’s list of the 100 must-see Hong Kong films of all time.

Inspired by Albert Camus’s The Plague, Yesterday, Today, Tomorrow is perhaps Lung Kong’s grandest vision, and a testament to his uncompromising humanist convictions. From a rat infestation in the slums, a fast-spreading virus grips Hong Kong, inducing panic when the government is slow to react. Mercilessly cut down by censors for its frank portrayal of class and political conflicts at the time of its release, the film found new critical acclaim in during the SARS outbreak decades later. In 2011, it was placed on Hong Kong Film Archive’s list of the 100 must-see Hong Kong films of all time.

A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.

A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.

A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.

Despite a 11-year age difference between them, Patrick Tse and Josephine Siao made up one of the most popular screen couples in the late 1960s. In this adaptation of Yee Tat's novel, Siao plays a decadent prostitute, initially disguised as a privileged heiress and later revealed to be a dutiful daughter. Equally impressive is Tse as a writer who stays by the heroine's side through thick and thin. Unlike most Cantonese films at the time, director Chor Yuen left the studio and chose to shoot much of the film in real locations, providing a real wintry look that fits the film's title perfectly.

A fearsome swordswoman known as The Jade Raksha appears in the martial arts world and begins killing people whose surname is Yan. A swordsman figures out who she is, and asks her why - the answer being that a Yan killed her family 18 years ago... but she's not sure exactly which Yan it was. He suggests that killing the innocent is wrong, but she only has vengeance on her mind and is not to be convinced.

Lung Kong’s first color feature expands on thematic concerns supplanted in The Story of a Discharged Prisoner made one year before, situating issues of social reform within an impassioned romantic melodrama. The relationship between a career criminal and a blind girl (a stunning performance by Josephine Siao) form a portrait of marginalized life in a rapidly-modernizing Hong Kong. The profound chemistry between Patrick Tse and Josephine Siao onscreen served as the primary inspiration for the famed hit man-blind girl pairing in John Woo’s award-winning film The Killer (1989).

Lung Kong’s first color feature expands on thematic concerns supplanted in The Story of a Discharged Prisoner made one year before, situating issues of social reform within an impassioned romantic melodrama. The relationship between a career criminal and a blind girl (a stunning performance by Josephine Siao) form a portrait of marginalized life in a rapidly-modernizing Hong Kong. The profound chemistry between Patrick Tse and Josephine Siao onscreen served as the primary inspiration for the famed hit man-blind girl pairing in John Woo’s award-winning film The Killer (1989).

Lung Kong’s first color feature expands on thematic concerns supplanted in The Story of a Discharged Prisoner made one year before, situating issues of social reform within an impassioned romantic melodrama. The relationship between a career criminal and a blind girl (a stunning performance by Josephine Siao) form a portrait of marginalized life in a rapidly-modernizing Hong Kong. The profound chemistry between Patrick Tse and Josephine Siao onscreen served as the primary inspiration for the famed hit man-blind girl pairing in John Woo’s award-winning film The Killer (1989).

Lee Jwo Horng is fresh out of jail after doing time for 15 years. By then his fiancée Betty has already become the mistress of triad boss One-Eye Jack. Lee doesn't want his younger brother Chih Shen to look down upon him, so he decides to keep his release a secret from Chih Shen, and finds accommodation with his friend Ah Han instead. Jack forces Lee to team up with him again for more criminal jobs, but, determined to clean up his act and stay out of trouble, Lee doesn't yield to his pressure. Jack then turns his attention to Chih Shen and lures him to the dark side instead...

Lee Jwo Horng is fresh out of jail after doing time for 15 years. By then his fiancée Betty has already become the mistress of triad boss One-Eye Jack. Lee doesn't want his younger brother Chih Shen to look down upon him, so he decides to keep his release a secret from Chih Shen, and finds accommodation with his friend Ah Han instead. Jack forces Lee to team up with him again for more criminal jobs, but, determined to clean up his act and stay out of trouble, Lee doesn't yield to his pressure. Jack then turns his attention to Chih Shen and lures him to the dark side instead...

Lee Jwo Horng is fresh out of jail after doing time for 15 years. By then his fiancée Betty has already become the mistress of triad boss One-Eye Jack. Lee doesn't want his younger brother Chih Shen to look down upon him, so he decides to keep his release a secret from Chih Shen, and finds accommodation with his friend Ah Han instead. Jack forces Lee to team up with him again for more criminal jobs, but, determined to clean up his act and stay out of trouble, Lee doesn't yield to his pressure. Jack then turns his attention to Chih Shen and lures him to the dark side instead...

Lung Kong's directorial debut, 1966's Prince Of Broadcasters, starring Lydia Sum, was acclaimed for its novel approach in HK Cantonese film history.

Lung Kong's directorial debut, 1966's Prince Of Broadcasters, starring Lydia Sum, was acclaimed for its novel approach in HK Cantonese film history.

Detective novel fan Mimi Zhang has her photos taken at the peak by her brother Benda, an amateur photographer whose camera is nearly knocked down by a reckless man sprinting away. Zhang soon stumbles upon a murder. Officer Yang Ming has the victim's husband Cao Ren marked down as the prime suspect. Though being offered $10,000 by the wife's bereaved paramour, who remains anonymous, to testify against Cao, Mimi rules out the loving husband as the suspect. The developed pictures reveal a six-fingered handprint left at the scene. That very same night, the real culprit attempts to steal the negatives from Mimi, but fails. The following day Yang collects the piece of evidence on behalf of the police and accompanies Mimi back to the crime scene. There the six-fingered detective confesses to the crime of passion, pursuing the witness all the way to the top of a tower where she takes the dive and is saved by the police standing by on the scene.

A sculptor and his girlfriend conspire to kill a rich young relative to take his family fortune but things don't go as planned.

Early Shaw Brothers Cantonese musical

A Shaw and Sons production.