Peter Smokler

出生 : , Detroit, Michigan, USA

略歴

Peter Smokler is an American cinematographer. Born in Detroit, he's best known for his work on television shows such as It's Always Sunny in Philadelphia (2005-) and The Larry Sanders Show (1992-1998). He's also known for being the director of photography on Rob Reiner's cult film This Is Spinal Tap (1982).

参加作品

Jimi Plays Berkeley
Camera Operator
This rousing world-famous concert is regarded by critics to be one of Jimi Hendrix's finest performances ever. Taking footage from two separate performances at the Berkeley Community Theater on May 30th, 1970, these incendiary shows help illustrate the student uprisings in Berkeley, by setting footage to the stunning backdrop of some awe-inspiring Hendrix material. Tracks include "Purple Haze," "Voodoo Child (Slight Return)," "Star Spangled Banner," "Hey Joe," and many others. This is a never-to-be-forgotten musical experience you will enjoy over and over again.
The Last Real Cowboys
Cinematography
Around the classic 1800's Western campfire, Slope and Tar tangle about what's been, what will be, and who may or may not survive the first New Age chat in the Old West.
Back to the Future Part II - Back to the Future Night
Cinematography
This Is Spinal Tap
Director of Photography
"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.
The Killing of America
Cinematography
A documentary of the decline of America. Featuring footage (most exclusive to this film) from race riots to serial killers and much-much more.
Today Is For The Championship
Director of Photography
This propagandistic, race-car documentary is a vehicle for Werner Erhard (the founder of EST) to express his philosophy on motorized competition. Aphorisms and platitudes sprout up at every turn as the cars make their way around the track. Erhard and his group communicate in emotional terms when they do not win, filling the time between races with their viewpoints on life and living, and losing.
Punishment Park
Cinematography
In this fictional documentary, U.S. prisons are at capacity, and President Nixon declares a state of emergency. All new prisoners, most of whom are connected to the antiwar movement, are now given the choice of jail time or spending three days in Punishment Park, where they will be hunted for sport by federal authorities. The prisoners invariably choose the latter option, but learn that, between the desert heat and the brutal police officers, their chances of survival are slim.