Cécile Telerman

Two sisters, their families, and sometimes complicated lives.

Two sisters, their families, and sometimes complicated lives.

Mady Celliers, an attractive housewife of 60, he spends his life speaking ill of her two daughters and her husband, a man who shows a strange behavior since has retired. Antoine, the eldest son, company director, is unable to make a success of a business: out of a bankruptcy to get into another, her sister Alice madonnas obsessively paints sad. Annabelle, a nurse in an intensive care unit, tries desperately to save his family pronosticándole the future. When Alice meets by chance Jacques, a lonely police pessimistic explode all family neurosis.

Mady Celliers, an attractive housewife of 60, he spends his life speaking ill of her two daughters and her husband, a man who shows a strange behavior since has retired. Antoine, the eldest son, company director, is unable to make a success of a business: out of a bankruptcy to get into another, her sister Alice madonnas obsessively paints sad. Annabelle, a nurse in an intensive care unit, tries desperately to save his family pronosticándole the future. When Alice meets by chance Jacques, a lonely police pessimistic explode all family neurosis.

Mady Celliers, an attractive housewife of 60, he spends his life speaking ill of her two daughters and her husband, a man who shows a strange behavior since has retired. Antoine, the eldest son, company director, is unable to make a success of a business: out of a bankruptcy to get into another, her sister Alice madonnas obsessively paints sad. Annabelle, a nurse in an intensive care unit, tries desperately to save his family pronosticándole the future. When Alice meets by chance Jacques, a lonely police pessimistic explode all family neurosis.

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

クリスマス・イヴの夜。ハリントン一家は、毎年恒例のクリスマス・パーティに出席するため、おばあちゃんの家へと向かっていた。２０年以上も同じ道を通ってきたフランクだったが、この日彼は、なんとも魅惑的な近道を発見し、ひとけのないその道に車を進めた。ところが、どうしたことか行けども行けども目的地にたどり着かず、道はどんどん暗く薄気味悪くなっていった。やがて一家は、赤ん坊を抱え道端にたたずむ白いドレスの女と遭遇する。それを境に、一家の不吉な予感はいよいよ現実のものとなっていく。

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics. Director and editor-in-chief Hans Dichand’s ingenious populist strategy allows him to reach the greatest number of readers: the paper’s style and content play on base human instincts such as the fear of the “other,” the opposition between “good” and “evil,” and the common man’s sense of powerlessness in the political arena. He then wields the might of this enormous audience to influence politicians and impose his nostalgic vision of a pure, prosperous, and peaceful world.